Based On The Trailers, I'm Not Convinced The Clone High Reboot Will Be As Entertaining As The Original,

Based on the trailers, I'm not convinced the Clone High reboot will be as entertaining as the original, but it's smart that it's seemingly leaning into the angle of "characters from a 2003 teen drama trying to adapt to living in a 2023 teen drama." It's a meta-humor goldmine because the fandom that emerged in 2020 when JFK clips randomly went viral on tiktok is a downright fascinating specimen of how our perception of characters in pop culture has changed over the last 20 years (I feel old.)

The clearest example of this is how Joan x JFK got warped into a wholesome OTP darling of the fandom. The actual show pretty explicitly characterizes JFK as an obnoxious playboy douchebag. That's the entire archetype of his character and it's exaggerated to extreme extents for humor. There's exactly two examples of the JoanFK "romance" in the original series and both were just the punchline of jokes that wouldn't be well-received today. The first is JFK being relieved that he's not gay when the "man" he was attracted to was Joan in disguise. The second is JFK having sex with an emotionally vulnerable Joan in the literal last minute of the show as a parody of the dramatic out-of-nowhere twists in TV shows of the time. It should be strange that this ship was warped into the definitive wholesome face of the fandom. But it's not strange when you look at Abe and the modern view of characters like him.

See, Abe is the character Joan is "supposed to" end up with. He's the awkward, dorky guy chasing the hot, popular Cleopatra while oblivious to the cute alt girl at his side pining to be more than friends. It's classic "she's cheer captain and I'm on the bleachers" stuff common in the 2000s. However, that trope became hated within the last few years because it's "pitting women against each other." Even more-so, Abe's character archetype has become detested. Abe is Ross from Friends and Xander from Buffy the Vampire Slayer. Today, it's unpopular to have empathy for characters like that because their passive "nice guy" misogyny is recognized as just as, if not more harmful than the blatant misogyny of a JFK-type character. Meanwhile, fandom culture has fallen in love with himbos, hence why JFK has been shoehorned into that archetype despite still being an awful person in the show. There's so much comedic potential with this contrast and the reboot seems to be at least somewhat aware of it based on the joke from the trailer where JFK is commended for being "so sex positive."

Me watching Abe the entire episode

*throws art I did over the week at your fyp*

Webcomic tips

In the conclusion for now, some things I’d really recommend doing if you’re seriously considering making a webcomic (or really a comic in general). Some of these don’t really apply to strips or gag-a-day type of comics, but I’m not talking about those here.

1. Write down ideas\sketch stuff, LEGIBLY. “I’m gonna remember it later” NEVER works. And if you scribble it somewhere on a piece of paper, you’d better scan it or retype in one doc later, because tiny notes always get lost among other doodles in my skethbooks.

(i know it’s hard to keep everything clean and organized, but this mess is just not productive)

If your project is a collaboration, save your conversations. If you’re working alone, make a blog for your ramblings. You have no clue what tears of relief I cry when I open that blog and rememeber I don’t have to painstakingly look through my heaps of sketchbooks and folders for a tiny idea I’m not even sure I wrote down a few months ago.

2. Inspiration folders, or even better, inspo blog with tags also help with collecting and remembering ideas. Color schemes, landscapes, style inspirations, atmospheric stuff, maybe some photo references, all those neat things.

3. Basic tier: character design sheets. Top tier: common poses, expressions. God tier: outfits they wear throughout the comic. Holy cow tier: turnaround sheets for all those outfits.

(I’d die trying to find good pages for references without these)

4. If you haven’t finished detailing the plot, don’t even think about moving on to drawing the comic. You’re gonna regret it when you come up with a really cool plot element that can’t be incorporated anymore because you’ve already drawn all the parts you could’ve tweaked.

5. Don’t just define the plot, make a script. Writing down the lines and the brief description of the actions serves me fine:

(notice that I approximately divided the pages & the text that’d go to each panel on a page)

6. Hard mode: make thumbnails for all the pages, if possible. At least whenever a new chapter starts. 

7. If your story involves some convoluted chronology shenanigans, you’d better write down the events of your timeline in the chronological order.

8. Backgrounds. You can’t avoid them, bro. Like half of the comics are backgrounds, especially if your story involves a lot of adventuring and looking around. I know it hurts, but you’ll have to become friends with them. Read some tutorials, practice on photos, go out and sketch some streets, use 3d programs (like Google Sketch) to understand the perspective, use sites like houseplans to visualize your buildings better, I don’t know. Just be prepared for their imminent evil.  

9. If you’re drawing digitally, pick a brush size for the lines and stick with it. You don’t want your lines and detail levels to look all wonky and inconsistent in different panels. And I don’t mean the cool stylistic varying lines, I mean this:

Also, things on the background should have thinner and/or lighter lines to avoid distraction. Usually less details too, unless you’re making a busy background with a simple foreground to help it pop out. Or wanna draw the attention to an object on the bg.

10. Readable fonts. Even if you chose to ignore people with poor sight or dyslexia, the majority of your readers aren’t gonna be excited about struggling to decypher this:

Also, as much as I love my black speech bubbles, colorful text on black still kinda hurts the eyes. I wouldn’t recommend doing that for all the characters. Black speech bubbles are usually used for creepy, inhuman voices. And yes, having a colorful outline in this case helps.

11. Probably newsflash, but did you know that panels have their place, order and functions? They do! My favourite thing ever is how I used panels when I was like 12:

(comics ain’t rocket science, but this one is)

The composition of the panels and word balloons always serve for a better reading experience. They guide your eyes over the page, so that you never feel lost or confused. The images in the comic equal frames in a movie, so it’s pretty damn important in what order you look at things and how quickly you can understand what’s going on!

(Eric Shanower & Scottie Young’s Wizard of Oz)

12. One update a week is fine for testing waters. Don’t overestimate yourself, especially if you have a pretty busy life outside it. A stable comic that updates slowly, but regularly is better than an unpredictable erratic one. You can always pick up the pace later, if you feel confident enough.

13. Try to always have a buffer - a couple of pages in reserve. If you’re making the pages much faster than you’re updating, this shouldn’t be a problem. But if those paces are equally the same, it’s goddamn HARD. But on the other hand, if something happens and you skip an update, those come in handy.

If you’re looking at this list and thinking “wow that’s a LOT of work”, you’re totally right. And it’s okay to be intimidated at first! But that’s why it’s important to start with something small. Once you get the formula down, these things will be natural to you.

Happy LDOV from Butch Barbie! Have a lovely day celebrating lesbianism 🧡🤍💘

YO I FUCKING CALLED IT, WOLBUR HAD FRECKLES AT SOME POINT WE WERE ROBBED 😭😭😭

MTR Storyboards

Collection 7