arab.org 🇵🇸 Andie. He/They/It. 30. Trans masc/Genderfluid. Bi/Pan. Taken. 🏳️⚧️🏳️🌈 Charlie Simpler and Charlie Dompleganger. If you have to ask you'll never know. I draw some things sometimes. Mostly this page is reblogs. Minors DNI. This is mostly a SFW page but I will have suggestive stuff sometimes.
818 posts
AHHHH THIS IS WHAT IVE BEEN SAYING!!! THEY ARE PEEPS. THEY BELONG TOGETHER!!!
AHHHH THIS IS WHAT IVE BEEN SAYING!!! THEY ARE PEEPS. THEY BELONG TOGETHER!!!
put them under the peep beam
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More Posts from Andesmints94
No. I love you for posting this. Even if I am more CharPim interested, I honestly think all three of them got something going on and it's too blunt to ignore. Great job.
Don’t shoot me dead for posting this PLEASE
Every Day totally normal conversations I have had with my coworker / bestie.
Me: Dang, I need a lobotomy to just remove all these dang cartoons from my brain man...
Them: OMG fuckin same!!
(I'm a Millennial and they are a Zoomer btw)
(Me totally not just forgetting about smiling friends for two years, going back to watch season 1 and deciding I love it and want to consume more. Hope that it keeps going for a while actually.)
... And they were roommates... 👀
Twitter: omg not everything is GAY let them be NORMAL FRIENDS!!!1!1!1!!1!!
Zach and Michael: alright now make them kiss in this scene
Diversity is very important. Thanks for sharing this whomever you are.
Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)