Writing Advice - Tumblr Posts

NEED HELP WRITING? (a masterlist)

I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!

Synonym Lists

Look by @writers-potion

Descriptors

Voices by @saraswritingtipps

Show, Don't Tell by @lyralit

Tips & Tricks

5 Tips for Creating Intimidating Antagonists by @writingwithfolklore

How To (Realistically) Make a Habit of Writing by @byoldervine

Let's Talk About Misdirection by @deception-united

Tips to Improve Character Voice by @tanaor

Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool

Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling

Questions I Ask My Beta Readers by @burntoutdaydreamer

Skip Google for Research by @s-n-arly

Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes

Databases/Resources

International Clothing

Advice/Uplifting

Too Ashamed of Writing To Write by @writingquestionsanswered

"Said" is Beautiful by @blue-eyed-author

So I'm thinking about writing a book...

But even if I manage to finish it, I have no idea how to publish it...

Any tips?

Writing Descriptions

I was just musing recently about this, so thought I’d share some bits about how I try to build compelling descriptions of scenes/environments. Normally I just post fan art but eh, diversifying lol.

Having an agenda

I found both reading and writing descriptions that if I don’t have an objective for them they end up feeling aimless and sometimes forgettable. I am always trying to build a narrative. It can be as simple as “this building is old/unused” or as complex as ‘contrasting a bright atmosphere with an underlying coldness as an allegory to a character’s crushing isolation in the face of their personal grief/pain’. What does every line and descriptive word contribute to what you’re trying to do? What emotions or vibes are you trying to evoke? How does every part of it tie together into a cohesive picture instead of a bunch of disparate parts?

2. Utilizing descriptions as a tool

descriptions inherently tend to center a story in a specific setting, or serve as our senses to experience the story alongside the characters — but I try to use it as more than that when possible. How you can use it may vary with what person you’re using, but even third person (what I typically use) descriptions can give you a glimpse into the headspace of your character. This can be really helpful when writing a character who isn’t very emotionally self aware, or a character who is stoic. I typically use this one of two ways.

First one is seeing through the eyes of the character. How do they see this other character? How does their emotions, history, etc affect their impressions about different settings? For example, a characters with religious trauma might have a more negative/emotionally loaded perspective when walking into a church which can manifest at different levels of subtlety within the description of the environment.

second one way is just to get the reader on the same page emotionally as a character. If the character is desperate, incorporate that emotions/vibe into your description of the setting or even of them. If they’re lonely invoke that, etc. Note that this can also be used for plot beats and not just character moments.

Also total side note, but I’d reccomend not taking any writing advice too seriously. Explore how people write their stuff, take little tidbits here and there when it speaks to you and your style, and toss aside anything that doesn’t work for you.

Writing Characters: Getting from a ✨vibe✨ to something concrete.

Writing characters is my favorite part of writing, so I figured I’d chat about one of my methods. As far as I know, I came up with it on my own, but I don't doubt a lot of other people use a similar or even the same method.

If you have a vibe you probably know their sense of humor. Their voice. Bits and pieces of their personality, etc. I start from here a lot when I’m writing fanfic especially, since the character is preexisting. Problems I tend to run into from here can be struggling to make them a driving force in the plot, developing a clear and executable character arc, and other… tangibles.

Word Bank. Write down every descriptive word for their personality/who they are. Brave. Reckless. Sarcastic. Loyal. Whatever you’d use to describe them. Then cull the words, think critically about them. Eliminate unnecessary synonyms, or replace with better/more exact words.

Sorting. Draw connections between these traits based on your understanding of the character. There isn’t right or wrong answers, as long as you can explain or justify your reasoning. Are they brave because they’re reckless? Reckless because they’re brave? My primary goal with this step is to be able to isolate a few core tenets of their character by seeing which ones I keep circling back to as influencing or causing others. Usually I end up with 2-5 tenets, 3 tends to be the sweet spot. You want these traits to be distinct from each other. For example you probably wouldn’t want both ‘brave’ and ‘reckless’ to be two of your tenets, or ‘kind’ and ‘encouraging’.

(Note that actually drawing this out isn’t necessarily necessary, and if you do you can do it to whatever level of detail helps. Here I added behaviors resulting from/affirming the personality traits as an example of how you can evolve from this/do whatever you want to with it. It’s a tool, not a template)

So, you got a flowchart, now what? Well, it can be a handy rubric to refer to when writing your character. In its most extreme usage, every decision your character makes should be derived from one of your primary tenets. I generally use it to a less rigid degree than that, but you do you.

In my opinion, it gets fun when you think about the dynamic between your primary tenets. Can the tenets be in conflict with each other? IE, what type of situation could you put the character in where the individual tenets indicate different actions? (In my example sheet: Is he distrustful about a job offer, or is he not taking it seriously enough to even be distrustful? Maybe different tenets predominate different parts of his life?) How do these tenets reinforce or contradict each other? Maybe use internal contradiction to show character complexity, or use internal conflict to drive character growth. Maybe a behavior that is reinforced by 2+ tenets (ex: recklessness) can be a dominating character trait or flaw due to how ingrained it is. What different belief system or coping skill is the scaffolding for each tenet? Could two different tenets erupt from the same belief system and/or coping mechanism? What happens to their traits and behaviors if one of these belief systems is challenged or reinforced? Sometimes just having a new lens to look at characterization through brings up new questions and ideas.

Finally, use whatever method or lack thereof works best for you personally, and have fun writing :)

Hey hey! (Fellow?) Stutterer here! I 100% agree, but I will add, block stutters aren't

"L-ike this"

It's more of... And I'm dead serious,

". L- kind of- s-SIMILAR TO THIS!"

:>

how would you properly write dialogue for a character with a stutter? ranging from a barely noticeable one to a very extreme one. thanks!

How to Write Dialogue for a Stuttering Character

@brynwrites made an excellent post about this that I found while researching and it can be found here. It's a long post but it goes way more in depth than I did.

Types of Stutters:

Repetition of certain sounds: “Li-li-like this” or “Like-like-like this.”

Prolongations: “Llllllllike this.”

Blocks: “L—ike this.”

Rules for Stuttering: (This is mostly for block stuttering, but many apply to other types of stuttering as well. provided by this article)

Stuttering occurs on the first sound of the word. It will not occur mid word or on the first full syllable. (s...s-ample. NOT sam...sam-ple)

Do not write a stutter more than once in a single sentence or three times in a single paragraph. If the scene is a high-stress situation, you might be able to get away with it, but your readers do not want to read block paragraphs of stuttering.

Choose 3-7 sounds for your character to struggle with. People tend to get blocks on particular sounds. For example, b, p, k, w, g...)

Use another synonym for the word they are struggling with. Example: "You look g...g... really pretty."

Don't have your character stutter in every conversation. Under high stress, the stutter will be more frequent, under low stress they may not stutter at all.

If you use the dialogue tag, "he stuttered," do not write the stutter in the quote. If the character is stuttering in their sentence, you don't need to write out the fact that they were stuttering.

Do not write a stutter in thoughts. People with a stutter do not stutter in their thoughts. Just don't do this. It's unrealistic and insulting.

If you like what I do and want to support me, please consider donating! I also offer editing services and other writing advice on my Ko-fi!

Pro Tip: The Way You End a Sentence Matters

Here is a quick and dirty writing tip that will strengthen your writing.

In English, the word at the end of a sentence carries more weight or emphasis than the rest of the sentence. You can use that to your advantage in modifying tone.

Consider:

In the end, what you said didn't matter.

It didn't matter what you said in the end.

In the end, it didn't matter what you said.

Do you pick up the subtle differences in meaning between these three sentences?

The first one feels a little angry, doesn't it? And the third one feels a little softer? There's a gulf of meaning between "what you said didn't matter" (it's not important!) and "it didn't matter what you said" (the end result would've never changed).

Let's try it again:

When her mother died, she couldn't even cry.

She couldn't even cry when her mother died.

That first example seems to kind of side with her, right? Whereas the second example seems to hold a little bit of judgment or accusation? The first phrase kind of seems to suggest that she was so sad she couldn't cry, whereas the second kind of seems to suggest that she's not sad and that's the problem.

The effect is super subtle and very hard to put into words, but you'll feel it when you're reading something. Changing up the order of your sentences to shift the focus can have a huge effect on tone even when the exact same words are used.

In linguistics, this is referred to as "end focus," and it's a nightmare for ESL students because it's so subtle and hard to explain. But a lot goes into it, and it's a tool worth keeping in your pocket if you're a creative writer or someone otherwise trying to create a specific effect with your words :)

I keep seeing people making fun of using growled, hissed, roared, snarled etc in writing and it’s like.

have you never heard someone speak with the gravel in their voice when they get angry? Because that’s what a growl is.

Have you never heard someone sharply whisper something through the thin space of their teeth? Or when your mother sharply told you to stop it in public as a kid when you were acting up/being too loud? Because that’s what a hiss is.

Have you never heard a man get so blackout angry that their voice BOOMS through the house? Because that’s what a roar is.

Have you never seen someone bare their teeth while talking to accentuate their frustration or anger while speaking with a vicious tone? Because that’s what snarling is.

It’s not meant to be a literal animal noise. For the love of god, not every description is literal. I get some people are genuinely confused, but also some of these people are genuinely unimaginative as fuck.

Genuinely one of the best things in fiction is letting a character have a real ugly cry. Get out of here with that ‘single silent tear’ bullshit, you cowards. I want the catharsis of an actual emotional breakdown! Make it noisy, make it wet and snotty and gross! Make it ugly and unfiltered and raw!

If you were to write a short romantic story what would be your starting sentence?

Write what you learn

You don't always have to "write what you know." You can write what you learn!

Don't have experience in something to write it convincingly? Read, research, and ask questions. It's the best way to grow as a writer.

Thank you for the correction! You are absolutely right.

It’s sappy but I hope we all get published some day. We deserve it.

The Ultimate YANDERE TYPES List | Extensive Graph and List

So I was doing research for my writing and I found a really good Yandere Types chart!

Full sources and links to further reading will be below in the notes!

And before getting into it, remember to read the trigger warnings and content warnings. This is Yandere fiction we’re talking about, so it’s going to get messed up.

Themes + Trigger Warnings + Content Warnings:

Possessiveness, Obsessiveness, Unhealthy relationships, Religious themes, themes of sociopathy, themes of mental illness, hallucinations, delusions, hallucinations and delusions due to drugs, mentions of: physical abuse, sexual abuse, brainwashing, murder, suicide, murder-suicide, self-harm, stalking, panic attacks, cannibalism, necrophilia.   

{click to open and zoom in to see the details! I'm so sorry, mobile app users :(}

Broad types. Click them to see more information!

Possessive Type

Shackling Type

"Denpa" Delusional Type

Love and Hate Type

Intoxicated Type

Stalker Type

Sources:

This does not belong to me. I only gave a summary of what I read. ORIGINAL SOURCE LINKED HERE.

It's an English translation of material from an upcoming game called Yandere Town. UNTRANSLATED, ORIGINAL JAPANESE SOURCE LINKED HERE. I do not know when this game is coming out, but darn the details that went into this is crazy! It might help you out if you're writing anything yandere!

(Original translators, I have no problem with taking this down if you don't want me reposting your translation to my blog! ^_^)

♡If you want to see more content like this check out the Writing and Yandere Masterlist and if you want to learn about this blog check out all things sketchprincess02!♡

♡Please consider REBLOGGING and COMMENTING if this helps you!♡

Writing is first and foremost about having fun.

Write the story you want to write, no matter how cliché or overdone of a concept it might be. You are allowed to write your story, even if it's filled with billions of things we've already seen before.

As long as you enjoy what you're doing, and you're passionate and excited about your project, that's what matters.

And don't give too much thought into what other people are trying to tell you. There's an audience for everything. Some people do actively search to consume stories about ''washed up'' concepts.

I mean, yeah basically

I feel this in my soul

Rbing because i need this right now

Dorky but very fun things to do to fall back in love with your writing/story:

Create a mood board of how you think your characters would dress. Bonus points if it's the opposite style of how you usually do.

Put your characters into Artflow and see them come to life through AI!

Make a playlist for the movie adaption of your book from the opening sequence to the end credits.

Write a letter between two characters (if you handwrite it, try to come up with unique handwriting for each character)

Create a manifestation book! I have a ring-bound book in which I write all my writing goals and record any milestones. Feel free to go wild with this and dream big as no one has to see it! Buy washi tape that fits your book's theme.

Go to a pizza store or Starbucks and order using your character's name. I like seeing how close they are to the spelling on the receipt, or hearing them call out the name across the store!

Pretend that there's such a thing as the Book Oscars and pick out what you would wear to it and practice your acceptance speech as the best book of the year in your genre.

Create an Instagram for your characters and post photos you think they would post. (Hint: use Unsplash to find aesthetic royalty free photos)

Play Akinator (basically a 20 questions game) and find out which existing character is most like yours.

Splurge on your birthday and commission an artist to draw your characters. It's amazing to see them come to life!

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

How To Scare Your Readers

tw: mentions of murder and other horror media, its not specific or gorey but I just wanted to mention it

Today is one my hardest asks as it is a highly individual process to freaking out your audience with @differentnighttale asking: "How do you write horror, and how do you write it good nail biting and very unsettling type of horror."

Specifically, we are focusing on supernatural horror and dark fantasy. Due to the fact that there are numerous ways of scaring an audience, I'm going to focus on more diverse and interesting ways to freak out the readers. There are obvious tricks like "focus on the tactile senses" and stuff like that but let's cover something not as cliche!

Again, there are many ways to instill horror.

One: Combine Beauty And The Macabre

While this is a common trick seen in visual horror such as the works of Junji Ito or Midsommar, it's also an important and useful element in other beloved horror media.

This can be useful for a myriad of reasons.

The ability to combine the fantastical beauty of the scenery with death or the lovingly detailed imagery of a victimized body might be just the thing to elevate the scenery and visuals.

It also works to surprise your readers. If you are reading horror, you expect the murder and terror to appear in dark hospitals and obviously disgusting places. But what if the horror was in a cherry blossom field? In the church? In the character's childhood bedroom during the sunset?

It follows the perversion of the familiar. Most people internalize certain environments are seperated from society which might assist you if you are going for that specific type of horror. BUT! If you have horror in the supermarket, in the coziest little cottage, in the beauty.

TWO: Focus On A Specific Brand Of Horror

This is especially important for horror that is based off of pop culture spooks such as ghosts, ghouls, witches, zombies, and werewolfs.

Doing some research into why these monsters have survived in the public mind and what exactly is frightening abou them can influence your settings, characters, and horror.

There is horror about isolation.

There is horror about losing yourself.

There is horror about the female body.

There is horror about puberty.

There is horror about gender dysphoria.

There is horror about everything.

Decide what is the core fear you are proding at.

THREE: Be Ambiguous

Readers are comforted by linear stories with a beginning, clearly laid out morality, and a clear cut ending which provides either a happy ending or a sad ending.

Messing up any one of these things can lead to your story haunting the minds of your audience for a long time.

Midsommar is constantly debated about over if the ending is happy or sad.

Joker(2019), a thriller but not a horror, is infamous for it's amazing usage of hallucination and delusion to tell a non-linear story with a confusing ending.

Leaving the ending, villain, characters, or plot ambiguous and not clearly detailed might elevate your horror :)

FOUR: Use Your Own Fears

When you write about what scares you, that natural fear tends to radiate into your writing more naturally :)

This fear can be a lot of things from the specific phobia of bugs to the fear of being mistreated by a loved one.

Conclusion:

I hope I gave you some interesting advice that you haven't heard before @differentnighttale

p.s: at what point does something become "Mature"? I did mention "murder" throughout my post somewhat frequently but I never went into specific detail so I can't tell if it's "Mature" or not?

If it is mature and I mislabeled it then I can edit it to be "Mature"

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

Writing tip #1

As a reader, one of my biggest pet peeves is seeing a character introduced as "clever", their intelligence treated as some sort of super power that helped them out of impossible situations off-screen or even worse, they solved basic elementary problems that I remember getting as homework in middle school and everybody is in awe of such a wondrous mind. As a reader, few things irk me more than that kind of characterization.

But as writer, I get it! I understand the appeal of writing smart character, they can be so cool and challenge our traditional perception of strength and pose interesting questions etc... and as I'm not that bright myself either, I end up with the sensation of struggling to write a character much smarter than myself.

But that's okay! Luckily for me, I study developmental and cognitive psychology, which gives me tools to help me write smart characters without having the same skillset, so I thought I would share!

#1: research cognitive psychology, because there is so much more to say than what I know and can fit in a tumblr post, so go look it up- I promise it's worth it.

#2: your IQ number is practically a myth. Unless it helps diagnose and measure a global intellectual deficiency, that number alone is generally worthless as it's nothing but the average between scores of wildly different abilities which belong to the traditional model of intelligence (around which there is no consensus today, so keep in mind that it's incomplete at best.) From that it follows that it's a terrible way to describe a character, as it doesn't refer to any specific skill -and while there is partial correlation between these scores, I can guarantee you nobody is exactly as good in calculus as they are in English as they are in geometry etc. Describe what the character is smart in, what "kind" or smart they are if you wish; the separation between book smart, street smart and people smart is a good start, but still not enough: there are many flavours of booksmart alone, nevermind the others. Again, look it up: an easy background to use is the Wikipedia page for "Theory of Multiple Intelligences". I promise it will help!

#3. Sometimes less is more. Your character doesn't have to be the best student in the country or win every prize. Did you know that Einstein was considered a bad student? Or that the incredible mathematician Euler got second place in the 1727 Paris Academy Science Competition? It's fine for your character to be second place, it's fine not to win every time, even in their own domain of expertise. If you tell me someone got the bronze medal at the Olympics, I'm still gonna assume them a better athlete than the vaste majority of people, and few would disagree with that idea; it's the same with intelligence. Your character should be allowed to fail, and simply to not always be the best -if not because it makes them more humane, because we love to project on smart characters, it strokes our ego. Think of all the stressed out straight A students on the verge of burn-out projecting on your characters: let them know it's okay! A- is still very good! You're doing great!

Anyway I'll probably make more posts about this because there's so much to say but it's probably too long already so I'll stop here. You know how it works, this is just my opinion, I'm not the authority on writing, but I thought it could be helpful so if it doesn't work for you, don't follow this advice! Let me know what you think, and please be kind