So While I Was Working On My Analysis I Suppose, On Why Digimon Adventure: Does Not Work As A Show, It

So while I was working on my… analysis I suppose, on why Digimon Adventure: does not work as a show, it occurred to me that despite claims that Taichi in Adventure: is inspired by V-Tamer Taichi, his partner is an Agumon whose final evolution is Omegamon, and why that doesn’t work. But I realized that it is a point that I could expand on, and so I have separated it out here. Consider it a preview.

The protagonists of Digimon V-Tamer are Yagami Taichi and his partner Zero, a Veedramon. The story is carried by these two alone. While others help and hinder them on their way, their mission is theirs, and the responsibility of defeating Daemon belongs to no one else. It is with that power that they reach their highest form, UlforceVeedramon Future Mode While Taichi is the main protagonist, Zero is just as much a protagonist. Their names, even reference binary. While there are other characters who impact the plot, the role of protagonist belongs to these two. 

This is echoed in the themes of Digimon Adventure:, the digivice in the title supposedly representing the bonds between human and digimon. And, while I don’t think it particularly succeeds, I can see clear attempts to be made to make the digimon partners their own characters, equals to their human partners. 

But yet, Digimon Adventure: uses Omegamon as Taichi and Agumon’s final evolution. And that is a bit of a problem. Digimon Partners are not interchangeable. Well, okay, the species are a bit arbitrary, all things considered, (after all, Zero’s rookie form is also Agumon) but the problem is what UlforceVeedramon represents vs. Omegamon. 

In Digimon Adventure, Omegamon is not Taichi’s power alone. Not by a long shot. Taichi is not the solo human protagonist of Digimon Adventure. Even in the first film, before Hikari was even meant to play a key role in the series, she shared the series debut. Regardless, the burden of defeating Apocalymon is not his alone to bear. And Agumon’s evolutions reflect that. WarGreymon is reached through borrowing Hikari’s power. Omegamon is literally formed by WarGreymon and MetalGarurumon (who was formed by borrowing Takeru’s power), but in reality is born from the power of hundreds of people reaching out from across the world. And perhaps even Taichi’s crest of Courage is not something that belongs to him alone. As Yamato puts it, “It’s everyone's Friendship”. Though Taichi best embodies courage, the courage he wields is not his alone. Even tri. which I usually avoid using as an example, has Omegamon Merciful Mode, which very explicitly draws from the other children’s partners. Adventure’s Taichi’s not strong because he himself is powerful. Really compared to Hikari he seems rather unimpressive on his own. He’s strong because he is able to easily act as a receiver to others powers, a trait that is fitting for a leader. Because that’s what sets Adventure Taichi apart from his peers, he’s a leader.

Note, that I didn’t really bring up the partners in regards to the discussion of Adventure, not that they aren’t important, but that they aren’t a driving factor. Digimon partners are something vastly different in Digimon Adventure. They are reflections of the children’s inner selves. For straightforward characters, like Taichi, his partner Agumon is very much like him, and for characters like Sora, Piyomon seems very different. This isn’t to say that the digimon are simply their partners, Tailmon went through quite a bit on her own. But nevertheless, Tailmon is the way she is, because Hikari is the way she is. 

Digimon Partners and their evolutions are not things that are just assigned, and given. They are things that arise from the circumstances. Omegamon is there because the themes and circumstances make Omegamon the most appropriate "Ultra”. This is true both in and out of universe, who can forget SkullGreymon? SkullGreymon isn’t wrong. It’s just not the evolution that fits Taichi and Agumon’s situation.

And here’s the thing. Digimon has done the whole focus on “Bonds with Partner’s” before. That’s Tamers. And in Tamers, the final evolution was born from a human and a digimon literally coming together as one. The final episodes all appear somewhat humanoid as a result, particularly notable from WarGrowmon to Gallentmon. Because that was what evolutions were needed narratively and thematically. Otherwise, we have Megidramon. And guess what, the Adventure timeline also has a movie in which the focus is on the bonds between human and friendship, and lo and behold. In Digimon Adventure Kizuna, Agumon (Bond of Courage) and Gabumon (Bond of Friendship) were born. Born from the bond between human and digimon. They even use the “looking like humans” idea from Tamers.

Interestingly, Kizuna came right before Digimon Adventure: started. 

Now, I am really advocating for the Bond forms to be used in Adventure:, those forms were something special to that timeline. But that’s just the thing. Many evolutions, whether unique digimon or not, are brought about by circumstances unique to that timeline. Look at 02’s usage of Armor levels, Frontier's Hybrids, and Xros Wars' Xros mechanic. It’s not new for later seasons to take these Digimon that have existed in these specific circumstances and use them generically later. It would, after all, be a shame to put all those good designs to waste. But at the very least, the evolutions of the main cast are carefully chosen, created if need be, to fit the show.

And that creates a problem for Adventure: as a reboot. It is pulling from the evolutionary lines of its predecessor, despite aiming for different themes and using an entirely different world and characters, and in the process the meaning behind the evolutions has been stripped out. While it has been able to throw in additional evolutions, most of those are well within the confines of precedent: Armors and Ultimate’s that are already related to these evolutionary lines. Adventure: is trying to be a show that, as a reboot of Adventure, it cannot be. Adventure: spends so much of its time screaming that it is not the original Adventure, while simultaneously dragging in call backs that it loses any sense of identity.

The enemies they fight are not Taichi’s responsibility alone. These kids have to have crests. Agumon must evolve into Omegamon.  Angemon still has to die, HolyAngemon and Angemon have to mean something. Tailmon has to be Adult, and has to have been evil. Hikari and Takeru have to give their brother’s power. Omegamon still has to appear. . They still go to summer camp, and Taichi still fights Parrotmon. 

Note, that this is far from Adventure:’s only problem, however I do think it illustrates a large problem that affects the way certain elements and characters are used in this show. Taichi is a solo protagonist, but his “Ultra” is still Omegamon born of Yamato, Takeru and HIkari’s influence. Mimi is now a bossy rich girl, but her crest is still Purity. Yamato is a loner who doesn’t overly concern himself with others, but he’s still Friendship, and still Takeru’s semi-estranged younger brother. 

When Adventure: manages to work a new angle into the old mold, it works well. Yamato’s focus on his friendship with Gabumon works well, and various side characters work alright. Resolving the conflict over Tailmon’s Ultimates by using both for separate things and bringing in Goddramon is a great idea. But more often than not, it doesn’t. Properly contextualizing what a holy digimon is is great, but Angemon’s death is awkward, and Pegususmon’s presence smooths over the issues of Tailmon being champion and keeping Angemon special in an awkward way, refusing to address what an Armor is. Because they are trying to write a story around a set of evolutions they are required to have while absolutely refusing to be Adventure where it matters. Leading to the awkward mesh of Adventure elements and characters, with themes and stories that they were never meant for. 

If Adventure: was meant to be about the bond between Taichi and Agumon, Omegamon was never going to work, including the concepts of crests, was going to muddle things at the very least, and including 7 whole other partner pairs who are going to require at least a few episodes of focus a piece was not going to work out. It’s not that we couldn’t have had more focus on Taichi and Agumon within a reboot and their bond, or that the idea of Taichi and Agumon (or any other pair), activating an evolution because they are in agreement on a concept isn’t a good idea. Just an understanding that this primary focus wasn’t going to work because Adventure in its very concept has a lot of characters that need some degree of focus. Savers with its heavier Masaru focus and use of shonen tropes, dials back the number of “main” characters to half that of Adventure, because it is built around its premise. That unless they were going to be bumped down to secondary, recurring characters, this was never going to work, because that’s not how Adventure’s concept was intended. To tell a new story, it needed to have dropped a few more of Adventure’s elements. But to do that would be to essentially admit that this isn’t Adventure at all. Adventure: needed to have evaluated what story it could tell with what elements it was required to include.

Anything goes in Digimon, and Adventure: seems to want to make the most of this, using armors, Hybrids and Xros Wars digimon with regularity. But you can’t build a cohesive narrative simply by plucking your favorite ingredients and sticking it in a pot. Some things just don’t go together. You can’t take the ingredients to make bread and make a salad. But in short, V-Tamer Taichi and Adventure Taichi aren’t interchangeable. They are two different characters because they are designed for two different stories, and their partners reflect this. Adventure: was doomed from the start if it didn’t realize this. 

How Digimon Universe Invokes Myth

I had a horrible, horrible epiphany about Appmon that I am compelled to share.

So, as I was writing my Appmon analysis thoughts, considering how Appmons main thesis of using kindness to fight the singularity and how that stands in antithesis to the self-fulfilling prophecies so common in myth where going out of your way to fight something is what makes it come to pass in the first place. The most notable example to me was the Greek Myth where Uranus was overthrown by his children who he prevented from being born, hurting their mother Gaia in the process. In turn his son, Cronus, was overthrown by his children whom he ate, and his son Zeus, who was prophesied to be overthrown by his son, consumed his child’s mother before he could conceive the child of his doom. And the God Grades were named after Greek gods this season. In my head this was a sort of side note. A cool little detail. Not that this is exclusive to myth (hey Kung Fu Panda II) or anything. But myths are the foundation of human storytelling. Even today it’s something that gets used quite a lot. Because it's such a terrible, human concept. Using violence out of fear against people motivates them to want to use violence against you.

Now if you want a recap of what I said somewhere else that I don’t care to look for, Appmon argues against it, basically Appmon is a battle between Denemon’s children. While one of his children goes rogue and kills him, fulfilling the prophecy of the singularity. He does not overthrow humanity because ultimately through the kindness he (and Haru) showed, Minerva (and Yuujin and the Appmon), remained loyal to humanity. Even though Appmon grew strong enough to overthrow humanity, they didn’t. Now I have an additional thought, that being Uranus, while defeated, still exists as the sky. Just like Denemon, though killed still exists. Does that mean anything? I don’t know.

Then I was thinking about how Digimon does gender in all its different seasons. And how Appmon was the most baffling. Because okay. Digimon aren’t consistent and they can have gender sometimes. But those are usually in the series where digimon aren’t man-created AI. So what the heck Appmon. Why do you have gender? And your appmon have parents? Parents have only been used for digimon in Xros (the season infamous for implying digimon sex), and Frontier, where digimon very much so had gender, but also were born from reincarnating eggs whose gender did not seem set in stone. Both seasons, which took the more “Digimon are naturally existing fantasy monsters” rather than “Digimon are AI monsters born from human influence” approaches. Are they AI born from humans? You can’t give me two completely conflicting stories about Appmon’s existence. 

Or can you?

So I’ve taken a few classes on myth and religion through the years. And unfortunately due to reasons I have mythology fresh on the brain. But the idea that myth contains conflicting stories about things is one that was discussed. Myths generally weren’t told as one continuous story of truths. They were told as independent stories. While they were regarded as truths, you weren’t supposed to think deeply about the discrepancies because these are stories of the divine. Beyond perfect human understanding. The individual stories each said something about the society. Each story held its own truth, relying on a consistent cast of characters. An example is how there are two, semi-conflicting stories of the creation of man in Genesis. This results from the fact that at one point these were two separate stories, each meant to illustrate a point about the world. It was only after they were gathered and codified did we consider them part of one story.

But this also got me to remember what gods are. They are divine representations of things. For instance it is not that Gaia represents the earth or governs it. It is that Gaia is the earth. Hades is also the name for the underworld. Gatchmon is a search app. Appmon are to Gods, the way Apps are to natural phenomenon. Appmon are modern gods. Now this isn’t the first time Digimon tipped its toes into myth. It has digimon who are representatives of all sorts of preexisting myths. But they don’t enact these myths. Perhaps they will be referenced as having godlike influence in their reference books, but they will not be worshiped like gods in the texts (anime, Manga, games) themselves. They invoke these myths, but they are not myths themselves.

The apps are personified in the way the gods are personified. Gatchmon is like a human comprehension of the search engine. Search engines exist, finding and sorting knowledge in ways that are beyond the average human comprehension. Search engine giving irrelevant knowledge? Gatchmon messing with you. Search engine giving you the perfect search result. Gatchmon. Music app algorithm playing songs you hate? Musimon. Music app playing the exact song you were in the mood for? Musimon. Phone randomly reboots… Rebootmon. In the same way the gods of myth toyed with human lives, causing them pain and suffering. Disease, love and fertility were all products of the gods. Appmon toy with humans in the same way. People earn the favor of the AI the same way the Greeks earned the favor of the Gods. Through sacrifice. In this case the sacrifice of their personal data.

So how can apps have parents? And go to school? And have genders? The same way that God’s have gender, have affairs and have parents. The way. Appmon live an existence beyond human comprehension and beyond the human flow of time. Appmon go to school for the same reason that there are myths of the gods cheating, and fighting and stealing among each other getting into petty grudges. App Fusion charts is like the genealogy of the gods. But for the Apps. It is the way that some Apps use other Apps to improve their functions. The way search apps will reference locations or the weather if you ask it to look those things up. The way Apps relate to each other, communicating using AI that builds upon each other. We wouldn’t have video calls if it weren’t for camera apps or phone calls already existing. The stories of the Appmon going to school, or having parents is the representative explanation for why things are the way they are. This app was never released? It failed app school. This App references these two? Those two Apps are its parents. Some Apps come into existence fully formed. Some do have parents. SOME APPS ARE BOTH, THE TRUTH NOT UNDERSTOOD BY MORTAL MEANS AND ONLY RELEVANT TO THE STORY THAT IS BEING TOLD. APPMON ARE MERELY OUR COMPREHENSION OF THE FORCES THAT GOVERN OUR LIVES.

 So now having established that, Appmon is a modern myth. A story of what’s to come, and the characters, the Apps, that rule our modern lives. Digimon Universe is the Ragnarok, the Book of Revelations of our modern age. Obviously it is not a true myth. It’s a children’s show. But it invokes the patterns of myth so I’m calling it as I see it.

This year I spontaneously watched Appmon nearly 2 times, and I have thoughts about it. And what better way to acknowledge it than on its 5th Anniversary. (Or 4th anniversary of Our Singularity). I'm planning on at least covering my thoughts on the main 5 kids this month, in an order based 100% on who I want to talk about first.

It's Astra.

I think Astra is generally the least liked Appmon character, or perhaps more accurately, is the character I see the most disdain for. And, honestly, I can understand where it comes from. But he’s my favorite Appmon character actually. In a cast with a non-conventional protagonist, a blackbelt idol, and a hacker, Astra’s “Apptube” is well, just kind of there. Like a more modern version of Eri’s idol career. His personality is clearly meant to be representative of the target audience, the group whose number one career aspiration is Youtuber. So, he’s kind of cringy and kind of annoying, especially to an adult audience. I get it. But Astra’s a character I found to have a lot of stuff going on.

I admittedly tend to have a soft spot for the babies of any team, especially if they are assertive enough to keep up with their seniors. And Astra does fit the bill. He’s generally seen to be on equal footing with the others, and his rather aggressive way of talking to the other doesn’t exactly make you think baby of the team. He doesn’t use honorifics, and in general Astra’s referred to in the same terms as Haru and Rei. (As near as I can tell, anyway with my nonexistent Japanese skills, correct me if I’m wrong). The fact he’s in elementary school is a bit more incidental than anything.

We learn the most about Astra’s family and upbringing compared to the other characters, and it is central to his arc. We get a lot of information straightforwardly in the show. He had a lot of pressure on him as the heir to the school, and felt pressured to act the part of the perfect heir. Throughout the show we see him struggle with the pressure of being the heir. As a child he was extremely dedicated to following his father's footsteps. He didn’t seem to see himself as anything other than the heir to his father's school. He seemed set apart from other children, seemingly due to the closed-off way he acted. This dedication to being a good heir was to the detriment of his happiness. Until Musimon came into his life allowing him to loosen up and seek his own happiness. Classic stuff. But Astra is a little more at war with himself than may be obvious by his “annoying” attitude.

While we first learn about Astra suppressing his own eccentricities, in his debut episodes, it’s not until later that we learn about his mother, and learn that this side of his personality didn’t come out of nowhere. His mother is very similar to him, which gives us the question of why he ever became so disciplined in the first place if his behavior isn't out of place in his family, and his mother is a strong advocate for him doing his own thing. In fact, Astra seemed initially a bit embarrassed by his mother when he introduced her to the other Appdrivers. Of course this is almost certainly because his mother calling his friend “pretty” and gushing about her husband and how they met is embarrassing, and even if Astra himself acts just as obnoxious. But even so, he's clearly less respectful towards her. The reasons behind why Astra calls his mother by her first name are unclear, though it doesn't seem to stem from a lack of love for his mother.

But regardless, it helps build the idea that more likely, he was trying to win the approval of people outside his immediate family. After all, as shown in episode 7, it was the assumption that Astra would inherit the school by others that prompted Astra’s response to his father. Even if Astra’s father does have a desire for Astra to inherit his position, he also understands that it's first and foremost Astra’s life to live. Astra however does have a lot of respect for his father and seems to value his opinion immensely, he recognizes that not inheriting the school would be disappointing to his father and does not want to disappoint him. So while I think there is something to be said for Astra’s behavior relating to a desire to impress his father, I don’t personally think it's the origin in its entirety.

Astra over the course of the series is very independent and marches to his own beat, Astra, like Eri, had made the first step to change prior to his introduction, but that doesn’t mean he was already completely different from the boy who acted stiff to prove himself to others. Astra’s second episode deals with him succumbing to peer pressure in his new activity, and his final episode is about not succumbing to his uncle's expectations, the old expectations that kept him down for so long. (But it's also a bit about fulfilling Hinarin’s expectations, expectations he agreed to).

Despite Apptubing being the career choice where Astra does as he pleases, his final episode isn’t about him Apptubing because he wants to but as a way to help someone else. Particularly his cousin. While it isn’t explicitly clear if Astra knows it’s his cousin the fact of the matter is that he’s helping his family through his Apptubing, even if it is something he picked up for himself. (A reasoning perhaps parallels Eri’s reasons for being an idol, wanting to bring smiles to her mom, despite it clearly being something she herself enjoys). His care for his family is exactly the reason he continues to train to be the heir, but that doesn’t mean even if he doesn’t uphold expectations that he can’t be a help to his family.

Astra’s arc deals with expectations vs. a desire to help. Astra in large part is assertive about not having to help other people out and doing his own thing, recognizing he doesn’t have to do anything he doesn’t want to. But his actions consistently betray his care for others. I think this is most evident in the way Astra acted as if he wasn’t going to help Eri out with her elections, but did so anyway, even if he antagonized her a bit in the process, but ended up being the proudest of her accomplishments. Not to mention the way he continues to train as the heir, albeit on his own terms. Over the course of the series, he becomes more open with his care towards others, culminating in the jailbreak episode, but he’s always been shown to care. He’s finding that balance between living his own life and helping others.

It’s clear that Astra doesn’t hate being heir at least. He’s extremely determined to do both. And personally, I think it’s very possible that he sees Apptubing as a hobby. He after all proposed the half-hour limit himself. Even at the beginning with his most abrasive. He dutifully kept it to a relatively small impact on his life. For all that it’s brought up as an important element in his life, and he is shown breaking his own rule on occasion without consequence. One of the longest times we see him Apptubing is when he’s helping Eri out. Of course on the flip side of that, we have episode 8 where he breaks the rule because his videos aren't doing as well as he likes, but that's definitely tying back to his desire for people's approval. While he is for lack of a better word, tempted into giving up training to be an iemoto to dedicate himself to Apptubing, it isn’t something he seems to seriously consider at all.

The biggest thing Musimon gave him was not the courage to be an Apptuber, but the courage to be himself. Indulging in Apptubing for fun is merely a small part of that. Astra is still the good heir, but he is no longer letting that define his entire life, sometimes forgoing certain parts of training. But that doesn’t mean that tea ceremony is a bad part of his life. There’s also a certain balance in his personality between the abrasive “annoying” boy at the start of the series and the passive boy prior to the show's beginning. I don’t feel that the polite Astra is completely disingenuous. Astra is capable of acting calm and grounded, and this side of himself becomes more apparent as the series goes on, particularly with Eri who, in contrast to him, throws herself into her idol career with more and more genuine passion. When he supports Eri with his videos but asks her to take a break, which tracks with what we know about his fathers working habits. It’s his final focus episode where he is shown to be acting, more in someone else's interest, and even shown to be a bit embarrassed by it. In contrast to an Astra who even in episode 19, was not taking much seriously. I think it’s only fair to say Astra did genuinely inherit some of his father's more grounded and dutiful nature.

And while earlier I did say Astra’s age feels incidental, I don’t think that is to say it has no bearing on his role in the story. It's part of the reason Eri is so dismissive of him at first, Sure, the other’s treat him as equal, and are in no way particularly protective of him, nor do they expect him to be any less capable than him. But this isn’t to say Astra’s relative youthfulness isn’t apparent when with the others at least in the beginning. Astra is definitely on the more immature side of things, he after all is the one who started the rivalry with Eri because his ego was bruised (not that Eri's initial dismissal of him was helping matters any). As I said earlier, Astra mellowed as the show progressed and I think it’s a fair assumption to say he’d continue to do so. Not that he’ll lose his energy, but that he’ll be able to act with more maturity and consideration for others. The most common complaint about him I’ve heard is “annoying”, which is understandable. But that’s not accidental, even in-universe (hah), others seem to find him to be a bit much at first at the beginning of the series. His “annoying” personality is him testing the waters beyond the role of dutiful heir he’s always played. He’s annoying because he’s an 11-year-old boy who does not always know how to act in ways appropriate to his situation. He’s the kid of the group. I do understand if that still makes watching irritating. Watching should be fun after all, but it’s more of a matter of opinion than an objective flaw.

Unlike Gatchmon, Offmon, and Dokamon whose personalities seem to clash a bit with their buddies, Musimon and Astra are consistently on the same page, after episode 8. This is exemplified in episode 29, where Musimon runs away for fun rather than because he wants something from Astra, and Astra is the only partner who seems to have not been worried, recognizing what Musimon was doing. Of course, their fight in episode 8 was about Astra not being true to himself, thus naturally conflicting with the one who is on the same page as his true self. Musimon shares Astra’s high energy but caring nature. I’m not an expert on the Japanese language by any means, but there is something notable about the fact Musimon uses “Boku” to Astra’s usual “Ore”. Musimon and Astra are without a doubt very similar, the only difference in their demeanors being Musimon is perhaps a bit less confrontational. If Musimon being Astra’s buddy says anything about Astra, it’s probably that Astra is by his nature not quite as aggressive as he seems. Which for someone who clearly used to takes people's opinions of him to heart, seems about right.

Astra’s arc is all about expectations, expectations as an Apptuber, and as the heir. Astra living up to, or disregarding expectations based on what he believes is best. Living the life he wants to live.

Some final observations from me in regards to Astra, is that he’s paired with Fakemon for God Grade. While it’s probably in part just how things worked out logistically, it also makes a bit of sense as a foil. Fakemon is constantly being disingenuous, while a huge part of Astra’s arc is being true to himself, while also fulfilling other people's expectations of him. Also of note, Entermon is described as a Digimon who exists wherever you can find culture something that is particularly relevant to Astra.

While being biracial is not directly important to the story, it’s not incidental and clearly is thematically related to him being trapped between the traditional and the modern Japan. While in story Astra’s story is simply about outside expectations of inheritance, It’s possible to read Astra prior to the series as trying to overcompensate for his foreign mother in the eyes of the people at his father’s school. This is something I find notable considering that Appmon’s assistant producer, Akari Yanagawa, went on to become the producer of 2019’s Star Twinkle Precure, a season of Precure notable for the franchise's 2nd biracial cure, whose personal arc more obviously alluded to racism than Astra's, though still very indirectly.

Fresh Precure is about community, and how community forms support systems beyond the family unit.

Many heel face turns focus on the characters growth. How they come to understand differently, and how they grow into a new person. Setsuna, once freed from Labyrinth actually changes her personality rather quickly, she doesn't spend much time struggling with everything all things considered. Now, I think Setsuna's arc is top tier: her denying her true wants because its different from what she's been told she wants all her life, wanting to be useful to her community but her community not serving her, finding people who care about her and give to Setsuna rather than only take, her guilt for taking the happiness away from others that people have been giving her. But ultimately, it's not so much about Setsuna's personal growth, so much as about how this community rehabilitates an abused girl.

Unlike many other seasons where her living situation would be a bit of an afterthought its front and center here. We get to see all the little things that the Momozono's do for Setsuna, all the little things they get for her.

It's why the toothbrush scene is so important. A toothbrush is such a little thing, but the Momozono's are going out of their way to remember she needs one, to get one for her. And they ask her what kind she wants. The Momozono's are giving her freedom, are allowing her to embrace her own decisions, rather than in Labyrinth where she was manipulated into doing what others wanted of her.

It's not just the Momozono's. It's Kaoru giving her a donut simply because she hadn't had one before. Lucky and Takeshi playing with Setsuna. Miyuki helping support Setsuna when she was feeling pressured to dance. Of course the whole town does this for everyone.

The Cures go and support a little girl in the hospital, both as themselves and as their cure selves. Kaoru looks after the girls and tries to get them to eat when they're overworking themselves. Miyuki helping the girls balance their lives. This is the first iteration where Cure's are truly celebrities rather than their occasional public appearance in Fresh and the public cheers them on accordingly, and even helps in more tangible ways (like offering an expensive training facility).

This is contrasted against Labyrinth who erases individuality in the name of the collective, but where the collective is suffering. Who has no art, no family, no socialization. Where no one offers help unless ordered to. Where everything is for Moebius. And so, the smallest acts of kindness (a donut) have far reaching effects. Because the people of Labyrinth believe they're doing right. That this is the best for everyone. They don't know what happiness is, so when faced against actual it for the first time, as well as actual community for the first time, it crumbles.

But even the individuals in Labyrinth aren't always heartless. Westar has even more of a sense of community than Eas. A desire to give back. However, is loyalty to Labyrinth is stronger. Westar takes Eas leaving personally. He's often cast aside, underestimated. Westar's a goofy sort of villain, but more than that he's a victim just like Eas and Soular. He thrives once he gets to leave. He thrives in a community that gives him the support he gives others.

I think it's no coincidence that this season has the first cure with divorced parents. We never see her father, but we know he's not completely absent from her life. She still has a close relationship with her brother. This nontraditional family dynamic I think sets the stage for Setsuna later on, who is welcomed into the Momozono family. She's family even without blood.

Rei’s turn baby.

And by Rei’s turn, I mean, Rei and Hackmon.

but also Hajime

And Bootmon a bit too

It’s the Katsura’s turn

This ones kind of long

Backstory?

Of course the most notable thing about the Katsura brothers and their backstory is that they are orphans, and despite their young ages live alone. The second most notable thing is they are both computer geniuses. Really, this all just facilitates the plot more than anything, which leads to a lot of open ended questions about the brothers, but what we do have is interesting.

So it goes without saying that Rei and Hajime have presumably had a somewhat lonely childhood. Their mother died 2 years prior to the start of the show, and through the course of the show we never see them interact with anyone outside the Appmon friend group. There didn’t seem to be anyone else looking after them during the funeral, (if there was anyone there at all) and apparently no extended family members have been clued into the fact they are living alone, and the fact no one wanted (or could I suppose) take them both in, indicates they really weren’t close to this extended family to begin with. Then we get into their absent father. Rei claims that he doesn’t remember his father, which… he was about 6 when Hajime was born, which is old enough to remember. So either Rei does have memories, even if not clear of their father, or they have different fathers, or there’s some other family drama conspiracy going on. (I don’t speak Japanese and the two different subs I looked at are inconsistent with this, so maybe there is a clear explanation of their deal, it's just the translations are funky idk). Doesn’t really matter, the important bit is they don’t have a father in their life who matters.

Its an unconventional family structure from the get go, and a family structure, that again in my limited understanding of Japanese culture, is not exactly a very accepted one. I can see this being something that causes tension with their extended family, and potentially between the brother’s and their peers. 

We don’t know how exactly they lived their day to day lives, or how their family is officially noted in the hacked family registry, nor do we know what exactly they do about school. So, we don’t know anything about how they are perceived by others around them at all. Neither of them have been shown attending school. Rei is described as a 2nd/3rd year in Jr. High, but I find it incredibly doubtful that he attended school at all over the course of the series b/c of his obsession with finding Hajime. While it's not something that I can discount he did all together, I think it definitely makes sense if he didn’t actually go to school, at least not often enough to matter. And I’m sure he’s capable of hacking school records to keep authorities from taking note of that. School seems like a place where questions might have been asked about the boy’s living situation, especially when Hajime was younger and just entering elementary school. After all, Hajime wouldn’t have even been in 1st grade yet when their mom died.  Granted, we didn’t get a lot of school in general for any of the kids. But we did see Haru, Ai and Yuujin around school, and Astra at the beginning and in flashbacks, and Eri in school uniforms (though all prior to her idol career), as well as seeing everyone else interacting with their classmates in at least one scene. It’s still possible they are enrolled in a school, but are still isolated from their peers due to the circumstances in their family. Rei at the very least doesn’t have any friends prior to the series, and I have no reason to think Hajime does either. After all, the brothers are more alike than they appear on the surface. 

The show has, despite limited family appearances, has shown the similarities between the kids to their families, and so, despite not knowing anything about their mother otherwise, we can probably glean a lot about what type of person she was from who her sons are. We don’t know anything about their mother for sure other than she’s dead, and her sons seemed to mourn her death. While she still could have been a neglectful mother who Rei doesn’t have great memories of and thus doesn’t bring her up, again, the show didn’t go too in depth into families and so lack of info doesn’t mean lack of care on the characters' parts. People have parents, and her absence needs to be explained for Hajime and Rei’s backstory. But I think she has a little more importance on Hajime and Rei’s character beyond “dead”.

Because, speaking of the apartment, I’d like to draw attention to the décor in their apartment. Their apartment does not look like the type of place you’d expect to find two young boys living alone. While I feel like in many stories you’d expect the place the cool edgy orphan loner boy to have lived in to be sort of edgy. Either overly techy, or at least a bit modest, the Katsura apartment is neither. It’s decorated, well, like a middle aged woman decorated it. I don’t know how else to describe it. Neutral tones, plants, and a bit minimalist in the décor. It’s kept very clean by the boys and it overall looks like a very nice apartment.

Hajime’s room in the secret base is a little more like how you’d expect a bunch of kids to decorate a room with the way the wall is painted but it still has the plants though that the Katsura apartment has and blue I think is a good color to choose to make a room feel less claustrophobic. Which implies to me that this isn’t just a we’re putting a conscientious effort into dressing nicely to keep anyone from asking questions, and just how they are.

Their clothing also matches that aesthetic. Hajime is noted to be a polite little kid, and his polo shirts and sweater vest of his normal outfits match that impression. But despite Rei wearing a kind of garish outfit as his main outfit it doesn’t seem to be his normal style. In the flashback in episode 13, it’s kind of clear that Rei and Hajime usually dress similarly too. Rei wears a lot of button downs and nicer looking pants. They both wear t-shirts, jeans and sweats too, but even then their clothes are very neat. The two are overall tend to wear clothing that falls more on the semi-formal side of things. 

I’d assume it’s at least in part because it was the way their mother raised them. This implies to me that their mother was also a very “put-together” person. And probably where her son’s got their intelligence. And like I said, by assuming that their style of dress, their apartment, and their diligence in their work, stems from her. 

While I have no real evidence, I at least headcanon that she was a computer scientist as well which is where Rei gained his hacking ability. Either way, Rei had to have had this ability prior to her death, as he used it to hack the family registry, So Rei had to have this kind of skill as an elementary schooler. Which… this is an anime so I’m probably thinking too hard on this. While Hajime’s programming ability was almost certainly nurtured by Rei, whether directly or indirectly it’s unlikely Hajime, who was around 7ish at the time of his abduction, got his programming skills from just watching Rei. (Though, that doesn’t prove anything, it’s not very likely a 7 year old is the best hacker in the world). I just have assumed that Rei and Hajime both were surrounded by computer programming from a young age.

Speaking of Hajime being the hacker chosen by Leviathan, and Leviathan also being known to be manipulative of the situation to a degree that starts with having kept an eye on Haru since mid-elementary school, also means that its very likely that there is more to the Hajime abduction than meets the eye. The Katsura brothers were ideal targets in that there was no one else to miss them. On the other hand while Hajime was the first to solve the puzzle, we do not know exactly how many people the puzzle was sent to. Not to mention it’s very likely that other people with Hajime and Rei’s skill levels have more responsibilities than those two, and thus less time dedicated to deciphering random online puzzles (though, I know it is a popular past time). 

This, in addition to the fact that they were both able to maintain this way of living (idk how expensive apartments are, but not cheap and I know good computers aren’t cheap) implies few outside obligations (say, school), and a somewhat consistent source of income. Rei does straight up say he takes jobs. It’s not out of the question for Hajime to have helped him with these.

Either way, both the Katsura boys prior to the start of the series were hardworking, intelligent, independent, tidy boys who cared deeply for each other.

Rei and Hackmon

Rei is someone who bears an immense amount of responsibility, and has high expectations (mostly for himself) for someone so young. He’s responsible for looking after his younger brother, making money for the food, cooking the food, doing laundry, and generally just managing a household on top of a job. Which is a lot for a 12 year old. And Hajime helps, the flashback shows Hajime helping out with housework, but as a 6 year old at the time of his mothers death, there was probably a lot he couldn’t yet help with. But I think it also may be fair to say Rei was dismissive of the degree to which Hajime helped him.

I don’t even think Rei was completely unaware of the extent of Hajime’s genius, though this is based on… nothing but a feeling and one line that was 95% probably just Rei being evasive. But Rei almost certainly knew that Hajime was a bright kid. Though, if they weren’t hanging around with other people their age they may have a warped sense of what is unusual. But still Rei didn’t see Hajime as someone on his level. While we see Rei and Hajime living together happily, and we do see Hajime help out with chores, we also do see Rei neglect to give Hajime attention while Rei tries to figure out the puzzle, indicating that while, yes, the boys are doing well, they perhaps aren’t thriving. That a month went by between them solving the puzzle, and it wasn’t communicated about in all that time indicates that Rei was perhaps somewhat dismissive of Hajime’s thoughts, and that he didn’t see merit in sharing the puzzle with Hajime. 

Hajime’s competence as a programmer is unknown to the audience until Hajime is awakened in episode 43. Rei never considers that Hajime’s intelligence is part of the factor that got him kidnapped, and rather places all the blame and responsibility on himself for failing to protect Hajime (and well, Leviathan for abducting him in the first place). Hajime’s own abilities and shortcomings are a nonfactor to what Rei does. Hajime’s own choices are not initially made clear as to Rei they are somewhat irrelevant. I think it's evident that to Rei, while Hajime’s help was appreciated, Hajime was viewed as a responsibility rather than a help. 

Rei’s “I am alone” is not just one of only believing himself to have one person in his life, but also believing he only has himself to depend on. It’s not that he’s heartless or isn’t overall a nice person. We do after all mostly see him in the context of Hajime’s kidnapping, something he feels immense guilt for. Even if out of all our main protagonists he’s probably one of the highest on the “ends justify the means” scale, he is not above torture and invoke fear to get what he wants, but ultimately he’s shown to care for others. He might not be the most socially competent person (if his brief stint as a manager tells us anything), but it shows us that he is willing to help people out. He leaves Dantemon Chuu Chuu Jelly, as well as offers it to Eri’s coworkers. The last ED shows him making Macarons for Haru’s bday. But Rei’s arc is about learning to trust in others to help him, not that others are worthy of care.

I mean, it's obvious, he avoids working with the others to a point beyond simple practicality. He doesn’t trust people. He doesn’t trust Hajime to look out for himself. He doesn’t trust Hackmon to help him find his brother. He doesn’t even initially trust Haru’s group to fight Leviathan. Even in the last episode he doesn’t have 100% trust in Haru, doesn’t trust Haru to save the world over Yuujin (who he also didn’t trust). Rei’s journey to learning to trust isn’t over yet. But it’s getting there, step by step. It was slow going, Rei not properly joining the group until the final quarter. Like all of the characters, Rei had begun this journey prior to the series start when Rei trusts Hackmon. He gets further when he’s first properly introduced to the story and the others, and he trusts Haru’s group to find the Seven Code Appmon. culminating of course when he asks Eri for help to rescue Hajime, coming full circle when he and Hajime work together to write the programs that help them get Bootmon back.

That said, Rei’s seeming lack of trust in Haru in the final episode may be in part Rei projecting onto Haru. Rei warned Haru of Yuujin for what were, in all fairness, valid concerns. (But Rei didn’t do anything else, more or less trusting Haru to handle it). Haru assured him by relating Yuujin and himself to Rei and Hajime. Haru went off into a depressive state after finding out Yuujin’s true nature, not unlike Rei’s obsessiveness after Hajime’s disappearance. But that’s where Haru and Rei differ. Haru is able to pick himself up and move on in life. Understand what’s for the greater good, and that he can help Yuujin without sacrificing everyone else. He can put value on knowing that Yuujin wouldn’t want that, that Yuujin is an independent person beyond Haru’s care for him. Rei on the other hand quite likely would have hesitated more if it came down to Hajime vs. the world. While post series Rei with his wider social circle and acceptance of others (especially Hajime’s) help will ultimately lead him to becoming happier.

And that’s why Hajime learning to cook is important for Rei.

The recurring motif of food with Rei beyond that is twofold, him making eggs for his brother, turning into subsisting on Chuu Chuu Jelly’s showing how much Rei is neglecting himself in his search for Hajime. But food is also how Rei shows his care. While it’s obvious Rei cares for Hackmon just as much as the others, Rei’s support on the surface doesn’t extend beyond a bit of praise, and making Chuu Chuu. And when asked to find something for the idols, he brings in the Chuu Chuu. But the Chuu Chuu is really just Rei making do with the best he can. Rei making Macarons for Haru’s birthday, like previously said, the iconic egg dishes for his brother, and of course the Crème Brule, show Rei putting in more effort to show his affection. (A recurring theme it seems with many Appmon characters). So with Hajime learning to cook, its Rei accepting the affections and help from other that he usually gives. Hajime is taking on some more of Rei’s “responsibilities” and Rei is letting him. Them taking things on together in the future, a stark improvement of them solving the puzzle separately, and ending up alone.

While of course the smell of eggs, burnt, imperfect eggs, something that Leviathan failed to account for, a reminder of days when Rei was not as reliable a caretaker as he was later waking Hajime up is poetic all on its own. Rei’s imperfections and mess ups being just as important as his dramatic abilities and successes, Rei getting Hajime back by not only having to ask for help, but also giving his help, even for something as seemingly trivial (compared to the evil AI shenanigans) as a stage performance. It’s his “immaturity” that lets him find Hajime among the Sleepmon. Hajime is returned to Rei when Rei accepts that he’s not completely independent. When he’s not 100% driven by harsh desperation for Hajime’s return. When he grows past the belief that being cold and tough is the best thing to help Hajime. When he (almost) accepts that he at least rescued Hajime from Leviathan, even if he’s not able to return him to his old self. When he accepts his “flaws”.

Prior to the start of the series Rei seems to have been very well put together and organized. In other words. Not edgy. He still used “Ore” prior to Hajime’s abduction, but that’s not unusual or anything just that while he does give off a far more polite vibe to me prior to Hajime’s abduction, he was still a hacker and still assertive and a bit prideful. But when we first meet Rei, he’s wearing a black hoodie with zippered leggings. Edgy, indicative of the persona Rei wants to give off. But perhaps not indicative of the person Rei truly is. After Hajime’s return of course, he wears a more casual ensemble than before it all began, but it has lost its edginess. Not to be too cliché or anything, but it's a good symbolism for how Hajime’s abduction changed him but even after Hajime returns Rei has changed. 

Hackmon, like Rei is very goal oriented and plays things close. However, Hackmon is less single minded than Rei, and is less abrasive to the other Appmon than Rei is to the drivers. I think a notable moment is when Hackmon goes to accept some Gatch Monaka from Gatchmon, but Rei calls them away. Hackmon tends to act a bit as Rei’s voice of reason. Hackmon is constantly asking Rei questions, making him think through what he’s doing and why. In their image song, Hackmon notably doesn't really sing. He basically is there to dial back Rei’s edginess. Reminding him he’s not alone and that he needs to calm down sometimes and live in the moment. To not let hate fuel him. And in the end, Hackmon tells Rei to eat an actual meal. Unlike most of the Buddies, Hackmon isn’t really child-coded and Hackmon acts more as Rei’s caretaker than the other way around. Supporting and somewhat mom-friending the boy who's taken on so much responsibility for others sake. Obviously, Hackmon doesn’t really fight with the things Rei decided, with a staunch loyalty reminiscent of Adventure’s partnerships, not unlike Rei’s unflinching loyalty to Hajime. I always liked the moment where Hackmon asks “Well, am I a devil” and Rei snarkily remarks he’s not an angel. While both of them appear edgy on the surface, and neither are above a bit of force to get what they’d like, both are ultimately driven by their desire to protect.

Rei and Hackmon are characters who, despite their aloof airs, they are primarily motivated by looking after others. Even if Rei is not initially very good about accepting help from others, and Hackmon initially seems to be in the deal for strength. Rei is a kid with too much responsibility, but by the end of the series, is starting to allow himself to be a kid again.

Hajime and Onmon

Okay, so Bootmon isn’t technically Hajime’s Buddy. And we never see Onmon (at least not in the anime). But they do fulfil this sort of role. And… of course this is going to rehash some of Rei’s stuff but bear with me. This will probably be the shortest because ultimately Hajime’s role is just an extension of Rei’s… but I believe he deserves his own section.

Hajime is a child computer science genius who has been primarily raised by his older brother since he was about 5 or 6. He is polite and rather mature and clever for his age. Rei describes Hajime as his “only family” and while we don’t know too much about their prior circumstances, it’s likely that there really weren't a lot of people in Hajime’s life to begin with. And anyone who may have been involved in their life prior was probably pushed out to avoid raising any suspicions. Hajime has had very little adult support, which is probably why he is incredibly independent, Rei himself only being a young teen. So while he is incredibly close to his brother, and is likely rather dependent on Rei for both emotional and physical needs (particularly prior to the series) its not to the extent we may have assumed from the first time we met Rei.

So Hajime is an incredibly mature child who likely had to grow up way too fast and become rather independent from a young age. While Rei prefers to think of himself as someone who takes care of Hajime, Rei ultimately could not take care of everything, on his own, and as seen when Rei dismisses Hajime’s desire to go out to complete the puzzle, Hajime must have spent a lot of time by himself, both playing by himself, and probably learning by himself, meaning Hajime is actually way more self sufficient than the initial reveal of his existence might have you believe. Way more self-sufficient than Rei seems to know (or at least acknowledge).

This isn’t to say that Rei’s assessment of Hajime of a scared innocent little boy is completely wrong. There isn’t anything to suggest that all of the video Rei found of Hajime was fake. Hajime really did cry and call out to his brother, scared because he didn’t know what was happening. Hajime really did ask when his mother was coming back at her grave, despite probably being old enough to know better. Hajime really is a kid. And he really is dependent primarily on Rei. Hajime had to have grown up while kidnapped by Leviathan of course. Being enslaved and then “operated” on by Biomon and put in a coma is… probably going to result in some sort of trauma character development. But even so, throughout his ordeal, Hajime shows a courage and self sufficiency that isn’t solely from his abduction.

Bootmon is an Appmon Hajime made himself. But Bootmon is also incredibly childish. While it is in part because Bootmon is a young appmon, there’s probably a narrative parallel to Hajime. Though the Appmon are in general rather childish, Bootmon seems particularly young compared to the others (well, Offmon maybe). We see old apps, and we see apps “die” and Appmon go to school. But Bootmon is portrayed as innocent and easily frightened, not unlike how Hajime initially appeared to be. 

Hajime, despite his young age, has fallen into the caretaker role to Bootmon more so than any of the other relationships between Buddies. Their relationship may parallel Rei and Hajime’s, particularly in those early days when Hajime was still a bit naïve. We see a lot of Rei taking care of Hajime, yes, such as cooking, but we also see Hajime taking his share of chores. Both Bootmon and Hajime, despite their young ages, play a key role in Leviathan’s plan, both dealing with facing against Leviathan alone, leaving them both in vulnerable situations, left with responsibilities beyond their youth. For Hajime it’s being kidnapped, held hostage while being forced to work on a project and being operated on against his will and put into a coma. For Bootmon it’s being left to hide alone in a world he’s unfamiliar with. Bootmon and Hajime both are very loyal to their guardian Hajime and Rei respectively, and have a lot of trust in them.

Hajime is just a kid, albeit an incredibly capable one, in a world out to get him with the world on his shoulders. But fortunately an older brother (and now friends) to carry it with.

The Katsura brothers were just both incredibly capable kids, though ultimately still just kids who had no one to turn to but each other. But even if they had each other, that wasn’t enough, Rei grew overly self-sufficient to the point of not recognizing Hajime’s abilities. But at the end of the series they now have a more extensive support system, as well as being better able to rely on each other. Rei no longer going it alone.

Ah, Precure dance endings. A series staple. Whether you consider the First dance ED to be "You make me happy" or "Ganbalance de dance" or even the very first "Get You! Love Love?!" the point is they've been around for a while. Generally speaking nothing but a simple fun time, but rarely has had anything to do with the show proper. Nothing wrong with that of course, but the very first Precure ED was a bit more than that.

Futari wa, as opposed to every other season, only has the 1 ending. Sure, it changes visually halfway through to accommodate Pollun and the new villain team, but that's it. (Which is more than the OP which doesn't change at all, which is also unusual). But I think people often miss the relevance of the song in between all the less relevant eds, and the iconicness that is the OP.

But the ED is also iconic and a crucial piece of the Futari wa Purikyua experience.

Episode 45, the last episode before shit hits the fan, features this song heavily. This song isn't really my favorite ed, and the episode isn't a particular favorite of mine (Futari wa has so many good episodes), but it utilizes the ed effectively, and the song that you've been listening to all this time hits harder.

Nagisa immediately falls in love with the song. The song speaks to her looking at the lyrics of course its no surprise. But it's not just "song that Nagisa would like". Though I would be remiss if I did not mention the inclusion of sweets in the lyrics. Nagisa loves chocolate. It's the go to simple important part of life for her.

They have the girls sing it. Sung by a chorus, not just Nagisa and Honoka (but they do get solos), but the whole class, many of whom appear in the ED. Because of Futari wa's small main cast the side characters hold a more important role than they do in many future series, so these are characters we know, even if just from an episode. There's a weight to the music being diegetic.

Of course the episode ends sweetly, with Nagisa, Honoka, and the fairies, singing their heart out with the rest of their class. But for a moment that wasn't a guarantee. Nagisa and Honoka being unable to sing with their class highlights the toll that this fight has taken on their normal school lives. They have to fight against someone who fully intends to kill them, and then destroy their loved ones, alone while every one else is.

Made all the more poignant by the subject matter of the song.

First of all, the title "Get you! Love Love!" is in English, and a bit nonsensical in English. But "Love Love" in Japanese, means more "lovely-dovey". It's VERY much so in your face romantic. A word used to describe Mepple and Mipple. The song is about the joy of teenage romance. While I don't really want to call it frivolous, next to world saving it doesn't hold the same weight.

Now, I recognize that may seem counter to my point that the song is important to Futari wa. I mean there's no canon romantic relationship. Closest is Nagisa's crush that she never actually confesses to. But putting aside all of Futari wa's romance elements (which is an entirely different discussion), the lyrics are still very relevant to Futari wa.

The Opening holds the iconic line "even wearing school uniforms we're unbelievably tough" and features scenes of them fighting evil in their school uniforms. The opening is an ode to how badass they are in all aspects of their life.

But the ending is the other side of the coin. It tells us how frustrated they are with the villains encroaching on their everyday life. While I don't speak Japanese, and have seen it translated a couple of ways, the reoccurring "datte yatte ran'nai jan", is either "because you can't make me do this", or "because I can't do this". IDK which is right, but either way, this is in regards to fighting, stress, and trouble, which stands in stark contrast to the opening which is very much so about how much they can and do fight. "For the sake of the earth, for the sake of everyone That's fine but isn't there something that you're forgetting?! Now!" They aren't even being subtle about the Pretty Cure part about the girls lives in the song. How much that they don't want to do it. "My heart is pounding and throbbing like a dreaming teenager An original daily life is something I won't get rid of" The lines of Nagisa and Honoka's solo. The most thematically important lines in the whole song imo. While the importance of the everyday is important in most Precure seasons, it is especially emphasized with Futari wa. The main theme of the story is about how precious day to day things are, and how unfair it is for the girls to have to fight for that.

Because ultimately that is what Futari wa Pretty Cure is about more than anything. I think it's important to view Futari wa Pretty Cure through the lens of a slice of life first. It's tone a lot of the time, focusing on poor grades and unfinished homework, lacrosse, errands, sleepovers and family. A relatively grounded slice of life from the perspective of magical girls. The value of the normal events highlighted by the desperation Nagisa and Honoka have fighting to defend them. The ED highlights it by focusing on the more "frivolous" aspects of the girls lives.

The visuals of the ED are pretty simple, but effective. They showcase the different circles the girls interact with. Their families, their classmates, their clubs and of course the villains. Because of Futari wa's focus on their community, the presence of these characters in the ED is deserved. A fun lighthearted focus on their day to day lives to contrast the OP.

Also, I'd like to point out the ED visuals humanizing the villains. While Futari wa's villains are easily among some of the franchises worst, having the unforgivable flaw of being forgettable, the show doesn't do a completely terrible job of humanizing them. And the ED contributes to that. The dancing of the villains, just being the goofy people that some of them are when not, trying to destroy the world. While I wouldn't call the behavior canonical, it really isn't off base for characters like Gekidrago and Regine. The villains, for all that they are generic, are primarily motivated by their desire to continue existing: the same motivation that drives the Cures. (Gotta love their goofy dance).

Also a guy screams at the end of it. If I have to hear it now so do you.