Unusual Idea

Unusual Idea

So, I usually see with human AUs bright, bubbly, cheery Patton who is friends with everyone/ who everyone loves.

But I’d like an AU with Patton, who doesn’t have many friends. Give me Patton, who is still as sweet and caring as always but is just a bit much for people to handle. Give me Patton who is picked on for his femininity and his softness, who, even after all this rejection, greets everyone with open arms and an open heart.

I’d like to see Patton, who after finding Virgil, Roman, and Logan, constantly wonders if he’s too much for them, or if they’ll leave him, and he needs their reassurance to sleep soundly at night but doesn’t want to bother them. So he lies awake at night and thinks of the worst possible outcomes.

Until one day, Virgil notices that Patton has been a bit…..off…. lately and makes him a card. He drops it off in Patton’s locker/mailbox/etc and when Patton sees the cover his heart stops.

Because he thinks back to the times when his few old friends told him he was too much, or they needed a break, and Patton almost starts crying. But when he opens it up, and sees the validation from Virgil, he starts crying for a very different reason. Because he knows that at least he isn’t too overbearing for Virgil.

Just. Give me lonely Patton.

(Also a song that I feel would be the best for this AU is Liability by Lorde link here)

@dailypattondoodle

@sanderssidecanons

@dailyvirgildoodle

@dailylogandoodle

@dailyromandoodle

@dailysanderssidesauprompts

@notalwaysthevillian

@the-pastel-peach

@mijako98

@the-incedible-sulk

Writing Prompt

After mastering lucid dreaming you find you have complete control over other people’s dreams too. You can choose what they dream of down to the tiniest detail and even join them without them realizing you’re actually real. Their subconscious is your playground. Hope they were nice to you.

Tag your responses with #wordsnstuff // Ko-Fi

5 Moral Dilemmas That Make Characters and Stories Even Better

Readers can’t resist turning pages when characters are facing tough choices. Use these 5 keys to weave moral dilemmas into your stories–and watch your fiction climb to new heights.

#1: Give Your Character Dueling Desires

Before our characters can face difficult moral decisions, we need to give them beliefs that matter: The assassin has his own moral code not to harm women or children, the missionary would rather die than renounce his faith, the father would sacrifice everything to pay the ransom to save his daughter.

A character without an attitude, without a spine, without convictions, is one who will be hard for readers to cheer for and easy for them to forget.

So, to create an intriguing character facing meaningful and difficult choices, give her two equally strong convictions that can be placed in opposition to each other.

For example: A woman wants (1) peace in her home and (2) openness between her and her husband. So, when she begins to suspect that he’s cheating on her, she’ll struggle with trying to decide whether or not to confront him about it. If she only wanted peace she could ignore the problem; if she only wanted openness she would bring it up regardless of the results. But her dueling desires won’t allow her such a simple solution.

That creates tension.

And tension drives a story forward.

So, find two things that your character is dedicated to and then make him choose between them. Look for ways to use his two desires to force him into doing something he doesn’t want to do.

For instance, a Mennonite pastor’s daughter is killed by a drunk driver. When the man is released on a technicality, does the minister forgive him (and what would that even look like?) or does he take justice into his own hands? In this case, his (1) pacifist beliefs are in conflict with his (2) desire for justice. What does he do?

Good question.

Good tension.

Good drama.

Another example: Your protagonist believes (1) that cultures should be allowed to define their own subjective moralities, but also (2) that women should be treated with the same dignity and respect as men. She can’t stand the thought of women being oppressed by the cultures of certain countries, but she also feels it’s wrong to impose her values on someone else. When she is transplanted to one of those countries, then, what does she do?

Construct situations in which your character’s equally strong convictions are in opposition to each other, and you will create occasions for thorny moral choices.

#2: Put Your Character’s Convictions to the Test

We don’t usually think of it this way, but in a very real sense, to bribe someone is to pay him to go against his beliefs; to extort someone is to threaten him unless he goes against them.

For example:

How much would you have to pay the vegan animal rights activist to eat a steak (bribery)? Or, how would you need to threaten her in order to coerce her into doing it (extortion)?

What would it cost to get the loving, dedicated couple to agree never to see each other again (bribery)? Or, how would you need to threaten them to get them to do so (extortion)?

What would you need to pay the pregnant teenage Catholic girl to convince her to have an abortion (bribery)? What threat could you use to get her to do it (extortion)?

Look for ways to bribe and extort your characters. Don’t be easy on them. As writers we sometimes care about our characters so much that we don’t want them to suffer. As a result we might shy away from putting them into difficult situations.

Guess what?

That’s the exact opposite of what needs to happen in order for our fiction to be compelling.

What’s the worst thing you can think of happening to your character, contextually, within this story? Now, challenge yourself—try to think of something else just as bad, and force your character to decide between the two.

Plumb the depths of your character’s convictions by asking, “How far will s/he go to … ?” and “What would it take for … ?”

(1) How far will Frank go to protect the one he loves?

(2) What would it take for him to stand by and watch the one he loves die when he has the power to save her?

(1) How far will Angie go to find freedom?

(2) What would it take for her to choose to be buried alive?

(1) How far will Detective Rodriguez go to pursue justice?

(2) What would it take for him to commit perjury and send an innocent person to death row?

Ask yourself: What does my character believe in? What priorities does she have? What prejudices does she need to overcome? Then, put her convictions to the ultimate test to make her truest desires and priorities come to the surface.

#3: Force Your Character into a Corner

Don’t give him an easy out. Don’t give him any wiggle room. Force him to make a choice, to act. He cannot abstain. Take him through the process of dilemma, choice, action and consequence:

(1) Something that matters must be at stake.

(2) There’s no easy solution, no easy way out.

(3) Your character must make a choice. He must act.

(4) That choice deepens the tension and propels the story forward.

(5) The character must live with the consequences of his decisions and actions.

If there’s an easy solution there’s no true moral dilemma. Don’t make one of the choices “the lesser of two evils”; after all, if one is lesser, it makes the decision easier.

For example, say you’ve taken the suggestion in the first key above and forced your character to choose between honoring equal obligations. He could be caught between loyalty to two parties, or perhaps be torn between his family obligations and his job responsibilities. Now, raise the stakes—his marriage is at risk and so is his job, but he can’t save them both. What does he do?

The more imminent you make the choice and the higher the stakes that decision carries, the sharper the dramatic tension and the greater your readers’ emotional engagement. To achieve this, ask “What if?” and the questions that naturally follow:

What if she knows that being with the man she loves will cause him to lose his career? How much of her lover’s happiness would she be willing to sacrifice to be with him?

What if an attorney finds herself defending someone she knows is guilty? What does she do? What if that person is her best friend?

What if your character has to choose between killing himself or being forced to watch a friend die?

Again, make your character reevaluate his beliefs, question his assumptions and justify his choices. Ask yourself: How is he going to get out of this? What will he have to give up (something precious) or take upon himself (something painful) in the process?

Explore those slippery slopes. Delve into those gray areas. Avoid questions that elicit a yes or no answer, such as: “Is killing the innocent ever justified?” Instead, frame the question in a way that forces you to take things deeper: “When is killing the innocent justified?” Rather than, “Does the end justify the means?” ask, “When does the end justify the means?”

#4: Let the Dilemmas Grow From the Genre

Examine your genre and allow it to influence the choices your character must face. For instance, crime stories naturally lend themselves to exploring issues of justice and injustice: At what point do revenge and justice converge? What does that require of this character? When is preemptive justice really injustice?

Love, romance and relationship stories often deal with themes of faithfulness and betrayal: When is it better to hide the truth than to share it? How far can you shade the truth before it becomes a lie? When do you tell someone a secret that would hurt him? For example, your protagonist, a young bride-to-be, has a one-night stand. She feels terrible because she loves her fiancé, but should she tell him what happened and shatter him—and perhaps lose him—or keep the truth hidden?

Fantasy, myth and science fiction are good venues for exploring issues of consciousness, humanity and morality: How self-aware does something need to be (an animal, a computer, an unborn baby) before it should be afforded the same rights as fully developed humans? At what point does destroying an AI computer become murder? Do we really have free will or are our choices determined by our genetic makeup and environmental cues?

#5: Look the Third Way

You want your readers to be thinking, I have no idea how this is going to play out. And then, when they see where things go, you want them to be satisfied.

There’s a story in the Bible about a time religious leaders caught a woman committing adultery and brought her to Jesus. In those days, in that culture, adultery was an offense that was punishable by death. The men asked Jesus what they should do with this woman. Now, if Jesus had told them to simply let her go free he would have been contravening the law; if, however, he told them to put her to death, he would have undermined his message of “forgiveness and mercy.”

It seemed like a pretty good trap, until he said, “Whoever is without sin among you, let him cast the first stone.”

Nicely done.

I call this finding the Third Way. It’s a solution that’s consistent with the character’s attitude, beliefs and priorities, while also being logical and surprising.

We want the solutions that our heroes come up with to be unexpected and inevitable.

Present yours with a seemingly impossible conundrum.

And then help him find the Third Way out.

I hope this helped! I’ve been really busy today, seeing how my mom had surgery and I’ve been trying to continue writing my novel today as well. I thought I’d squeeze in some more stuff for you guys!

If you have any questions or just want to talk, feel free to visit my ask box!

@gayminhoboi: ..feelings inside. 

(A) gets in a bad accident, and (B) rushes to the hospital. When (A) shows (B) the scars, (B) notices the tattoo. It is exactly like (B)’s.  

//The plot gets more deep, but yeah. There’s one of my many ideas. 😆//

Oh my gosh, that works either way around and the feels are too much!

Non-Boring Environments that need Fantasy Representation

Tropical Rainforests

Scrubland/Dry Forests. For extra effect make them the sort that burn very often; some native plants never germinate until after a fire, and some animals not only rely on fire to smoke out prey, but may even start them themselves.

Savannas/Tropical Grasslands

Temperate Rainforests. I almost didn’t include this bc New Zealand is covered in them, and that’s where they filmed Lord of the Rings. But tbh, no one really knows about them, so it belongs here

Taiga Forests

Barren Tundra, perfect for some extreme seasonal dichotomy

Polar Ice Sheets

Desert-Grasslands (arguably the same as Scrubland but Australia’s good at adding its own twists)

Barren Desert

If you like Cacti, look at American Deserts like the Sonoran

Salt Flats

Soda Lakes and Alkaline Lakes

Madagascar’s Karst Limestone Formations

Madagascar’s Spiny Forests

Madagascar’s Baobab Forests

Madagascar’s Subhumid Forests (Madagascar is cool as hell ok)

Danxia Landforms

Badlands/Mountainous Deserts

Steppes and Highland Prairies

Flood Basalts

Newly-Formed Islands, still rife with Volcanic activity

Now for Underwater Environments, sure Coral Reefs are cool.

But there are SO MANY other kinds of environments for aquatic settings, it’s unbelievable:

Seaside Cliffs

Archipelagos. Not just Tropical Island chains like Polynesia (Moana anyone?) but also Coldwater Archipelagos like the Aleutians.

Tidal Flats

Bayous/Cypress Swamps

Tropical River Basins, AKA Seasonally Flooded Rainforests

Mangrove Swamps/Deltas/Beaches

Kelp Forests

The Open Ocean

Coastal Seabeds

Rocky Beaches with Tidepools

And there are a LOT more I could name but this post is already obscenely long as is, if you’d like to toss in your own go right ahead, but my point is if you limit yourself to European Deciduous Forests you’re a wimp.

Some fractured fairy tale ideas...

- Cinderella went to the ball to kill the prince.

- “All hail Alice, the Queen of Hearts.”

- Rapunzel is the witch’s illegitimate daughter, and she is being kept safe from a king who would have her killed on sight.

- The Little Match Girl is a now phantom luring people to their deaths.

- Little Red Riding Hood is a werewolf.

- “So… You’re the Pied Piper, eh? I thought you’d be taller.”

- Princess Snow White and the evil Snow Queen? One and the same.

- “If you value your life, my life, the lives of everyone in this city… you won’t wake the sleeping princess.”

- The land of the Twelve Dancing Princesses is falling apart at the seams, and the rest of reality with it.

- A witch who made some bad decisions in her youth is forced to adopt and raise a child.

- After Jack the Giant Killer ruthlessly murdered their king and threw their world into turmoil and war, the inhabitants of the Sky Kingdom must rebuild their lives.

- “What… what is it?” “A firebird – the last of her kind.”