There's This Greenscreen Version Of That Scene In Oppenheimer Where Oppie Says That The Bomb Will Bring

There's this greenscreen version of that scene in Oppenheimer where Oppie says that the bomb will bring a peace mankind has never seen and Teller says yeah until someone builds a bigger bomb.

Why. Why tho. What purposes can this be used for? Like honestly, I'm curious. It is a bomb line, but what in the devil would you use it for?

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Did y’all know one time Feynman tried to prank Oppenheimer’s guards and almost got shot while sneaking out of the Manhattan Project compound

He sure loved his drum variations

Assuming Teller consistently referred to his bongos as drums, do you think Feynman ever corrected him that they're not just drums, they're ✨ bongos ✨

Hmm, it's possible, though I think I recall both hearing and reading "bongos" at different points in addition to "drums," buuut... While Feynman preferred his beloved bongos he also played:

The conga!

Or at least he made the attempt.

I continue to not believe that syntax is real. It simply makes no sense. I might be too stupid for this, but my professor will spend an hour explaining how something works and then spend the next hour explaining why it doesn't actually work.

Jesus bloody christ I was looking for this everywhere!! Thank you so much for sharing!!

I strongly encourage the viewing of both the BBC Oppenheimer 1980 series, as I mentioned, and now Fat Man And Little Boy 1989, which I realize was shown around the same time when I was very young, but I missed pieces of it, I think... There was a very big anniversary special of some sort in the 90's, some time around New Year's. Both the series and the film, and a handful of documentaries aired. Don't ask me the name of the documentaries, I wasn't old enough for that.

Oppenheimer 2023 is very good, don't get me wrong, and I have Nolan to thank for a few things personally... But it does not hold a candle, in reality, to its predecessors. It is louder, flashier, and Nolan accomplishes a decent medium of dread, this is true...

It does not, however, encapsulate some of the finer points... And frankly there are parts of it that are a little overdone, forgive me for saying it, but it is true. It is still a favorite... It is missing something the other two productions possess... Something very fundamental... Something very difficult to express that I cannot blame it for.

If you take my advice, I suggest you watch both closely, don't listen to just the words and watch the movements... Watch the faces, watch the eyes... Just watch.

(Both have subtitles!)