vexiekelly - π‹π’πŸπž 𝐒𝐬 𝐚 π‚πšπ›πšπ«πžπ­
π‹π’πŸπž 𝐒𝐬 𝐚 π‚πšπ›πšπ«πžπ­

β€œIf our love is a sin, then heaven must be full of such tender and selfless sinning as ours.”

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No, Im No Ones Wifebut Oh, I Love My Life!

No, Im No Ones Wifebut Oh, I Love My Life!
No, Im No Ones Wifebut Oh, I Love My Life!
No, Im No Ones Wifebut Oh, I Love My Life!
No, Im No Ones Wifebut Oh, I Love My Life!
No, Im No Ones Wifebut Oh, I Love My Life!
No, Im No Ones Wifebut Oh, I Love My Life!

No, I’m no one’s wifeβ€”but oh, I love my life!

Chicago (2002) dir.Β Rob Marshall

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5 months ago
All (released) Variations Of Dr Orchid In Clue/Cluedo: The Classic Mystery Game
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7 months ago

Saw that you said you’ve seen 11 adaptations of Great Expectations? So curious on your rankings and which ones you like the most/reccomend!

OMG AHAH YES... It's even more than 11 now! Including theatre productions, even went to one recently :')Β  English is not my native language, BUT..

I rank them, but mostly for myself, as the criteria is very specific.

But I can recommend them! I'll talk mostly about the ones I liked, because the ones I hated could be talked about forever.

Naturally, the 1946 version is good, even if it has a romantic ending (which I personally can't stand, but it's present in 90% of the adaptations, so if it happens in the final seconds, you can tolerate it). At least the atmosphere is retained and the film is really great.

I also really liked the 1922 silent black and white Danish film, there's something special about it. Naturally, it was quite shabby, but the actors show everything perfectly with their facial expressions. And most importantly, it's atmospheric and funny. I highly recommend watching it if only for the sake of the experience! I was especially hooked by the very first scene. It's very rare that an adaptation pays more attention to it than the scene where Pip and Magwitch meet. When, as in the book, it's quite sad, as Pip strokes tombstones and fantasises about what his parents might have looked like. So in the film it takes a certain amount of time and he just lies by the tombstones while the wind ripples the grass and you can see the gallows in the background.

For me in general, the most important thing about an adaptation of Great Expectations is that it has to be funny and tragic. Humour is such an important part of the book, and black humour at that.

The 1999 series isn't bad either, although it's quite dark. But here I was sometimes confused by the presentation of the characters, but it's definitely very good compared to many others.

But my personal favourite is the 1989 series, I like everything about this adaptation. And it's naturally tasteful, but all the characters behave the way I expect them to! Especially Pip, Estella and Herbert, they generally often screw up in their character writing in adaptations. In this version, Pip is literally the best I've ever seen.

And Miss Havisham, how gorgeous she is! She is, by the way, played by the actress who played Estella in the 1946 version! (and who better to play Miss Havisham than Estella, ahah).

There's a lot in this adaptation that's often cut or portrayed in a way that's better not tried. Hammersmith with the Pockets family, Wemmick's house is charming with A.P. and Miss Skiffins! What a delightful Joe and Biddy there...... And the fight scene between Pip and Herbert? Wonderful. Funny, ridiculous and with a complete lack of any aggression, as it should be. Pip and Herbert are great here in general, very nice.Β 

In short, yes. Favourite adaptation.

The 1981 series isn't bad either!

In other adaptations I usually only like certain elements, or the way certain moments are played around.

And it's often just a shame that good actors are used so poorly.

I don't like the 2011 and 2012 versions at all, although I've seen 2012 occasionally praised. But how bad is it for me.... Such disrespect to Estella's character. Not to mention the others, Pip I can't digest here at all. Literally the only good thing I could see for myself was the use of Handel's nickname. But there's a very strange Herbert here and it looks very vulgar and not sincere.

In both these versions Miss Havisham is played by eminent admirable actresses, but how strangely the character of the heroine is turned out by the writers... Such wasted potential with such a cast. There are especially a lot of questions for 2011 in terms of Miss Havisham. Brr. I also hate it when Biddy is made whiny and helplessly in love with Pip. So does Estella...

( Also a shame about Harry Lloyd as Herbert, how little he was and how hastily he was cut. It's a strange desire to cut Herbert out of the plot, to fuse him somewhere. Often, he and Pip aren't even close friends, it's like they're no more than neighbours and drinking buddies. There is no deep connection and no tender loyal friendship).

The 1974 version is neither good nor bad, but rather odd. But I was amused by the scene where Molly is forced to show her strength. She and Drummle wrestle at arm's length and he, of course, shamefully loses.

Here I decided to slow down and not describe absolutely everything I've watched so the post doesn't get any longer. (God I hope you find this post at all useful... And I hope you'll respond.Honestly, if you get the urge to discuss it, I'd be delighted!)

Although it's impossible not to mention the Australian cartoon 1983. It's so bad it's good. It's so fucked up. Had the odd pleasure of watching it, but of course it's bad.

But. Most of all, I hate the 2023 version with all my heart. It doesn't have a single silver lining. It's just disgusting and unbearable to watch, they wanted to look at the story in a new way but fucked up absolutely everything. What a waste of cool cast, impossible.


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7 months ago
Brad Pitt And Helena Bonham Carter As Tyler Durden And Marla Singer In Fight Club (1999)

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6 months ago
vexiekelly - π‹π’πŸπž 𝐒𝐬 𝐚 π‚πšπ›πšπ«πžπ­

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5 months ago
Clue (1985) Dir. Jonathan Lynn
Clue (1985) Dir. Jonathan Lynn
Clue (1985) Dir. Jonathan Lynn
Clue (1985) Dir. Jonathan Lynn

Clue (1985) dir. Jonathan Lynn


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