Hiromu Arakawas Genius Is Obvious Throughout All Of FMA But Her First And Biggest Leap Of Genius Was

Hiromu Arakawa’s genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist. 

Arakawa realized the burgeoning youth of the early 2000s wasnt interested in another plucky spry optimistic young shonen protag. Instead she gave us a short ugly egotistical asshole smarter-than-you atheist with so much money and power that people could no longer best him in arguments by telling him “dude shut up ur literally like 12″ 

Five pages in we’re told Edward’s famous and rich and powerful. Five more pages and he’s calling some girl stupid for thinking God exists. Five more pages and he’s proven right. Five more and he’s kicked an evil priest’s teeth in. And no one can tell his mom on him.

Hiromu Arakawa figured out the dream of every edgy young weeb discovering internet arguments for the first time and she cast them an idol made of gold.

Takes the combination of both to create another new fucked up font

Helvetica vs. Arial

via scm.ulster.ac.uk

This creature is called a Quokka

personally i think if you stick your fingers into my enclosure i have the right to bite you, and i will, and i will do it hard 

have a gender moment about being divine and human

Full video: Scotland’s magical seabirds, Lorne Gill / NatureScot (atlantic puffin)