Uracowboylike-me - Isnt It Obvious? - Tumblr Blog

songs she hasn’t performed yet on tour 🧐 what do gaylor minds think of this list 😳 i personally have some strong feelings 😀

okay boyfriend

the gayest her hands have ever looked

can someone tell me if there’s a theory about these two being, ummm, more than friends?? because this birthday post, to me, a lesbian in a commited long-term relationship, speaks VOLUMES 😳👀 like i would only talk this way about my girlfriend ¯\_(ツ)_/¯

i feel like i’ve seen a post on here about them!! does anyone know? i’m still new to tumblr and the gaylor community as a whole so if anyone knows what i’m talking about lmk :)

you got that james dean daydream look in your eye

What a truly mind blowing thing you’ve turned The Eras Tour Concert Film into. I’ve been watching videos of you guys in the theaters dancing and prancing and recreating choreography, creating inside jokes, casting spells, getting engaged, and just generally creating the exact type of joyful chaos we’re known for 😇 One of my favorite things you’ve done was when you supported Cruel Summer SO much, I ended up starting The Eras Tour show with it. For old times sake, I’m releasing the live audio from the tour so we can all shriek it in the comfort of our homes and cars PLUS a brand new remix by LP Giobbi 😜 Thank you, so much, forever, wow, just thank you!!! https://taylor.lnk.to/thecruelestsummer

okay so i saw the movie tonight and was cheering loud af for evermore era and the girls next to me were like “evermore girlies in the house!!” and i turned to them and was like “do you guys fuck with evermore!?” and then during betty speech when taylor mentioned a “teenage boy named james” i was like “yeah right 😒” and then the girls next to me were like “uh huh 🙄” and that was my first gaylor sighting in the wild like that. how EXHILARATING

cowboy like me (bandit version) — the story of two swindlers who fall in love, their eyes full of stars, hustling for the good life at fancy resorts, trying to score rich romantic beneficiaries. forever is the sweetest con, right?

(inspiration credit - this truly breathtaking reputation redesign by @bybdolan that I regularly stare at in absolute awe and admiration)

Speak Now (Taylor's Version) // When Emma Falls in Love

dorothea (full performance) — Kansas City Missouri, night 2 ✨

i loveeeee this idea, what interview was that when she said something along the lines of midnights sonically resembles a lot of her old work and that the reasoning behind that would be clear soon enough 🧐

i will expound on this tomorrow probably but with every new batch of vault tracks it becomes more clear how the rerecording process inspired and motivated both the concept and the direct lyrics of Midnights

SPEAK NOW (TAYLOR’S VERSION)

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

Taylor Swift for Speak Now (Taylor’s Version)

when I hear cowboy like me I see brokeback mountain so trixie saying this is just so incredible to me