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it’s a love story baby just say yes // amagai/suzaki in high&low the worst x
after watching the movie multiple times, i feel confident in this conclusion: high&low the worst x is a love story. it’s a movie all about the power of friendship, the importance of love, and how that love between individuals & groups saves the day. as a series, high&low blurs the line between romance and friendship, and this movie is one of its most blatant examples; whether you want to call it platonic or romantic, in the end, it’s love. so i’m here to talk about how the heart of the movie is amagai & suzaki’s love story. let’s get started!
beginning: the sky
the movie begins with a shot of the sky, from the rooftops - which we later learn is the metaphorical top view that amagai and suzaki have sought since childhood. so from the very start, we’re presented with their end goal in mind. the movie wants you to know that this is where it all begins, with two boys’ desire to see the sky.
“from the moment people are born, it’s all been decided - whether you get to look down on others, or have to look up at others.”
the camera then pans down as amagai shares his black&white philosophy on humans, and it’s pretty standard antagonistic talk. you’re either on top or the bottom, a ruler or a servant, and it’s very clear that he sees himself as the first of these. we then watch amagai and suzaki storm the school, amassing a group of followers from senomon and other schools, leading to the group all standing outside the school. it’s a show of power and solidarity.
but when the group starts moving forward, suzaki stays behind, watching amagai and his gang leave. the illusion of a powerful union has been fractured. eventually suzaki is all alone in the courtyard, and he pensively turns his gaze to the sky.
thus, the film’s introduction has set up the major conflict in the film: not between senomon and oya high, but between amagai and suzaki. amagai leads his alliance, but suzaki stays behind - they are not walking together on this journey, at least not emotionally. rather than walking beside amagai, suzaki ponders the sky, the representation of their childhood dream.
amagai prowls into a violent future, suzaki holds onto their past. the stage is set.
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