Black Panther (2018) Dir. Ryan Coogler

Black Panther (2018) dir. Ryan Coogler

Man I can’t wait for this wedding, I was never this happy and excited for a wedding… not even for my cousin’s. Is this ok?

Gelareh designs coats

PHILIPPINE HISTORY Ver. 2.0 #rp612fic

Pag nagets mo ‘to ibig sabihin nakinig ka ng mabuti sa Philippine History titser mo. 

Rizal in Starbucks:

Barista: “What’s your name sir?”

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Andres Bonifacio stood mightily in front of the Katipuneros and shouts 

 "WHAT’S UP MADLANG PEOPLE????!!“ 

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9:44AM *Andres Bonifacio created the group Katipunan*

*Emilio Aguinaldo joins the group*

*Andres Bonifacio left the group*

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Jose Rizal: “Updated na ang Noli Me Tangere sa Wattpad! Go check it out!”

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After finishing Noli Me Tangere, Andres Bonifacio walks up to Rizal and whispers in his ear, “hugot.”  

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Jose Rizal on Facebook be like: “About to be shot.” - Feeling nervous

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Rizal took a deep breath, faced the Spanish firing squad, and before they shouted fuego, he whispered,

“Huhubellz.”

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Juan Luna: “But first…… Let me paint a selfie!”

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Jose Rizal: The youth is the hope of our future. 

Youths: Edi wow!

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Rizal: “I saw the future. I know the date of our freedom. June 1898.” 

Andres: “Details, Pepe. June what?” 

 Rizal: “SCHWELVE

—-

“BRB.” – Gen. Douglas McArthur

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“Talk dirty to me.”

Rizal: “In what language?”

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Magellan to Lapu-lapu,

“Lapu like you do lapu-lapu like you do.”

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Jose Rizal to his girlfriends: “Cause all of me, loves all of you.“ 

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Sisa: *Kris Aquino voice* “OMG! where’s Crispin and Basilio like nacacaloca! I’m getting tired na…Darlaaaaa”

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Leonor: “Ako na lang, Ako na lang uli.”

Rizal: “She had me at my worst, you had me at my best, and you chose to break my heart.”

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Sisa to group chat: “Crispin, Basilio. Where you guys at?”

Seen 9:44AM

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Magellan: "I never meant to start a war, I just wanted you to let me in.”

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Rizal to Bracken:

Rizal: Are you Bonifacio? Because i want to Andres you.” #Breezy

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Jose Rizal updated his status on Facebook:

“Walang forever!” – feeling chickboy

Tagged Josephine Bracken and 8 others.

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"I can buy you, your friends, and this Bapor Tabo” - Donya Victorina

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Katipuneros: “When your legs don’t work like they used to before…”

Mabini: “Tangina niyo ah.

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Katipuneros warming up before going into battle

 "ZUMBABIDAAAA!“

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( After Rizal’s death)

Joesphine Bracken: *goes to Sagada*

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Melchora Aquino to the wounded Katipuneros:

 "That’s the thing about pain, it demands to be felt.“

—

©  https://twitter.com/search?q=%23rp612fic&src=typd

You really don’t understand how much I’m in love with this as someone who devotes every waking minute in researching on our precolonial history and our indigenous selves.

Kalooban: Oneness of the Filipin@ Soul in Dance

This was a presentation at the Cultural Center of the Philippines Main Theater from November 9-10, just a couple of days ago, on the dances of our ancestors, chronicled by Antonio Pigafetta, a historian who traveled with Ferdinand Magellan.

In 1521 when Magellan arrived on the shores of Homonhon (an island in the province of Eastern Samar) then to Cebu, he met the people who were covered in gold jewelry, ornaments, and tattoo’s. They fed him and his men with an abundance of food, which even till this day is a trait among Filipin@’s of feeding ones guests in a matter of a feast. They fed them, showed them hospitality, and danced, recited stories and epics, and played music for them. Unfortunately, their way of life, their dances, their music, would soon by forgotten and erased from their lives as Magellan, then followed by Ruy López de Villalobos and Miguel López de Legazpi, brought on the eventual 333 years of Spanish colonization.

However despite what happened, Pigafetta managed to record what he saw on their dances and music, chronicling them into written form, a preservation of what was lost to us after the years of colonization.

In the performance, the Kaloob Philippine Music and Dance Ministry revives and relives the stories of our ancestors, on our dances, music, and clothing during the 16th century, based on the written accounts of Pigafetta.

Not only do they perform the old dances and music, but they also perform other traditional dances we know of and perform today such as the tinikling and singkil.

The purpose is not only to tell the written accounts of our ancestors to the public through theater, but also as a way of national identity, unity, and a call back to our indigenous selves.

Haliya, the Bicolano goddess of moonlight and a Tawong Lipod (Wind people)  [⚫]