Turbodawn7-13 - Turbo Dawn

Okay alright guys. It's two thousand twenty something, new year, Mickey Mouse is in the public domain, doctor who is starting from season 1 again and the Marvel Cinematic Universe is probably on fire right now(not in a good way). Disney is distracted and we must plague them into making their best villain into a big thing outside of comics.

This year we must infect the English speaking world with Phantom Blot propaganda as much as we can. We need them unknowing Americans to see the light.

Everybody has been complaining these days about there not being enough real good villains. Everybody wants the Phantom Blot. They just don't know it yet.

Blah blah Disney and their emotional trauma is the real villain, Disney and their terrible twist villains, etc etc. They have the solution right here

Look at him doesn't he look like a great solution?

There needs to be more Blot demand. I demand that he is actually the big bad in that stupid mobile game that now also has a manga. You will like the phantom blot I swear you will hes cool And cOOl aNd yOU WILL LIKE HIM WHY ARE YOU RUNNING AWAY

That picture is me, i stabbed them for not liking the phantom blot.

Anyways. Phantom Blot propaganda. That was it. By the end of the year I want everyone to know the guy. Soon he will be on the big screen, on the small screen(not as a magica hating loser smh ducktales) and they should sell black cloaks in Disneyland. Make the people aware that they need him because they do. Fantagraphics you can help where is the Nucci/Casty volume of Disney masters containing their three Phantom Blot stories

So here I declare 202? as the year of Blotty, ignore that it's Donald's 90th anniversary.

OH MY GOSH, THAT WAS SO GOOD 😭

Finally… after 2-3 months on working on this…

it’s finally done!!! I can finally sleep in peace now-

To give context: Mickey went to the Realm of Darkness to search for Oswald (cause he figured out he was still alive and such, don’t know how). And later he found him, but not the same brother as he knew before… (and then they proceeded to have a 3 and a half minute musical because it’s what every Disney characters do sjfjsjdk-)

Anyways enjoy! This was really fun, yet challenging project to do considering this is my first animatic haha! ☀️✨

(Animatic inspired by Frootoon on YouTube btw! Just wanna give credit is all)

the epic mickey novel makes me sad its just mickey gets traumatized: the book. like i know this happens in the game but experiencing it from inside of mickey's head is just. man

Sonic and the Mirror of Trauma: Scrapnik Island

Scrapnik Island is by far the most intriguing and impressive IDW Sonic miniseries so far. Daniel Barnes wrote an excellent story about recovering from trauma, struggling to escape your past, and facing the setbacks that come with both of those, and Nathalie Fourdraine and Jack Lawrence produced some beautiful art.

On its surface, the story has the potential to be a cheeky, cliché one-off akin to a spooky Halloween story (that started in December… hehe). But, when you look deeper at the plot and some of the tropes, and once you remember that it takes place between issue 56 (which I’ve crucially discussed at length) and issue 57, it suddenly becomes so much more important.

Mecha Sonic is a version of Sonic who has been forced to address the pain of his life and dabble with the consequences, and he represents the moment that Sonic has to face his own trauma—and that scares him.

Scrapnik Island sets off with the Scrapniks pursuing Sonic to help him, but Sonic, of course, has missed the memo. Mecha Sonic is hottest on Sonic’s trail, which stands out to me as not only is Sonic visibly afraid of Mecha (both from his sudden presence and from his memories of their last encounter), but he’s actively running away from his trauma, his past, his fear.

Even after Sonic’s been set straight on the Scrapniks’ deal, he’s still put off by Mecha Sonic’s silent demeanour and their history. So, Sonic treats him coldly, and this animosity triggers something deep within Mecha that he fights to starve off.

There is lots of visual storytelling to indicate that Sonic and Mecha Sonic are meant to be literary foils, but below is my favourite example. A flashback of a decommissioned Mecha Sonic fades into a present shot of Sonic “taking it easy,” but more so getting fed up with his situation.

Sonic is also particularly distrustful (and afraid) of Mecha Sonic, compared to the other Scrapniks. However, as time runs on, Sonic comes to an initial understanding of Mecha’s changed ways and wants to make peace. However, right after this, Mecha Knuckles attacks, Mecha Sonic defends and, in a way, sacrifices himself for Sonic, and things fall apart from here.

After Mecha Sonic is triggered during his battle with Mecca Knuckles (after a forceful encounter with Mecha Sonic’s past that sends him down a path of relapse), Mecha Sonic loses his ability to starve off Eggman’s primary programming. He turns on Sonic once again, but instead of serving Eggman, he strives to serve himself. While Mecha is falling victim to his traumatic past and coping mechanisms, the unfortunate thing about this is how it all reads to Sonic: another betrayal of his trust. It all calls back to Mr. Tinker, Metal Sonic, and Surge.

Mecha Sonic’s plan is to swap bodies with Sonic so that Mecha can use Sonic’s speed to escape the island, but the Scrapniks attack before the transfer can complete. This leaves Mecha and Sonic in an in-between state where they hear each other thoughts and feel each other’s feelings.

Even though Sonic states that the anger and sadness in his head is not his own, he’s still clearly shown to be feeling those feelings. They don’t originate from him, but their presence mingles with his own emotions to produce something darker and more irritated. Their presence also acts as a gateway of sorts, where the latent anger and sadness that Sonic can’t suppress makes it harder for him to put away his own feelings. Couple that with his physical pain from his sprained ankle (on the same leg he busted up a few issues prior), and soon, Sonic snaps for the first time in the entire IDW comic’s run.

I love whenever Sonic’s anger is allowed to shine because he is never enraged for petty reasons. Sonic has an attitude that often leads him to cranky comments, but Sonic is genuinely angry here because it hurts him to see someone speak so lowly of themselves, to have been hurt by the world so poorly. Mecha Sonic is also yet another person who has been created by Eggman’s terror specific to oppose Sonic. It’s another example of Surge’s “I will kill you or die trying” with the added complexity of Mecha’s attempt at redemption being corrupted by the trauma of Eggman’s influence. This puts pressure on Sonic because these impositions put Mecha, Surge, Kit, and others like them in direct opposition to Sonic for reasons entirely of no fault of his own—and that angers him. All Sonic strives to do with his life and his gift is help people, and to have so many people come out of the woodworks to say that the only thing he can do to help them is to kill himself is absolutely devastating to him. Not only because he believes in the direct opposite—that the only person who can give one purpose is oneself—but because it threatens to strip his own purpose away from him whenever these notions are unearthed.

Sonic isn’t angry at Mecha, personally. He’s angry at the system created to hurt them both.

The most important thing to remember is that, unless I fully missed something*, that strange mind-link thing between Sonic and Mecha Sonic is never undone. After Sonic cries Mecha Sonic’s tears, the story cuts to Tails officially deprogramming Mecha Sonic and Mecha Knuckles from Eggman’s directives, but it’s never explicitly stated that Mecha Sonic’s and Sonic’s mental link was reversed.

It can be reasonably assumed that it occurs off-screen (off-page? Outside of what is shown to the reader) because that would make general sense, but then again, so did the reprogramming, and that was explicitly mentioned. Further, it’s a general rule in writing for media that if you want something to be known about your story, it needs to be shown to the audience if not alluded to or directly referred to having happened. So, this is either an oversight, or it’s entirely intentional.

* The only way I can imagine this being accounted for is that the machine that linked Sonic and Mecha’s brains, the Egg Noggin, is (obviously) an Eggman device. Thus, whenever Tails removed Eggman’s programming from Mecha Sonic and Mecha Knuckles, perhaps it also restored Sonic’s brain to normal. This, however, feels like a bit of a stretch because we never see or hear of Sonic needing or receiving any treatment, but I am willing to consider it to be a viable reason. Either way, I think the point I’m about to make still stands as either a physical change or an emotional change in Sonic’s character.

This experience, this sharing of minds in such an intimate way where they can both so clearly hear each other’s hearts, taught them something. I read this as some sort of floodgates being opened, where while Mecha Sonic can more easily feel compassion and listen to the good in his core, Sonic now more clearly feels his anger and has a harder time suppressing his emotions. Whether there is lasting physical damage left in Sonic or he’s simply reeling from the depth of his emotions felt in this adventure, there’s been a clear impact.

Even if Sonic isn’t fully delving into things just yet, he’s taken a lesson away from all of this.

(From the IDW Endless Summer One-Shot, set between issue 64 and issue 65 and after the 900th adventure one-shot)

If nothing else, Sonic clearly understands trauma better now. Sonic is absolutely traumatized by his experiences with Eggman and other high-stakes adventures, but again, due to his tendency to push away his darker emotions, he hasn’t processed much of this. Sonic puts all his sadness and rage and fear and confusion into box after box after box before shoving everything onto a big, cluttered shelf, never to be seen again… until now. With such a clear look into the mind of someone actively reeling through trauma, a trauma so like his own, that shelf has collapsed, and now everything is spilling onto the floor before Sonic, quick as can be, can stop it.

Sonic is finally starting to understand the bigger picture, but I don’t think he’s fully on the path of self-awareness. I think there’s more boiling under the surface, more than even he realizes. And if Sonic keeps taking these micro-risks (instead of his usual Hail-Marys) that are fueled by his anger, like storming the Eggperial City too soon, then something will have to give.

Scrapnik Island is incredibly important to the IDW storyline because it showcases not only Sonic learning the depths of his pain and the pain of others but also yet another nail in Eggman’s coffin.

Season 5 and the symbolism of pancakes

Guys, I swear I have a life outside of speculating the meaning behind pancakes in Miraculous...

But seriously, they're important. They symbolise the future (as made explicit in Pretention).

[Small note: they look like pancakes, they're called "pancakes" in the French dub, I don't know if they taste like pancakes, but I do know that they are not "French toasts" as the English dub claims. So I'll stick to "pancakes"]

Illusion

So we are introduced to the pancakes in Illusion, where for the first time Adrien sees his father in the kitchen, preparing breakfast.

Seems benign enough. Gabriel is even considered enough to ask Adrien how he likes his pancakes. He likes them "well-toasted."

Illusion is an episode where Gabriel fakes having changed, and him giving Adrien a choice is in line what that change. Of course, he still manipulates him into making him think that he has the freedom to not be the face of the Alliance, by basically threatening to withhold his newly expressed fatherly love if Adrien refuses to agree with him (more on that in this post). Pancakes are just a device for Gabriel to add to his illusion of good parent, and the illusion that Adrien has a choice.

Passion

Adrien and Gabriel are in the kitchen. Adrien is looking at his extremely decorated pancakes.

As we learn from Nathalie a second later, he likes his pancakes plain. She tells him to not eat them "to please his father", while Gabriel seemingly naively points out that if Adrien didn't want bananas, he could have told him.

Sure he could tell him, except that the last time Adrien asked for something from Gabriel -to not be the face of Alliance-, he emotionally manipulated him to withdraw his request, and even made him wear the said Alliance.

The bananas and the fancy toppings are basically a metaphor for the fancy model life Gabriel wants to give Adrien, while Adrien really doesn't want any of it. And just as many people like toppings on their pancakes, they also would like to have a life of fame, hence think Adrien is lucky (as seen in the S4 Finale). Meanwhile, Adrien doesn't want any of it, he likes his pancakes and and his life plain and simple, "au naturel".

Nonetheless, Adrien still continues eating his father's pancakes, saying that he doesn't mind, that he likes them.

Pretension

This is where the pancake business gets serious.

First, we learn that indeed, Gabriel's pancakes taste bad. Plagg cheers for being saved from eating another serving of Gabriel's pancakes. This is bordering to over analysis but, given that Plagg couldn't eat them while Gabriel is in the kitchen, I assume that's Adrien's opinion which he must have confessed to Plagg at a more appropriate time. And still, Adrien keeps eating his father's pancakes.

Later in the episode, the pancake/future metaphor is expressed very clearly by Gabriel. He tells Marinette that she can have her pancake and life however she wants it, but the one thing she can't do is to share it with Adrien.

He says very clearly:

You think that you have a choice, but all you have is the illusion of a choice. And I decide which choices you get.

And where do we get this exact claim in practice? In the episode Illusion, where Gabriel manipulates Adrien into thinking that he has a say over his future, while Gabriel is the one making all the choices that matter.

And he gives two "choices" to Marinette:

To eat the pancake, receive Gabriel's backing and be a famous designer

To refuse the pancake and have nothing

Once more, the way he frames it, Gabriel gives the illusion that Marinette has a choice, while neither of the two choices includes being with Adrien. So he basically leaves her with no choice but to break up with him.

Now comes the breaking point. Marinette fully understands that the pancakes are a metaphor for her and Adrien's future, and she continues the same metaphor to get her message across to Gabriel (talk about power move).

First, she refuses to eat them. She has "lost her appetite."

This refusal is in contrast with Adrien who kept eating them even though he didn't like them. Unlike him, Marinette "doesn't even need to try them to know that they are bad."

Normally, this is to be understood as her making the choice no 2: refuse the pancake and have nothing.

As such, she is escorted out the kitchen. The scene composition clearly shows that she is stuck between Gabriel on the one side, and the Gorilla on the other.

Because, she refused the pancake. Per Gabriel's rules, she is supposed to have nothing.

But Marinette defies that. Not only she runs upstairs to hug and tell Adrien that she'll never abandon him, but she also gets back downstairs without needing to be restrained by the Gorilla, hence protecting her composture.

Look at how she goes down the stairs, having not only the physical but also the moral high-ground:

She looks so intimidating that in the next frame, even the Gorilla steps aside to let her pass. Both Gorilla and Gabriel are surprised by her move, if you zoom in you can see it in their faces. Gabriel did not expect her to do something outside the two "choices" he had given her.

And then comes the death blow, where Marinette tells Gabriel:

You know what's your pancakes problem? They have too much flour and not enough butter. You use an outdated recipe, no one likes them like that anymore.

Yup. She calls Gabriel's entire fashion, but also life practices, outdated with one simple metaphor. My girl slays.

At the end of Pretention, during dinner (no pancakes here sorry), we see that a parallelling breakthrough happens in Adrien's front.

Gabriel tells Adrien that he can spend as much as time as he wants with Marinette, for he will be in London next year. Again, Gabriel is creating the illusion that he is free to date Marinette, except that, as Adrien now realises, he is not. Adrien gets visibly furious at his father for the first time.

He does quickly calm down, but what is his reaction? He says that he has "lost his appetite," just like Marinette did. The boy who kept eating badly made pancakes with the toppings he didn't like finally refuses to eat the illusions his father is feeding him.

This, coupled with Adrien's terror at going to his room at the beginning of the episode, leaving Marinette alone despite himself, become a turning point for him: he finally acknowledges that he isn't free, and that his father keeps forcing his decisions onto him. Maybe also getting one step closer to discovering/accepting that he is a sentibeing.

All this story, told through pancakes.