
Artist. Academic, Writer, Lover of Words and Images; Poet at Heart Iil
401 posts
And I Laughed And Laughed. Stop Calling Me Out.
And I laughed and laughed. Stop calling me out.

actually me fr
(Art by @bamsara ! go follow them they make cool stuff)
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More Posts from Bellemorte79
They are making a new version of Wuthering Heights and I WANT Jacob Anderson as Heathcliff more than I have ever wanted...


It’s the soprano Sofia Consoli’s American debut, her fifth stop in a 22-city tour, so the orchestra should be in excellent form. I have a private box, and I had tuxedos made.

Me on my dating profile I guess. No not really. I am married. But Dorothy is spitting some hot fire.
Bookmarking for later use.
Details for Historical/Fantasy Writing: Insights from a Reenactor
Writing is the main thing I do for fun, but I’m a multi-faceted lass with many hobbies, and I also do Roman reenactment. I find that by actually doing something, you learn things that aren’t possible through theoretical research alone, so here is a collection of small things I’ve noticed while reenacting that you could add to your writing for a bit of extra realism.
Loose long hair is ANNOYING. There’s a reason most depictions you’ll see of women in history show them with their hair up and/or covered, and that is pure practicality. Having hair in the way is a massive pain (this would be particularly true for working women with stuff to get done).
Repetitive tasks aren’t boring if you have someone to chat to. When we do events, I’m in the textiles tent, and as the most junior member of the team I’m the one who does the spinning. Most events are 10-4/5, and you’d think 6/7 hours of spinning (with a break for lunch) would be boring, but actually, once you’re practiced you can do it on autopilot while you natter! I’m sure this is how people managed samey tasks back in ye olde days.
Speaking of spinning, working with textiles leaves its mark. If you’ve been spinning, sewing, or weaving for a long time, you’ll feel it. It knots up your shoulders and, perhaps less obviously, the friction of fibre against your fingers can wear away just enough skin to make them tender. Thimbles help with sewing, but not spinning or weaving.
Wool is WONDERFUL. I love it. It has a reputation as being scratchy and itchy, but when it’s finely woven/spun it is fantastic to wear. It keeps you cool when it’s hot, and warm when it’s cold. It also has the fantastic property of keeping you insulated even when soaking wet, which is why wool cloaks are so brilliant.
Linen is also wonderful. Lovely against the skin and cool in the summer (but for the average person in history, it’s more expensive than wool).
Woodsmoke gets everywhere. It stings your eyes and makes your clothes and hair smell smokey. However, after a little while the smell becomes just a background thing (and you get pretty practiced at anticipating when the smoke is going to change direction so you can move out of the way). It also keeps insects away!
Cooking over a fire takes longer than you’d think. If we start an event at 10 am, that means we’ll usually be having lunch at 1-2pm. However, we do have pretty elaborate meals, and have to start the fire from scratch every day (a lot of the wait time is getting the fire to cooking embers). If your characters are cooking simple fare over a fire that you’ve started from being banked, it’ll be quicker.
You want different footwear for different purposes. Hobnails give you great footing on soft/muddy ground, but on pavement they offer no purchase at all and will KILL YOU (okay, this is slight hyperbole, but there is an account of a centurion running from grass to pavement, slipping over and getting killed by his enemies). City wear would likely be leather and clogs/pattens.
CLOAKS CLOAKS CLOAKS! They are so versatile. They keep you warm, they keep you dry, they can be a blanket or an impromptu bag. Essential equipment in my view.
“Memory (the deliberate act of remembering) is a form of willed creation. It is not an effort to find out the way it really was—that is research. The point is to dwell on the way it appeared and why it appeared in that particular way.”
— Toni Morrison, “Memory, Creation, and Fiction, from The Source of Self-Regard