This Weekend Was ROUGH, You Guys. Dayna (my New PA) And I Were At The Studio Until One In The Morning

This weekend was ROUGH, you guys. Dayna (my new PA) and I were at the studio until one in the morning last night, so you have my apologies for not posting anything until today. I'm about to head over there again right now, but here are a few highlights from yesterday.

We managed to finish making all the latex bodies (yay!!!), so now it's just a matter of trimming off all the excess, patching the holes, painting the bodies, and sculpting the heads. It's a lot of work, but fortunately most of it can be done in my living room.

Thanks to Dayna for all these pictures!

The anatomy of a puppet.

Mixing the foam latex.

Pouring the latex into the mold.

Trimming the excess latex.

Lots o' puppets, in various states of completion.

We started filming today. :)

Eyeless Mina and about 5% of my tools.

Sara and Jim, setting up the shot.

Little Mina could use some friends.

Catastrophe! I came in this morning to pry apart the little boy mold, and it crumbled in my hands. Well, half of it crumbled. So I rebuilt that half, and while I was waiting for it to dry, I started on the Monster #1 mold. That's this little guy!

He's going to be covered in fur, remember, so he'll actually look really different than this. But this is what he'd look like if he was naked, shaved, and blanched. So helpful.

In other news, the second attempt at the boy mold was successful, so I built a wire armature for the puppet and tomorrow I'll pour and bake the latex on top of it. I'd show you a picture, but I'm frankly so sick of looking at the dude that I couldn't bear it. So just use your imaginations.

Merci started bringing in set pieces and monster fur today, and I'm starting to see the whole thing coming together in my head. It's really exciting. :)

There were three things John Watson loved in this world: a good pipe, Sherlock Holmes, and their bull-pup Gladstone.

Super Sculpey, ~30 min.

Another big day. This time, I recruited my good friend Sean to perform slave labor help me out around the studio and keep me from going stir-crazy. Thanks, Sean!

Today, we made latex casts of two boys and one girl, leaving just one boy, three girls, and a monster to do tomorrow. It sounds like a lot, but I'm getting exponentially faster every day. It took me two weeks to make my first mold, and now I can do one or two a day. So I still have high hopes that I can finish all the baking tomorrow.

I also finished sculpting Monster #2 and made the first side of the mold, so I'll finish that up tomorrow, too. Sean measured out fourteen little balls of Sculpey for the heads I sculpt during the week, and I trimmed and patched the first little boy and Monster #1. I'm still terrified that something is going to crack, explode, deflate, dissolve, or otherwise break, but I think I'll be able to put those fears to rest tomorrow when I completely finish the first puppet. If I can do it once, I'll trust myself to do it eight more times, so fingers crossed.

Thanks for all the encouragement as I stumble through this. I know the final film is going to be just gorgeous.

Today was excellent day, thanks mostly to my personal assistant (and best friend), Dayna. She was a huge help, not just for making my armatures and cutting up burlap, but for keeping me company and generally being awesome. Thanks!

And then Merci stopped by! It was a regular film-making party up in there today. Here's Dayna (right) and Merci measuring a tiny doorway for the set:

While they slaved away on that, I tried to figure out how to make the characters' heads. Cast them in latex? Stick with the Super Sculpey? I finally decided to go with the latter, so I hollowed out this head to prepare it for baking:

Once that was done, I hollowed out the eye sockets so we could pop in the eyeballs (harvested, like the clothes and wigs, from a bunch of dolls I bought at Target):

And then we popped in the eyeballs for the creepiest moment of the day (see above).

Not bad for a day's work.