IT'S STABBING TIME

IT'S STABBING TIME 🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️🗡️

Alright, not to be too predictable, but I wanna talk about space and color as it's used in the intro to season 1 for a minute. And you know, show some gorgeous space shots.

So we open in the dark. There's distant lights and the occasional flare from them moving through space but for the most part we get the angel that would eventually become Crowley alone in enough darkness that he himself isn't even giving off particularly significant amounts of light.

But then, enter Aziraphale. He arrives in a big ball of blue light shining above him that really emphasizes Crowley's red hair. They get tied to the colors we most often see them attached to, especially in promotional materials.

From here the entire scene gets slightly brighter, even once Aziraphale's light dims down. They're both lit up once they're together, even it the middle of literal nothingness.

They start the universe next, using Crowley's hand crank, which gives off a magic that's a combination of their two colors - purple.

A very similar color to this shows up in heaven as a signal flare for their accidentally too powerful half a miracle. It's a color tied to a miracle so big it could've revived someone 25 times and also a miracle that got the engine of the universe running.

And then. Creation starts. Our first image is a very Heavenly aesthetic. It's a blueish light cutting through the clouds much like Az just cut through the dark.

And what explodes from that is the thing that set me down this little rabbit hole in the first place: it's purple scattered through with red and blue lights.

As the initial burst fades, the blue and the red separate, the color fading except for this tiny blue dot and this growing red zone on the right.

The blue then fades, leaving us with an extremely Crowley coded palette here and a very orangeish red. There's shades of gray, a little bit of light, but not nearly as much color. As the sequence moves the darkness grows but does start slowly filling with small points of light.

We then end up with shades of gray both light and dark. There's balance here, even if it's not particularly colorful.

And then all at once a pinkish red bursts forth with these intense clawing tendrils. At the core of it, from the heart of it, is a bright blue ball of light.

It fades into a blue heart surrounded by darkness with whisps of white resembling a certain someone's hair. Or, as some friends pointed out two people embracing.

As the nebula settles a few other colors set in but the primary scheme is still red and blue. An almost violent plume of red emerges on the left side of the image.

And from this moment on most shots of the two of them back them with their respective color schemes.

They chat and Aziraphale gets anxious. He looks for a distraction and is immediately drawn to the space where the colors mix.

And as we fade out the other colors in the picture fade. We get the most balanced blue and red uet. And on the far corners fairly clear dark and light.

So what does this mean? The purple speaks to them being very powerful together. And, the rest is arguably just representative of the plot. We have Aziraphale as a beacon in the dark - a signal flare we know Crowley has throughout history been aware of and drawn to. We have them brightening each other. We have Az's color breaking out of heaven to mix with Crowley's to create something new and wonderful and powerful. Aziraphale's color fades, leaving Crowley alone. We then get a burst of a red closer to Crowley's current hair, with Aziraphale's blue in the core of it that eventually becomes a blue heart surrounded by darkness. That too fades, replaced by the pillars becoming their familiar hand shape and slightly more colors seeping in. As they talk together and move closer together their own colors settle back in and come to balance.

- Crowley watching Aziraphale while messing around in various stores as Aziraphale gets people to go to the traders meeting (by putting books on the line! The shock!!)

- Aziraphale giddily tugging Crowley along to dance

- Aziraphale and Crowley at the French restaurant, with Crowley fumbling over a past tense of smite and Aziraphale doing that fallen in love smile going "smitten"

THE LIST of domestic things about Crowley and Aziraphale during S2 as my free therapy session:

The apology dance

Crowley knows why exactly Aziraphale might call him (the list consists of only three reasons) and can understand which is relevant at the moment by Azi's voice

Crowley doesn't wear his glasses in the bookshop

Good Old Fashioned Lover Boy

"Ourselves"

"Do you need a lift somewhere?"

Them discussing their favorite romantic tropes like it've never happened to them

Crowley casually ordering the drink Aziraphale asked for

Crowley being absolutely done with everything but still managing to help Aziraphale every way possible participating in his investigation and making sure they're not killed

"OUR car"

Crowley actually letting Aziraphale to drive the Bentley!!!

They have a room where they discuss their questions and problems (like with the Gabriel's and Muriel's visits)

Crowley sitting on the arm of Aziraphale's armchair

"Good job" "You really think so?"

Aziraphale calling Crowley right away to tell him more about the clue and what he found out (aka searching for his praise)

Crowley supporting Aziraphale while he performs his little handy magic tricks

Aziraphale slowly getting more comfortable with calling Crowley his friend (aka "we go back in a long time" and etc)

"A little us time"

Them casually touching each other

Dancing while talking and talking while dancing

Crowley not letting other people buy or take Aziraphale's books while he is out of bookshop

Crowley trying to communicate with Gabriel after Aziraphale advices him to do so

Crowley cleaning up the bookshop while Aziraphale is on a walk with Metatron (he knows this place so well)

Aziraphale asking Crowley to be his assistant in the lethal magic trick and letting Crowley point the muzzle of a loaded gun at him when they can't use miracles

Crowley trusting Aziraphale because he asked

Crowley waiting for Aziraphale to change his mind in the end until the very last moment

Aziraphale complimenting Crowley's work during The Begging

Aziraphale's attempt to put his hand on Crowley's shoulder during the kiss because he wanted them to be closer to each other

Aziraphale has a diary with a description of his every meeting with Crowley (as i suppose)

"But you like waiting inside"

How literally every character made a remark about their relationship being a little bit more than just friendship and how they're flustered by those comments

"I am, but rescuing me makes him so happy"

hoping and praying to the stars peeking out into the darkening summer sky that my love is safe and may whatever dark forces keeping us apart be severely fucking troubled

waiting for AO3 to be up and running again like a hopeless wife anxiously awaiting her husband to return home from war by longingly looking out the window to the sun and the corn field with yearning in her eyes

*for me personally it's a bottle opener!

**these things:

[Image description: a pile of silver aluminum ring pull tabs, typically for opening pop/soda/beer/fizzy drink cans. End ID.]