If You All Keep Doing My Boy Dirty I WILL Get Violent.
if you all keep doing my boy dirty i WILL get violent.
If I hear one more person say "Scorsese's Goncharov" and erase Matteo JWHJ0715I's involvement I'm going to start biting.
Yes know Martin Scorsese is super famous and has made numerous important contributions to cinema while Matteo JWHJ0715 is really only known for Goncharov but that doesn't mean we can just ignore his role in the creation of this film.
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More Posts from Bestkeptbasement
gives me goosebumps every time.
“Of course we’re in love. That’s why I tried to shoot you.”
“If we were really in love, you wouldn’t have missed.”
genuinely one of the rawest lines in all of cinema holy FUCK
Reasons why the Batman the animated series is the best batman media to date and trumps any and all recent comics:
It's where Harley Quinn was birthed into existence
Batman and Robin have an amazing father son relationship
The rogues are honestly so well done here it's amazing. Like, if you want to see something traumatizing you watch this universe stuff. The Joker Jr from Batman beyond? Amazing (yes they're included in this)
Batman actually solves crimes and tries to give it to the police not just take matters into his own hands. He does often say 'it's up to Gordon now,' showing he knows where his jusristiction lies. He knows where to hand it off in order for these people to actually be arrested.
It focuses on helping people.
Piggybacking off that more than once does Bruce go and visit harvey. He helps the rogues when a warden is abusing his power. he stops a maniacal doctor from abusing his patients. He wants to help Harley when shes out of Arkham
It shows character growth from both heros and villains. One of the most heartbreaking things is watching Harvy or Nygma admit they're not ready to be out yet. I love seeing that the villains themselves know when they need help.
Joker is possibly the best one there is in this universe. Mark Hamil really brought it to the table.
The art style is amazing
We get new and different villains. Like the actress who thought she was ugly.
The ventriloquist. I feel like we've forgotten about him.
Nuanced villains. Ivy. Selina. Victor Freis.
Amazing origin stories for some
Dick finding his parents killer
Alfred's sass.
I dont know. Theres so much more and it honestly is one of the best batman media's out there. Its what made me like batman. It's what Batman should be and I hate the direction modern comic writers have taken him.
Even JLA was amazing. The animated verse is the best verse.
LET'S FUCKING GOOOOOOO.

THis news is better than gay sex
Sally Jackson the single coolest mother ever pass it on.
I don’t know a single person who doesn’t like Sally Jackson. The fandom loves Sally Jackson. Everybody loves her, you cannot help it, she’s perfect.
She protects, she attacks and, most importantly, she makes blue cookies for every single lost demigod that randomly appears at her door.
Does that means that I think we talk and appreciate her enough? No. This woman has done everything posible to protect her son, she’s literally been in hell!
So that’s it, my Sally Jackson appreciation post, a queen among mortals.
P.D: She gets extra points for the way she ended Gabe.
"The best thing we can do with power is give it away" - On the leftist critique of superhero narratives as authoritarian power fantasies:
The ongoing "Jason Todd is a cop" debate has reminded me of a brilliant brief image essay by Joey deVilla. [EDIT: I SCREWED UP! This was created in 2019 by the guy who runs the Midnighter-Core page on Facebook, and Joey just reposted it!]
So here it is, images first and the full essay text below:












"A common leftist critique of superhero comics is that they are inherently anti-collectivist, being about small groups of individuals who hold all the power, and the wisdom to wield that power. I don’t disagree with this reading. I don’t think it’s inaccurate. Superheroes are their own ruling class, the concept of the übermensch writ large. But it’s a sterile reading. It examines superhero comics as a cold text, and ignores something that I believe is fundamental, especially to superhero storytelling: the way people engage with text. Not what it says, but how it is read. The average comic reader doesn’t fantasize about being a civilian in a world of superheroes, they fantasize about being a superhero. One could charitably chalk this up to a lust for power, except for one fact… The fantasy is almost always the act of helping people. Helping the vulnerable, with no reward promised in return. Being a century into the genre, we’ve seen countless subversions and deconstructions of the story. But at its core, the superhero myth is about using the gifts you’ve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive. We should (and do) spend time nitpicking these fantasies, examining their unintended consequences, their hypocrisies. But it’s worth acknowledging that the most eduring childhood fantasy of the last hundred years hasn’t been to become rich. Superheroes come from every class (don’t let the MCU fool you). The most enduring fantasy is to become powerful enough to take the weak under your own wing. To give, without needing to take. So yes, the superhero myth, as a text, isn’t collectivist. But that’s not why we keep coming back to it. That’s not why children read it. We keep coming back to it to learn one simple lesson… The best thing we can do with power IS GIVE IT AWAY." - Joey deVilla, 2021 https://www.joeydevilla.com/2021/07/04/happy-independence-day-superhero-style/
- Midnighter-Core, 2019
https://m.facebook.com/story.php?story_fbid=pfbid0bU6TrKdX6QgMLnUFk64jResHMVwiSyENASvJk7efasgZ94G4c81XJCVgGcLFPgPsl&id=594855544368212&mibextid=Nif5oz