Send Your Muses Thoughts About Mine On Anon

Send your muse’s thoughts about mine on anon

And my muse will react

★ — Gregory doesn't want to explain himself any further. He wants to go inside and head down to the sinkhole with Freddy — as much as he feels he has to go back, he wants to get it over with as quickly as possible. She's just taking up more of his time. ( more time for someone to notice he's gone missing again in the first place ). It would much easier if they could just go inside and go their separate ways, doing whatever it is they both feel they need to do without interfering with each other. Pretending they never met at the back door.

But by the way the blonde has stopped working at the lock and is instead looking at him, it's clear she's looking for an explanation. Gregory whines ( dramatic ), letting his head fall backwards as he looks to the night sky.

"Look. I have been inside before, and I know it's dangerous. But if I tell you why, you have to promise not to freak out, okay? And you can't call the police. You can't. Because I swear I'm somewhere safe now, but ... I need to go inside. I need to see something."

Her brow furrows a bit as she listens to him. "What could you possibly want to see in there if you've already been in there like this?" It's a mix of disbelief and hoping the kid might give her a lead. Maybe he's lying, trying to talk her into letting him go on his own. But just maybe he's telling the truth, and whatever he wants to see is what she is also looking for. Not that she's about to let him go see it, if that's the case. Putting a kid anywhere near her father is a recipe for disaster, clearly.

She finally processes the last statement, however. "Friend?" Well, now she's curious. She's still not sure what to make of the kid. He seems to know something, if she can trust his word. It's still a kid, and a kid who seems eager to get in at that. Maybe he's just making something up to try and get her to let him go.

Either way, she's not going to continue to pick the lock until he gives her more information.

“You really are a pain in the arse, aren’t you?” ( sorry this one made me laugh fkdshfsal / @spring-lxcked )

Argumentative Sentences, Vol. 1

★ — It's a source of pride, really. ( if you're going to be labeled a problem child, why not get the fun of acting like one? ).

Gregory may be in trouble ( though he's unaware of just how much trouble he's in yet ), but he doesn't do anything to stop the muffled snort of laughter in response to the man's words, only half - trying to bite down the smirk that's tugging at the corners of his lips. He at least has the sense to not roll his eyes, though it's far more tempting than it should be. Brown hues flicker around the surroundings, quickly making note of what might be the best way to get away should he decide he needs to make a run for it.

"I don't have to be," ( a shrug, his attention briefly flickering back ). "Y'could just let me go and not deal with me at all. I'm pretty good at staying out of the way."

read ggy in one sitting and then started rewatching tlou I have so many thoughts bouncing around in my head but they are only for painful aus hello

I know the general consensus (and mine as well) is that Gregory isn’t the one who dropped Cassie down the elevator shaft, but I started this before I knew that, I enjoy morally grey characters

Art without the shading under the cut:

Hey woah would you look at that! Some fnaf stuff

(1st drawing Michael Afton, 2nd my design for Chica, 3rd my design for Freddy, 4 my rainbow hair Vanessa design, 5 drawing of Gregory)