Blossomingsky - Fire Cannot Kill A Dragon.
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More Posts from Blossomingsky
me in my school musical lmao

i’m the brother
hey I was just wondering if you could possibly guide or link your stydia playlist? I'm on mobile so I don't really know if they have it on the app or I'm just not see pin it. either way, I'd really appreciate if you could inform me on the location of said playlist so I can further dive into my stydia feels! oh and one more thing...you're an amazing person and your blog is brilliant. ok bye
Aww thank you so much, you’re too kind ^^
The same playlist I have on my tumblr, I just created it on my account on youtube. You can listen to it here :)
***omg I feel as if I’ve been making so many posts on 5x14 and 5x15 promo and that I should gif my evidence, but I’m not capable of those amazing skills so forgive me for my inadequacy. oh and please feel free to discuss and tell me if I’m a lunatic or anything you just wanna say (unless you’re trying to promote your blog…no thanks) anyway, back to more speculation and nit-picking.*** as many people have mentioned, stiles went from soft and gentle to frustrated and rage-induced when with comatose Lydia in eichen house (before and after Natalie showed up). to sum, he was very angry at the condition Lydia was in at eichen and when Natalie asked/forced him to leave, he looked at her sickeningly and stormed out. but that’s when his determination skills kicked in. that’s where he created his plan to rescue Lydia from the hell she’s being out through. now, any person with eyes and some logic could tell that indeed this was where he made the Rescue Lydia plan, but it’s so much more. It’s the fact that he knew that even if Natalie was telling the truth, there was absolutely no way he’d let Lydia stay in this prison full of monsters. in the episode, it took him a matter of seconds to devise a plan, and some tactic when getting a key card. IN BRIEF, STILES LOVES LYDIA SO MUCH THAT HE CAN TELL IN AN INSTANCE WHEN SHE’S IN DANGER, AND THAT WHAT MAKES THEM EVEN BETTER TOGETHER.