Theophagian - Hell & Back Again. - Tumblr Blog

moo deng fanart

Sometimes fiction doesn’t have a moral to the story. Sometimes fiction points at something and goes “Ever thought about THAT???” And you look at what it’s pointing at for a bit.

"do it scared" ok but I would like to do something some other way occasionally. Like at least once. For a change.

When someone interrupts me while I'm writing an intense scene.

we really can’t overstate how damaging it has been to indoctrinate the public with the idea that if they let themselves eat as much as they want, they’ll eat too much. human bodies, when permitted over the long term to eat as much as they want, actually get really, really good at calibrating their hunger and satiety, and will over time eat exactly the right amount for themselves. the common conception of a balanced eater as a minimal or restrained eater is absolutely wrong. balanced eaters eat quite a lot (compared to diet cultural ideas about right intake amounts), and they do so consistently and permanently. healthy, balanced eating isn’t some tightrope walk, it’s a gigantic net of total permission to eat.

why does viva la vida by coldplay always go so hard. i hear those opening strings and instantly im a cynical and mournful king walking through his overthrown kingdom like oh shit I totally did used to rule the world!!! I used to roll the dice and feel the fear in my enemies’ eyes but now im literally sweeping the streets I used to own!!!! idk what it is about this song but for some reason i can’t explain

meet cute: it's raining and I see your battered bleeding body lying in the mud and I kick it slightly to see if you're dead

There's this little thing I like to call Passive Villain Syndrome (probably an actual term for it somewhere but I don't know it), which is where the villain of a story is introduced, the reader is told how evil they are and then . . . they don't do anything until the story needs a climax or the series needs a finale.

My biggest issue with this is that it reduces what could be an interesting and memorable character to a mere obstacle, a plot device. They're evil and they're said to do evil things. It's hard to explain, but it's just boring. It's a similar reason where I don't like stories about a kind character becoming evil just by grabbing a knife and going on a killing spree with a crazed smile. You can put any character in that scenario and they don't stand out. Am I saying you need a deep complex motive for your villains? No, some of my favorite villains are evil because it's fun. But the key thing is that they have creative ways of causing pain and chaos and they feel like a real threat. This got a bit off topic, but my point is these kinds of villains aren't memorable. Your villain should have as much thought put into them as the hero so there is tension and a sense of danger.

It also causes "show don't tell" violations where the reader is told how twisted and dangerous a villain is, but they're never shown. It's worse when the villain is defeated in about 3 pages after all that build up. (cough cough Harry Potter cough cough)

Yes, I know wanting mystery around the villain is a thing. But even something as simple as the villain holding one of the hero's friends captive as they torture them is something. Or keep the identity of the villain a secret, but throughout the story, murders or crimes happen that apply more pressure on the hero to not only find who's doing this, but to also stop them. Present day events, not flashbacks, that's important. I also suggest having smaller encounters throughout the story to build a relationship between the two, put some personal stakes and grudges between them.

TLDR: Please have main villains that don't sit off on the sidelines of the story until the climax needs to happen.

put that knife away. you are Not ripping my underwear off in this economy what's the matter with you

Links to Pacific Rim creator Travis Beacham's own posts on drift compatibility and drifting

Drift compatibility is psychological, not genetic

The better you know someone, the more likely you are to be drift compatible

Drift compatibility is potential, not fate

Drift compatibility can be a choice

Friendship is the foundation of drift compatibility

The drift requires trust

Trust is fundamental; also drift compatibility can be determined with anything that tests how well you can anticipate each others' moves

That even includes multiplayer video games

Many cadets wash out during Pons training when secrets come out in the drift and shatter their relationships

A lot of pilots get messed up by flinching over sexual thoughts

Trying to avoid thoughts just makes them worse

Not everything you see in the drift is always real; also the way to deal with thoughts is just let them flow by

Pilots communicate through "headspace"

Illustration of a conversation in headspace

First drifts can be very confusing, because partners don't understand each others' minds very well yet

The drift exposes pilots to each others' raw, unfiltered thoughts

Raleigh knew what Yancy was going to say

The drift doesn't let you read your partner's mind like a database, and you may not necessarily understand what you see. Also when Pentecost says he carries nothing into the drift he means he's calm and stable.

Pentecost gained this calmness through meditation

Trying to block your partner from your mind will make you lose control of the Jaeger

Pilots who fall below 90% sync will be in trouble

General information plus info on RABITs

You can chase your partner's RABIT

Another post confirming you can chase your partner's RABIT

More RABIT info

More general information

Travis Beacham defines ghost drifting

Partners' personalities can rub off on each other

Neural overload doesn't hit you all at once; it accumulates

The time a pilot can go solo varies, and it's a steep curve from fine to dead

More info on solo piloting

Being high in the drift probably makes it harder to avoid chasing the RABIT

The way people demonize seagulls is actually unreal. Almost all of their natural habitat has been destroyed (almost all coastal areas have been developed, destroying natural sand dune ecosystems) and they're doing their best to adapt. They're literally just trying to survive. You're in their home. The vitriol some people have for these gorgeous sea birds just because they're not shy about snatching food if you're not cautious is insane

as ive said many many time,s no android redesign of glados will ever be hotter than her canon design. you may quote me on this til the day i die.

Geena Davis and Susan Sarandon reuniting for Thelma and Louise 30th anniversary (2021)

you ever listen to a song 47 times in a row and every time you’re like wow what a good song. I’m gonna play it again.

i think theres this idea in the general public that the "best" fanfic gets turned into real books like 50 shades of grey. but the truth is that the best fanfic can never be published as an actual book because its intricately woven into the canon material so its inseparable even if you change the names

MY COUSIN VINNY (1992) || LEGALLY BLONDE (2001)

This too shall pass but like holy fuck

why can’t things be easy peasy lemon squeezy

My friend, Angel, commissioned me to pyrogragh this pair of leather gloves that he will be using as a wildfire fighter in Colorado. What sold me on the project was him saying “I just want trees and mountains to be included. Other than that, you’d have total creative freedom, I know you create better that way” :’)

By illustrating skeletal human hands made from sticks and wood with growing leaves in the palms of the gloves, I wanted to create a reminder for Angel that he is very much a part of the nature he is fighting to protect.

you cannot advertise to me in a way that matters.