Azuresparadise - Azure's Paradise - Tumblr Blog

[ @eyelessmp3 ]

I WILL BE THE KNIFE THIS TIME.

prayer for the newly damned, ocean vuong / unknown / mercy, yves olade / cut, caitlyn siehl

archive mb for @cartoonsun

TO FIND THE PIECE OF YOU

Design!

A product for my self made blind bag/box based on the SCP foundation.

002 the living room

Hands by DannyLaiLai

Traditional October Still Life #3

original artworks by Lev Tchistovsky, Johann Amandus Winck

some articles abt horror stuff + some articles abt decomp

@cherry-sorry

here u go, bud! some of those horror academic articles, some misc horror writing tips, and some corpse things possibly relevant to ur interests. put in a tumblr post for anybody else who may feel like perusing.

horror stuff:

her body, himself: gender in the slasher genre

the final girl grown up: representations of women in horror films from 1978-2016

all the things I wish I’d known as a beginner horror writer

queer temporalities in the horror genre

lady and the vamp: roles, sexualization, and brutalization of women in slasher films

do you want to watch? a study of the visual rhetoric of the postmodern horror film

film, fear and the female: an empirical study of the female horror spectator

queer and evil: the representation of lesbian identities in western horror film

bricoleurs in preschool: girls poaching horror media and gendered discourses

why i write horror

the female horror film audience: viewing pleasures and fan practices

the suspense of horror and the horror of suspense

women love horror too: film adaptation of pet sematary suggests why more women should get a chance to scare us

vocabulary words for writing scary stories

female leads: negotiating minority identity in contemporary italian horror cinema

can horror movies induce ptsd like syndrome?

the influence of dracula on the lesbian vampire film

male monsters still stalk, yet more violent: a comparative analysis of original slasher films and their remakes

the slasher, the final girl, and the anti-denouement

elements of horror

contextualizing carmilla: bridging the gap between the gothic, the lesbian vampire, and fanfiction

human decomposition:

the odor of death: an overview of current knowledge on characterization and applications

differential decomposition patterns of human remains In variable environments of the midwest

determining the time of death (warning! graphic imagery)

decomposition of juvenile-sized remains: a macro- and microscopic perspective

the environmental variables that impact human decomposition in terrestrially exposed contexts within canada

comparative decomposition of humans and pigs: soil biogeochemistry, microbial activity and metabolomic profiles

correlation of age, sex and season with the state of human decomposition as quantified by postmortem computed tomography

variation in decomposition stages and carrion insect succession in a dry tropical climate and its effect on estimating postmortem interval

the effect of various coverings on the rate of human decomposition

a comparison of human and pig decomposition rates and odour profiles in an Australian environment

the living dead: bacterial community structure of a cadaver at the onset and end of the bloat stage of decomposition

Greek Goddesses Perfume Associations

Hera: “lily, pomegranate, plum” Burberry Summer for Women by Burberry, Pomegranate Noir by Jo Malone London 

Aphrodite: “rose, salt, amber and citrus” Yria by Yves Rocher, Eau des Merveilles by Hermes

Calypso: “water, salt, jasmine, citrus” Olympea Paco Rabanne, Jardin des Nymphes by Yves Rocher 

Persephone: “rum, fig, vanilla” The Heart Is Deceitful Above All Things by Yosh

Artemis: “oakmoss, jasmine, coriander, honey” Soir de Lune by Sisley

Demeter: “wheat, black locust, almond” Sensi Giorgio by Armani

Athena: “olive tree, mastic, jasmine” Vert des Bois by Tom Ford

Nyx: “incense, vanilla, rose” Magical Moon Hanae by Mori,  Shalimar by Guerlain

“δεινὰ γὰρ τὰ πάντ᾽ ἐπιπνεῖ, μέλισσα δ᾽ οἵα τις πεπόταται. - for she, terror-inspiring, breathes on all things, and flits like a honeybee.”

— Euripides, Hippolytus 563-4 (on Aphrodite)

VEN AL CIELO CONMIGO

@denxuwument’s archive

@ultvirgo

THE FACE OF ANOTHER

october moodboard V: présager (to predict, to foresee)

THE INSTRUMENTALS: arcānum

“[…] It continues, in today’s modern magical and mystical culture, to symbolize eternity, reincarnation, the eternal return; it is a continual never-ending recreation.” - Alice Lesperance

favourite movies: black swan

“i just want to be perfect”

—american daughter

I’m losing by their side

we ran through the bright tokyo lights, nothing to lose. summer of 2012, burnt in my mind

a scorpio is born (@s1cheng)

“Distorted perceptions run through Greek tragic madness. When Heracles kills his own children, he sees them as his enemy’s children. In the Bacchae, Agave sees her son as a lion and tears off his head. The motif was repeated in lost tragedies (we know their storylines from other sources). Killing your own children - while seeing them as something else - is one of the manifestations of tragic madness. In a society which believes only flickeringly, like fifth-century Athens, in any OK afterlife, your children are your future. Your hope. Your way of continuing. Killing them brings on you unbearable and terrifying pollution; it is also an image of total cancellation of self. Apart from Medea (a special case, and not said to be mad) heroes kill their children when they are mad, seeing them as something else - an animal, a vine-stock, an enemy’s child. The motif is an image of how madness itself cancels self. Distorted perception leads to the blotting out of self.”

— Padel, R. (1996) “Tragic Greek Madness: inner shadow versus seeing in the dark”, Free Associations 6 pp.403-427

@fantasysociety game 8 — minimalist

“want a sugar cube?”

FINNICK ODAIR

“Today I offer my palms to dead lands and muted streets before death seams my eyelids, sews me in the skin of all the earth and sleeps forever in my hands.”

— Adonis, from The Sleep of Hands (via wishbzne)

Lesbian moodboard

“Were my hands to seek you out?” “I’d be disrupted, like a surface of water.”

Sources: 1 2 3 4 5 6 7 8