In Writing, Epithets ("the Taller Man"/"the Blonde"/etc) Are Inherently Dehumanizing, In That They Remove

In writing, epithets ("the taller man"/"the blonde"/etc) are inherently dehumanizing, in that they remove a character's name and identity, and instead focus on this other quality.

Which can be an extremely effective device within narration!

They can work very well for characters whose names the narrator doesn't know yet (especially to differentiate between two or more). How specific the epithet is can signal to the reader how important the character is going to be later on, and whether they should dedicate bandwidth to remembering them for later ("the bearded man" is much less likely to show up again than "the man with the angel tattoo")

They can indicate when characters stop being as an individual and instead embody their Role, like a detective choosing to think of their lover simply as The Thief when arresting them, or a royal character being referred to as The Queen when she's acting on behalf of the state

They can reveal the narrator's biases by repeatedly drawing attention to a particular quality that singles them out in the narrator's mind

But these only work if the epithet used is how the narrator primarily identifies that character. Which is why it's so jarring to see a lot of common epithets in intimate moments-- because it conveys that the main character is primarily thinking of their lover/best friend/etc in terms of their height or age or hair color.

https://www.tumblr.com/olderthannetfic/760181781241675777/gahhhh-how-are-people-going-to-university-and

I was a writing tutor in grad school (tutoring undergraduates) and they specifically trained us out of typo hunting and to instead look for big picture problems in the essays we critiqued. It actually annoys me a bit because it means I now have more trouble spotting typos in my own writing, which I used to be really good at, but it absolutely is better for giving students feedback at the college level and saves me time in grading now that I’m a professor myself. But yeah, college isn’t usually focused on grammar and spelling unless you’re ESL, even composition classes tend to focus on more big picture writing stuff like how to make a convincing argument from what they told us there (I also didn’t take any myself). I mean even in my high school classes they didn’t spend a ton of time on that, it tends to be earlier in school.

--

Yeah. Proofreading can be important, but it's not a good use of that type of instructor's very limited time.

REVERSE TROPE WRITING PROMPTS

Too many beds

Accidentally kidnapping a mafia boss

Really nice guy who hates only you

Academic rivals except it’s two teachers who compete to have the best class

Divorce of convenience

Too much communication

True hate’s kiss (only kissing your enemy can break a curse)

Dating your enemy’s sibling

Lovers to enemies

Hate at first sight

Love triangle where the two love interests get together instead

Fake amnesia

Soulmates who are fated to kill each other

Strangers to enemies

Instead of fake dating, everyone is convinced that you aren’t actually dating

Too hot to cuddle

Love interest CEO is a himbo/bimbo who runs their company into the ground

Nursing home au

Okay, you need to make sure you play this game at some point. Maybe not today or anything, because you’ll need about thirty minutes and a serious willingness to understand how it works, but - it’s so worth it. It’s basically an answer to our occasional frustration - why do assholes always come out on top? - and the beautiful thing about it is that not only does it explain how that happens, but also how we can change it.

“In the short run, the game defines the players. But in the long run, it’s us players who define the game.”

here's a bunch of spongebob titlecards i hoarded

Writing Tips Master Post

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Suicidal Urges/Martyr Complex

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Writing Fantasy