In Continuing Adventures Of Talking About Appmon, Its The Resident Team Girl, And Action Idol, Eri.

In continuing Adventures of talking about Appmon, its the resident team girl, and action idol, Eri. 

I think overall I have the least to say about Eri. I think out of our main group she had the least going on, even considering Rei and Yuujin’s relative lack of screen time, as Rei and Yuujin had a lot going on. That isn’t to say she isn’t well developed. 

While I was a bit suspicious of the sole female protag being an idol, I think in Eri’s case it worked because being an idol is something that ties into the main story, and is a role she can only play because she’s a girl. As being an idol is something largely female exclusive, it allows her to have a subplot where she can interact with other girls in positive ways. Being an idol also gave her bonus image songs and an ED to herself, which while just surface level focus, is still focus. On a more direct level her being an idol provided Overall, Eri being an idol ended up working very well for both Appmon’s overall plot and Eri’s characterization. 

Like most of Appmon’s main cast, we don’t know all that much about her home life. But we know enough. She lives with her single mom, who seems to be an office worker who works long hours to support her daughter. Eri’s mother tells Eri that she’s happy as long as Eri’s happy. She seems to have the same sort of selfless personality that defines Eri, the kind of person who will willingly work herself into the ground given proper motivation. 

Eri deciding to be an idol specifically is somewhat selfish in motivation, something that Eri herself wants to do. But she decided to commit to be an idol at her mother’s wishes for her own happiness. She claims to want to make other people smile, even if early in the series it seems hard to see that through her stoking her own ego and aggressiveness. But even that seems to come from a place of not knowing exactly how to balance her dedication to her self-centered idol persona and her more thoughtful genuine self. As Dokamon says in her debut episode, he and Eri feel the same way about making people smile. They just approach the issue differently. Dokamon is a Appmon that is earnest in his affections and goals, in contrast to Eri’s more evasive outward idol persona.

Eri’s idol persona initially is a bit overbearingly thick, even to those in the industry. But, Eri’s true colors have shown since the beginning. Eri’s arrogant persona often causes her to stand on chairs, but as the others note, she always takes off her shoes. In episode 11, Astra also mentions that Eri helped an old lady up a hill. But because it doesn’t match her “image” Eri tried to avoid getting out. Eri has a somewhat lonely background it seems due to her mother’s frequent absences, though we see her walking home with classmates implying she had some friends. This is a show where the school and family lives largely aren’t very relevant, so its hard to get a full grasp on Eri’s social situation prior to the series. But nevertheless Eri is shown to have felt extremely lonely, so it tracks that she struggles with showing her softer side to other people outside of this abrasive and arrogant persona that’s given her confidence and attention. Eri was always a considerate girl, she just grew more comfortable in her kindness, which is to the benefit of her idol career as well. Eri’s episode about doing food reviews may seem somewhat arbitrary, but food reviews are something that her arrogant act is not compatible with. In order to do proper food reviews, she needs to show a genuine attention to detail with the food, and show that she cares about the review, she needs to show her more genuinely thoughtful side. 

Like Astra, Eri grows to be a bit more genuine, a bit softer to those around her. She clearly grows to care a lot about the other kids, and grows to communicate her affections better (i.e. less abrasively and more charmingly). Her buddy, on the other hand, is openly affectionate and doting, to an extreme from the very beginning. While initially she often walks over Dokamon, she grows to be openly affectionate with him, as well as more openly gentle in how she presents herself to others, even as an idol, something that becomes clear with Eri’s interactions with her younger fans. 

All things considered though, Eri doesn’t necessarily change a whole lot over the course of the series, aside from the aforementioned mellowing of her idol persona. Though to be fair all of the Appmon kids arcs were more about growing into the traits they already had than anything else. But unlike the rest of the group, she has a tangible personal goal (seemingly) unrelated to the whole Leviathan situation: becoming a better idol. And her abilities are tested with the idol elections. While others are getting focus episodes on family or plot developments (or both), Eri’s focus episodes also relate to her idol career. While I think this could be viewed as a negative, there’s nothing inherently wrong with it, and Eri’s episodes are always enjoyable. It’s a simple, but effective way of demonstrating Eri’s dedication and growth, Eri starts as a newbie, and she ends in the top 10, with plenty of firsts for her career along the way.

Eri starts the show stubborn and caring, and ends the show the same way, but she’s stronger, and wiser. She grows to focus on supporting her fans and understanding how being an idol makes others smile, rather than just being an idol. By the end of the series Eri is better able to look at where she is and decide where she wants to go. Being an idol is an end to the means. Being an idol is a way to make people smile, and in order to do that Eri is more than willing to pause her idol career due to Leviathan’s involvement. Eri’s willing to aim for number one, while still being completely aware of the fact that she’s not yet number one. Eri obviously wants to be an idol. This is something she doesn’t do out of obligation, but she still uses it as a way of helping others. She’s more able to grasp and address the bigger picture.

It’s why she joins the fight in the first place, though she’s somewhat dragged into the situation by Haru and Gatchmon, she comes to recognize her primary priority is making others smile. Her aggressive, confident nature actually lends itself well to the fights. Allowing her the courage and confidence that Haru initially lacks, even if she initially lacks the motivation that Haru has. Eri is an idol, so she has strengths that lie in the performance industry, but she’s an idol of action games specifically, which serves her idol persona as well as it does her role as and Appdriver. While it often doesn’t get the chance to shine, Eri is a martial artist, and so her threats of violence, while largely hollow, do have a backing to them, and she’s more than capable of looking out for herself. Her composure while escaping the ship, and while fighting Yuujin in the finale are just delightful to watch and shows off that she’s the real muscle of the team. Even without taking Dokamon into account.

Dokamon who is also physical powerhouse and also representative of action games, making him tough, but also fun loving. Dokamon is a “male” Appmon, the only example of an opposite gender partner in Appmon. Dokamon often plays the role of Eri’s biggest fan and defender. This isn’t dissimilar to the more knight like role many other “male” digimon play towards their female partners. However Dokamon’s far too earnest and childish to really bare any similarities, and his relationship with Eri feels more like one of an adoring younger brother to a cool older sister.

 A difference between how Dokamon and Eri act is in the way they relate to the others. Eri is among the oldest of the Applidrivers, and as such sits higher on the social order. Dokamon, like many of the Appmon is somewhat child coded, and in particular Dokamon is shown to admire and look up to Eri and Gatchmon, and otherwise acts in a more deferential manner. (Sorry I couldn’t get this to sound right, I hope my point gets across). Despite Eri’s show of arrogance, she also has immense respect and adoration for others, particularly in regards to her coworkers (especially Izumi), and seeks to learn from them. Over the course of the show we see more of that adoring side, and less of her arrogant act. It's the support of others, and her learning how to support others in turn, that gives her her strength.

The most obvious example of Eri learning how to work with people is in how Eri initially shut Dokamon out, but clearly came to work with him closely. In her second focus episode she asked Perorimon for help reviewing food, even if she framed it as a great honor to Perorimon. And of course she accepted the help Coachmon offered her in regards to idol training. The difference between Dosukomon’s debut and Oujamon’s is in that Eri asked for Perorimon’s help, and then didn’t trust in his advice and then assumed he was causing trouble, but with Coachmon Eri put her full faith in him, even when it wasn’t a good idea, and even after Coachmon admitted that he was working for Leviathan Eri was able to immediately accept that and trust him. And on the human side of things she was initially dismissive of Astra, but came to ask for his help for a key role in marketing herself for the idol elections. Eri is also the one who has the discussion with Yuujin about trusting in Haru to save them when they are trapped on a train together. On the flip side, its ultimately Eri who Rei has to ask for assistance in rescuing Hajime. Working with others is a huge part of her arc.

Eri’s story is about making people smile, both in using her strength to protect people as well as the power of being openly considerate of other people. Learning to find strength in her connections with others rather than arrogantly trying to handle things herself.

Other notes:

Eri’s debut is showing off the clutter of her bag for a wide audience, but notably, the thing she chooses to pick up off the table is her Appdrive. She doesn’t draw any attention to it, but she removes it from inspection before anyone else can get to it. Showing some degree of particular care for the object on Eri’s end, even if initially she’s more of ignoring the whole thing.

Eri initially keeps Dokamon hidden away because he’s annoying. Eri, initially, is shown to grade on the nerves of everyone else because of her dedication to her arrogant role. Dokamon’s biggest cause of arrogance is that he’s exceedingly vocal about singing Eri’s praises. (Can you tell I just rewatched episode 5).

So while I was working on my… analysis I suppose, on why Digimon Adventure: does not work as a show, it occurred to me that despite claims that Taichi in Adventure: is inspired by V-Tamer Taichi, his partner is an Agumon whose final evolution is Omegamon, and why that doesn’t work. But I realized that it is a point that I could expand on, and so I have separated it out here. Consider it a preview.

The protagonists of Digimon V-Tamer are Yagami Taichi and his partner Zero, a Veedramon. The story is carried by these two alone. While others help and hinder them on their way, their mission is theirs, and the responsibility of defeating Daemon belongs to no one else. It is with that power that they reach their highest form, UlforceVeedramon Future Mode While Taichi is the main protagonist, Zero is just as much a protagonist. Their names, even reference binary. While there are other characters who impact the plot, the role of protagonist belongs to these two. 

This is echoed in the themes of Digimon Adventure:, the digivice in the title supposedly representing the bonds between human and digimon. And, while I don’t think it particularly succeeds, I can see clear attempts to be made to make the digimon partners their own characters, equals to their human partners. 

But yet, Digimon Adventure: uses Omegamon as Taichi and Agumon’s final evolution. And that is a bit of a problem. Digimon Partners are not interchangeable. Well, okay, the species are a bit arbitrary, all things considered, (after all, Zero’s rookie form is also Agumon) but the problem is what UlforceVeedramon represents vs. Omegamon. 

In Digimon Adventure, Omegamon is not Taichi’s power alone. Not by a long shot. Taichi is not the solo human protagonist of Digimon Adventure. Even in the first film, before Hikari was even meant to play a key role in the series, she shared the series debut. Regardless, the burden of defeating Apocalymon is not his alone to bear. And Agumon’s evolutions reflect that. WarGreymon is reached through borrowing Hikari’s power. Omegamon is literally formed by WarGreymon and MetalGarurumon (who was formed by borrowing Takeru’s power), but in reality is born from the power of hundreds of people reaching out from across the world. And perhaps even Taichi’s crest of Courage is not something that belongs to him alone. As Yamato puts it, “It’s everyone's Friendship”. Though Taichi best embodies courage, the courage he wields is not his alone. Even tri. which I usually avoid using as an example, has Omegamon Merciful Mode, which very explicitly draws from the other children’s partners. Adventure’s Taichi’s not strong because he himself is powerful. Really compared to Hikari he seems rather unimpressive on his own. He’s strong because he is able to easily act as a receiver to others powers, a trait that is fitting for a leader. Because that’s what sets Adventure Taichi apart from his peers, he’s a leader.

Note, that I didn’t really bring up the partners in regards to the discussion of Adventure, not that they aren’t important, but that they aren’t a driving factor. Digimon partners are something vastly different in Digimon Adventure. They are reflections of the children’s inner selves. For straightforward characters, like Taichi, his partner Agumon is very much like him, and for characters like Sora, Piyomon seems very different. This isn’t to say that the digimon are simply their partners, Tailmon went through quite a bit on her own. But nevertheless, Tailmon is the way she is, because Hikari is the way she is. 

Digimon Partners and their evolutions are not things that are just assigned, and given. They are things that arise from the circumstances. Omegamon is there because the themes and circumstances make Omegamon the most appropriate "Ultra”. This is true both in and out of universe, who can forget SkullGreymon? SkullGreymon isn’t wrong. It’s just not the evolution that fits Taichi and Agumon’s situation.

And here’s the thing. Digimon has done the whole focus on “Bonds with Partner’s” before. That’s Tamers. And in Tamers, the final evolution was born from a human and a digimon literally coming together as one. The final episodes all appear somewhat humanoid as a result, particularly notable from WarGrowmon to Gallentmon. Because that was what evolutions were needed narratively and thematically. Otherwise, we have Megidramon. And guess what, the Adventure timeline also has a movie in which the focus is on the bonds between human and friendship, and lo and behold. In Digimon Adventure Kizuna, Agumon (Bond of Courage) and Gabumon (Bond of Friendship) were born. Born from the bond between human and digimon. They even use the “looking like humans” idea from Tamers.

Interestingly, Kizuna came right before Digimon Adventure: started. 

Now, I am really advocating for the Bond forms to be used in Adventure:, those forms were something special to that timeline. But that’s just the thing. Many evolutions, whether unique digimon or not, are brought about by circumstances unique to that timeline. Look at 02’s usage of Armor levels, Frontier's Hybrids, and Xros Wars' Xros mechanic. It’s not new for later seasons to take these Digimon that have existed in these specific circumstances and use them generically later. It would, after all, be a shame to put all those good designs to waste. But at the very least, the evolutions of the main cast are carefully chosen, created if need be, to fit the show.

And that creates a problem for Adventure: as a reboot. It is pulling from the evolutionary lines of its predecessor, despite aiming for different themes and using an entirely different world and characters, and in the process the meaning behind the evolutions has been stripped out. While it has been able to throw in additional evolutions, most of those are well within the confines of precedent: Armors and Ultimate’s that are already related to these evolutionary lines. Adventure: is trying to be a show that, as a reboot of Adventure, it cannot be. Adventure: spends so much of its time screaming that it is not the original Adventure, while simultaneously dragging in call backs that it loses any sense of identity.

The enemies they fight are not Taichi’s responsibility alone. These kids have to have crests. Agumon must evolve into Omegamon.  Angemon still has to die, HolyAngemon and Angemon have to mean something. Tailmon has to be Adult, and has to have been evil. Hikari and Takeru have to give their brother’s power. Omegamon still has to appear. . They still go to summer camp, and Taichi still fights Parrotmon. 

Note, that this is far from Adventure:’s only problem, however I do think it illustrates a large problem that affects the way certain elements and characters are used in this show. Taichi is a solo protagonist, but his “Ultra” is still Omegamon born of Yamato, Takeru and HIkari’s influence. Mimi is now a bossy rich girl, but her crest is still Purity. Yamato is a loner who doesn’t overly concern himself with others, but he’s still Friendship, and still Takeru’s semi-estranged younger brother. 

When Adventure: manages to work a new angle into the old mold, it works well. Yamato’s focus on his friendship with Gabumon works well, and various side characters work alright. Resolving the conflict over Tailmon’s Ultimates by using both for separate things and bringing in Goddramon is a great idea. But more often than not, it doesn’t. Properly contextualizing what a holy digimon is is great, but Angemon’s death is awkward, and Pegususmon’s presence smooths over the issues of Tailmon being champion and keeping Angemon special in an awkward way, refusing to address what an Armor is. Because they are trying to write a story around a set of evolutions they are required to have while absolutely refusing to be Adventure where it matters. Leading to the awkward mesh of Adventure elements and characters, with themes and stories that they were never meant for. 

If Adventure: was meant to be about the bond between Taichi and Agumon, Omegamon was never going to work, including the concepts of crests, was going to muddle things at the very least, and including 7 whole other partner pairs who are going to require at least a few episodes of focus a piece was not going to work out. It’s not that we couldn’t have had more focus on Taichi and Agumon within a reboot and their bond, or that the idea of Taichi and Agumon (or any other pair), activating an evolution because they are in agreement on a concept isn’t a good idea. Just an understanding that this primary focus wasn’t going to work because Adventure in its very concept has a lot of characters that need some degree of focus. Savers with its heavier Masaru focus and use of shonen tropes, dials back the number of “main” characters to half that of Adventure, because it is built around its premise. That unless they were going to be bumped down to secondary, recurring characters, this was never going to work, because that’s not how Adventure’s concept was intended. To tell a new story, it needed to have dropped a few more of Adventure’s elements. But to do that would be to essentially admit that this isn’t Adventure at all. Adventure: needed to have evaluated what story it could tell with what elements it was required to include.

Anything goes in Digimon, and Adventure: seems to want to make the most of this, using armors, Hybrids and Xros Wars digimon with regularity. But you can’t build a cohesive narrative simply by plucking your favorite ingredients and sticking it in a pot. Some things just don’t go together. You can’t take the ingredients to make bread and make a salad. But in short, V-Tamer Taichi and Adventure Taichi aren’t interchangeable. They are two different characters because they are designed for two different stories, and their partners reflect this. Adventure: was doomed from the start if it didn’t realize this. 

Sorry for the delay, I've been fighting battles in the real world (boring schoolwork-related battles, but battles nevertheless). Honestly, when I finalized the Katsura's I was tired and was just going to call it a day. Which is a shame, because I feel like I didn't do them justice, but whatever. And I was going to do the same for Haru… but Haru’s section is the one I had the most issues with, to begin with. Simply because as our main character, he’s perhaps got the most going on, but also the most straightforward which is just overall not very appealing to write honestly. So Haru involves a bit more rewatching and I just didn't have time, (Most of the Katsura’s brother’s details are confined to a few easily identifiable episodes) so I just cast it aside. And Haru's relates a lot to Yuujin which. Hoo boy. I have a lot to say about him.

Anyway, without further delay here are my thoughts on our main protagonist.

Haru is the kind of boy who watches and admires hot-headed anime protagonists, rather than the kind of boy who is a hot-headed anime protagonist. Though he admires these characters greatly for their values and beliefs, Haru himself starts the show viewing himself as a side character. This is a point that is refuted in-universe by Yuujin, and out-of-universe by well, Haru being billed as the protagonist. “Are you a protagonist?” is the question that defines Haru’s arc, and Haru spends the season proving his response of “yes” true to himself and those around him. But Haru’s assessment that he's more of a side character is not inaccurate when it comes to his personality. He can be somewhat self-centered and prone to annoyance and embarrassment. He’s not very confident, he’s a bit cowardly, likes to read, not athletic but also not shown to be particularly intelligent. He’s not shown to be dumb, or anything, just nothing is really made of his academic abilities and he’s not shown to be particularly strategic. In fact, he on multiple occasions is shown to be fairly clever, but he doesn’t exactly make up for his more mild personality with genius strategic ability. He is able to come up with applicable search terms to situations, deciding to draw Shootmon’s attention using Puzzlemon, and using Navimon to track Mienumon. But He takes hours to solve Puzzlemon’s puzzles (though he does solve them which is more than Astra or Eri can say.

Haru’s story is about becoming a protagonist. Though at the beginning of the series Haru decides for himself he’s going to be a protagonist, this is a fate that was out of his hands. Though we don’t know it at first, Haru has a very personal connection to this whole thing, as Haru’s grandfather is responsible for this whole mess, but more importantly, Haru has been monitored by super AI since he was a small child. Super AI who manipulated events throughout the entire season, for all our protagonists, but in particular have been manipulating the events in Haru’s life since he was in 4th grade at the least. He himself is an ordinary boy, but he’s part of an extraordinary situation, even if he doesn’t know it at first. A situation where knowingly or not Haru has been monitored and groomed to be an ideal protagonist. While we don’t know to what degree Haru has been influenced, if really much at all (purposefully) prior to the series start beyond monitoring, AI has unknowingly played a huge role in who Haru is.

But even so, Haru’s nature as a kind, fantasy-loving, boy is genuine. His desire to be a protagonist is real, even if potentially encouraged even indirectly, by Leviathan, the machinations behind Haru himself is the one who takes these steps to be the kind of hero he wants to be. Kind and brave.

And while I said, Haru starts the show as cowardly, that doesn’t actually mean he’s any less prone to reckless behavior later in the series. Haru’s reckless in the same way many protagonists, Digimon or otherwise are. While Haru may not have realized it, Haru’s admiration of the protagonist's values makes them his values, even if Haru initially lacks the same emotional strength to follow through on these ideals. While Haru starts out as a quiet bookworm, (and those traits don’t just disappear, although certainly overshadowed by everything else going on in his life) Haru makes a constant effort to be better. To make the right decisions. To reach out to those that are hurting and offer a helping hand. When he chooses to help save Christmas for Ai, or becomes dedicated to helping Rei with Hajime, or diving in to help Gatchmon as he drowns in the L-Virus. But these actions gradually require more and more action on Haru’s part, until we reach the end and Haru, Haru, who started the series cowering under his covers, is leaping off the top of a building on the slim chance it will help save the world. The one who has the courage to look his best friend in the eye and say I’m sorry, but I have to do this, but I will make it up to you.

Aside from the connections between humanity and AI, Appmon has another big theme of choice. Haru has to make a choice. The first choice Haru makes is to assert that he is a protagonist. The last choice is to do his duty as a protagonist and make the choice. Generally speaking, a good protagonist is one who actively pushes the direction of a story, actively makes choices that have consequences. It’s why we associate many protagonists as leaders, while being the leader and the main protagonist aren’t mutually exclusive they overlap in the way that they make decisions that affect the story and their teammates. I’m sure we all remember that moment in Digimon Adventure where it’s Taichi who has to make the choice of which card to use to take them home. The choice Taiki made to rescue Shoutmon. The moment where Takuya makes that choice to go home (another series about choice). Choices are important. While the choices Haru and the others make are certainly influenced by the AI, Denemon notes that Minerva likely gave the questions as a prompt in the right direction rather than as the deciding factor in choosing them, but ultimately they are the ones making the decisions. Leviathan gives Haru the choice between Yuujin and humanity under the mistaken belief of being able to predict Haru’s choice. (And is proven wrong yet again when it's Yuujin who pulls the plug). But Haru proves humanity, life, as fully capable of defining their own lives with their decisions. Haru growing into a protagonist involves him growing more proactive, which is the detail Yuujin comments on in episode 2.

But it’s not Haru’s growing courage and confidence that marks him as the main protagonist of Appmon. It’s his kindness, the trait that he had from the very beginning that facilitates his growth, and the Appdriver’s successes. His kindness is what Yuujin uses to label Haru as the protagonist. Haru is the one who gathered the Appdrivers together, who reached out to Rei. Who reached out to someone who was once, and possibly still, his enemy once he had been betrayed. Haru’s kindness is what won him Yuujin’s genuine admiration, to the point where Yuujin was willing to die for him. This is a kindness that he’s had since elementary school. In a story about the questions of the dangers of AI, and the growing connections between humanity and AI’s, Haru’s kindness is the answer Appmon gives. It’s this charisma that makes him the natural foil to Charismon. It’s this genuine kindness that brings others to his side and inspires actions to protect others. Not to mention that beyond Haru’s kindness, Haru wasn’t the type to be easily discouraged even prior to meeting Yuujin, learning soccer even though he wasn’t very good at it. It’s this determination that pulls him through difficult RPGs, and spending hours on puzzles.

Haru isn’t a total nice guy. He’s capable of selfishness at times. He’s capable of being annoyed with others, (often Gatchmon). Particularly earlier in the series before he realized his capability for helping others. For the first couple episodes, Haru regularly has moments where he expresses annoyance at his situation. Focused on his own embarrassment, and having to be prompted into action by Gatchmon. He’s a bit of a coward, to the point of actively trying to escape the fight, and rather pitifully insists he’s not fit for the situation. Similarly, while Gatchmon goes to find Haru to fight Leviathan, Gatchmon also starts with some somewhat cowardly behavior, being afraid to even say Leviathan’s name. The kind of behaviors that make you go “Hey, why would an AI choose him”. But Haru quickly grows into the role of the protagonist, out of a genuine desire to help others, Gatchman and Ai in particular. And when I say quickly I mean quickly (again growth as soon as episode 2). He still demonstrates some more selfish tendencies in those early episodes (wanting to read instead of taking a cooped up Gatchmon trick or treating in episode 4) but as others join Haru’s team they become less prominent. The moment he declares himself a protagonist he starts to live up to the kind of protagonist he wants to be, even if takes a little bit for him to fully grow into the role, demonstrating the power this subtle guidance had on Haru and the others.

Haru’s family, despite its plot relevance, is pushed to the background, which is kind of odd for a Digimon series, especially one set in the real world. For Haru early on we meet his mom and see his home. His mother is apparently a housewife who runs a blog. She seems to care about Haru a lot and is shown to be rather attentive, noticing odd sounds coming from his room on numerous occasions, including recognizing Denemon’s voice. She also seemed to be on good terms with Denemon, and was willing and able to tell Haru about him. That doesn’t really tell us a lot about Haru however, it does tell us that Haru grew up in a loving household and that Haru seemed to inherit his mild, but observant nature from her.

Denemon, while plot-relevant, died when Haru was very small, and so while he has everything to do with the situation Haru is in now, he doesn’t seem to have a whole lot to do with the way Haru is. And really they are opposites in a lot of ways, Denemon being a passionate and ambitious person while Haru is more reserved and at the start of the series significantly less ambitious. That said, Denemon and Haru do have a few similarities. Both are somewhat forward-thinking and curious people. Haru’s Buddy is a search Appmon. To search for answers, to find something you want to know. Denemon built Minerva to help solve problems, which serves a similar function to a search app if you think about it. Furthermore, both Haru and Denemon are very open-minded and put a lot of hope in the future of humanity to live alongside AI. Of course, by the end of the series, Haru comes to share in his grandfather’s interest in AI as well as his more hard-working nature.

We never meet Haru’s father, despite being Denemon’s son, and presumably still around in some capacity, due to being mentioned neutrally when discussing Haru’s relationship to Denemon, but there really isn’t enough there to extrapolate from. But Appmon’s finale, and Yuujin’s revelation give us the implication that Haru was not the only one being monitored by Leviathan, which may suggest there are others like Yuujn to monitor other people in Denemon’s life. After all, Yuujin seems pretty geared to monitoring Haru specifically. Even if there aren’t other androids, Haru is not the only person from Denemon’s life who Leviathan paid attention to. Haru’s father, Denemon’s son, is a likely candidate as well. But of course, we don’t see any of that, so that’s left to the realm of theories and fanfics.

If I were to wager a guess, part of the reason Haru grew so entrenched in the Appmon situation is in part due to his age. As Denemon’s grandson, Haru was probably by far the youngest of those who Leviathan deemed important enough to monitor. Which also made it difficult to monitor. If Yuujin is the only android, he probably is an android because it's difficult to recruit children to befriend a target the way an adult would. And if he’s not the only android, Yuujin still would have involved the most upkeep and attention due to the fact Yuujin had to age. Either way monitoring Haru was probably a bit more of an endeavor than any other character. On top of that his youthful open-mindedness (and free time) was definitely an asset for him bridging the gap between humans and AI, with both Yuujin and the Appmon. Though, all of that is just speculative.

Gatchmon is very aggressive when compared to Haru, which while an uncommon Goggle Boy/Partner pairing, isn’t really new either. Gatchmon assertive "ore". While Yuujin is definitely who Haru imagines as a protagonist type, Gatchmon is more in line with a typical shonen protagonist with his recklessness and aggressive nature. This is a role swap that has been done before, notably in Xros Wars where you could consider Shoutmon to be the real main protagonist. But it’s still somewhat refreshing (and done much differently than in Xros Wars anyway). Gatchmon isn't always the most sensitive or the most selfless, as he gets irritated by Offmon and is a general nuisance to Haru in some of the early episodes. Gatchmon is the one who gives Haru the strength to take action to protect and become the person Haru wanted to be. Gatchmon also shows a desire to get involved, his investigation leading him to Leviathan and eventually to Haru, the way Haru desires to be a protagonist. They share the same desire (that all of our main trio does really), to be people who make a difference. Gatchmon’s thematic connection to Haru is highlighted in the finale, where they are tied by their search for something.

“It was a destined encounter, arranged by a greater power” Those are among the first words Haru speaks in the series, referring to his encounter with Gatchmon. But Appmon is unique among Digimon series in that we see no hide or hair of a power that could be what we consider a god. We know who arranged this meeting, and it is perhaps fair to refer to Minerva and/or Leviathan as a higher power. But that’s the thing about Appmon. The grand forces that rock the earth, with their perfect schemes and subtle influence are ultimately man-made. The final form of Appmon are “God Grades”, and mostly derive their names from human gods. But they too are man-made. While I could probably say a lot about Appmon’s discussion on how humanity's greatest influencing factor, the one force closest to a real god, is something we made ourselves. But nevertheless, Haru as the grandson of the creator of these “higher powers” proves humans worth. A war of ideals battled out between Denemon’s children, children who have grown past him. In Greek mythology, the gods are repeatedly overthrown by their children. Zeus overthrew Cronus, who overthrew Uranus. The God Grades just so happen to be largely named for Greek deities.

But unlike those stories in which the gods do everything they can to prevent being overthrown by their own children, Denemon does not begrudge the AI the chance to grow and surpass him. He and Haru, and all of the Applidrivers, put their trust into building connections and putting their trust in the AI, helping them to grow stronger. While Leviathan does take advantage of this, allowing the children to grow stronger to then consume the god grades, the god grades come about because the kids weren’t afraid of the AI having more power than them. They were perfectly content with living together. Unlike many of your more conventional protagonists, Haru isn’t exactly the most aggressive kid. Haru’s not a leader in the traditional sense. Haru is far more inclined to follow the leader, which makes him exactly the kind of person who is fine with not being the most powerful or important person in the room. Appmon’s big central question is of the singularity, the fear of being overtaken by the AI we created. So it's fitting that Appmon's protagonist, is a character who solves their issues through conflict, but through reaching out. Who breaks the trope of the self-fulfilling prophecy that's repeated over and over again throughout the history of storytelling of trying to destroy those who are predicted to destroy you. Who better as a Digimon protaganist?

Ah, Precure dance endings. A series staple. Whether you consider the First dance ED to be "You make me happy" or "Ganbalance de dance" or even the very first "Get You! Love Love?!" the point is they've been around for a while. Generally speaking nothing but a simple fun time, but rarely has had anything to do with the show proper. Nothing wrong with that of course, but the very first Precure ED was a bit more than that.

Futari wa, as opposed to every other season, only has the 1 ending. Sure, it changes visually halfway through to accommodate Pollun and the new villain team, but that's it. (Which is more than the OP which doesn't change at all, which is also unusual). But I think people often miss the relevance of the song in between all the less relevant eds, and the iconicness that is the OP.

But the ED is also iconic and a crucial piece of the Futari wa Purikyua experience.

Episode 45, the last episode before shit hits the fan, features this song heavily. This song isn't really my favorite ed, and the episode isn't a particular favorite of mine (Futari wa has so many good episodes), but it utilizes the ed effectively, and the song that you've been listening to all this time hits harder.

Nagisa immediately falls in love with the song. The song speaks to her looking at the lyrics of course its no surprise. But it's not just "song that Nagisa would like". Though I would be remiss if I did not mention the inclusion of sweets in the lyrics. Nagisa loves chocolate. It's the go to simple important part of life for her.

They have the girls sing it. Sung by a chorus, not just Nagisa and Honoka (but they do get solos), but the whole class, many of whom appear in the ED. Because of Futari wa's small main cast the side characters hold a more important role than they do in many future series, so these are characters we know, even if just from an episode. There's a weight to the music being diegetic.

Of course the episode ends sweetly, with Nagisa, Honoka, and the fairies, singing their heart out with the rest of their class. But for a moment that wasn't a guarantee. Nagisa and Honoka being unable to sing with their class highlights the toll that this fight has taken on their normal school lives. They have to fight against someone who fully intends to kill them, and then destroy their loved ones, alone while every one else is.

Made all the more poignant by the subject matter of the song.

First of all, the title "Get you! Love Love!" is in English, and a bit nonsensical in English. But "Love Love" in Japanese, means more "lovely-dovey". It's VERY much so in your face romantic. A word used to describe Mepple and Mipple. The song is about the joy of teenage romance. While I don't really want to call it frivolous, next to world saving it doesn't hold the same weight.

Now, I recognize that may seem counter to my point that the song is important to Futari wa. I mean there's no canon romantic relationship. Closest is Nagisa's crush that she never actually confesses to. But putting aside all of Futari wa's romance elements (which is an entirely different discussion), the lyrics are still very relevant to Futari wa.

The Opening holds the iconic line "even wearing school uniforms we're unbelievably tough" and features scenes of them fighting evil in their school uniforms. The opening is an ode to how badass they are in all aspects of their life.

But the ending is the other side of the coin. It tells us how frustrated they are with the villains encroaching on their everyday life. While I don't speak Japanese, and have seen it translated a couple of ways, the reoccurring "datte yatte ran'nai jan", is either "because you can't make me do this", or "because I can't do this". IDK which is right, but either way, this is in regards to fighting, stress, and trouble, which stands in stark contrast to the opening which is very much so about how much they can and do fight. "For the sake of the earth, for the sake of everyone That's fine but isn't there something that you're forgetting?! Now!" They aren't even being subtle about the Pretty Cure part about the girls lives in the song. How much that they don't want to do it. "My heart is pounding and throbbing like a dreaming teenager An original daily life is something I won't get rid of" The lines of Nagisa and Honoka's solo. The most thematically important lines in the whole song imo. While the importance of the everyday is important in most Precure seasons, it is especially emphasized with Futari wa. The main theme of the story is about how precious day to day things are, and how unfair it is for the girls to have to fight for that.

Because ultimately that is what Futari wa Pretty Cure is about more than anything. I think it's important to view Futari wa Pretty Cure through the lens of a slice of life first. It's tone a lot of the time, focusing on poor grades and unfinished homework, lacrosse, errands, sleepovers and family. A relatively grounded slice of life from the perspective of magical girls. The value of the normal events highlighted by the desperation Nagisa and Honoka have fighting to defend them. The ED highlights it by focusing on the more "frivolous" aspects of the girls lives.

The visuals of the ED are pretty simple, but effective. They showcase the different circles the girls interact with. Their families, their classmates, their clubs and of course the villains. Because of Futari wa's focus on their community, the presence of these characters in the ED is deserved. A fun lighthearted focus on their day to day lives to contrast the OP.

Also, I'd like to point out the ED visuals humanizing the villains. While Futari wa's villains are easily among some of the franchises worst, having the unforgivable flaw of being forgettable, the show doesn't do a completely terrible job of humanizing them. And the ED contributes to that. The dancing of the villains, just being the goofy people that some of them are when not, trying to destroy the world. While I wouldn't call the behavior canonical, it really isn't off base for characters like Gekidrago and Regine. The villains, for all that they are generic, are primarily motivated by their desire to continue existing: the same motivation that drives the Cures. (Gotta love their goofy dance).

Also a guy screams at the end of it. If I have to hear it now so do you.

Fresh Precure is about community, and how community forms support systems beyond the family unit.

Many heel face turns focus on the characters growth. How they come to understand differently, and how they grow into a new person. Setsuna, once freed from Labyrinth actually changes her personality rather quickly, she doesn't spend much time struggling with everything all things considered. Now, I think Setsuna's arc is top tier: her denying her true wants because its different from what she's been told she wants all her life, wanting to be useful to her community but her community not serving her, finding people who care about her and give to Setsuna rather than only take, her guilt for taking the happiness away from others that people have been giving her. But ultimately, it's not so much about Setsuna's personal growth, so much as about how this community rehabilitates an abused girl.

Unlike many other seasons where her living situation would be a bit of an afterthought its front and center here. We get to see all the little things that the Momozono's do for Setsuna, all the little things they get for her.

It's why the toothbrush scene is so important. A toothbrush is such a little thing, but the Momozono's are going out of their way to remember she needs one, to get one for her. And they ask her what kind she wants. The Momozono's are giving her freedom, are allowing her to embrace her own decisions, rather than in Labyrinth where she was manipulated into doing what others wanted of her.

It's not just the Momozono's. It's Kaoru giving her a donut simply because she hadn't had one before. Lucky and Takeshi playing with Setsuna. Miyuki helping support Setsuna when she was feeling pressured to dance. Of course the whole town does this for everyone.

The Cures go and support a little girl in the hospital, both as themselves and as their cure selves. Kaoru looks after the girls and tries to get them to eat when they're overworking themselves. Miyuki helping the girls balance their lives. This is the first iteration where Cure's are truly celebrities rather than their occasional public appearance in Fresh and the public cheers them on accordingly, and even helps in more tangible ways (like offering an expensive training facility).

This is contrasted against Labyrinth who erases individuality in the name of the collective, but where the collective is suffering. Who has no art, no family, no socialization. Where no one offers help unless ordered to. Where everything is for Moebius. And so, the smallest acts of kindness (a donut) have far reaching effects. Because the people of Labyrinth believe they're doing right. That this is the best for everyone. They don't know what happiness is, so when faced against actual it for the first time, as well as actual community for the first time, it crumbles.

But even the individuals in Labyrinth aren't always heartless. Westar has even more of a sense of community than Eas. A desire to give back. However, is loyalty to Labyrinth is stronger. Westar takes Eas leaving personally. He's often cast aside, underestimated. Westar's a goofy sort of villain, but more than that he's a victim just like Eas and Soular. He thrives once he gets to leave. He thrives in a community that gives him the support he gives others.

I think it's no coincidence that this season has the first cure with divorced parents. We never see her father, but we know he's not completely absent from her life. She still has a close relationship with her brother. This nontraditional family dynamic I think sets the stage for Setsuna later on, who is welcomed into the Momozono family. She's family even without blood.

How Digimon Universe Invokes Myth

I had a horrible, horrible epiphany about Appmon that I am compelled to share.

So, as I was writing my Appmon analysis thoughts, considering how Appmons main thesis of using kindness to fight the singularity and how that stands in antithesis to the self-fulfilling prophecies so common in myth where going out of your way to fight something is what makes it come to pass in the first place. The most notable example to me was the Greek Myth where Uranus was overthrown by his children who he prevented from being born, hurting their mother Gaia in the process. In turn his son, Cronus, was overthrown by his children whom he ate, and his son Zeus, who was prophesied to be overthrown by his son, consumed his child’s mother before he could conceive the child of his doom. And the God Grades were named after Greek gods this season. In my head this was a sort of side note. A cool little detail. Not that this is exclusive to myth (hey Kung Fu Panda II) or anything. But myths are the foundation of human storytelling. Even today it’s something that gets used quite a lot. Because it's such a terrible, human concept. Using violence out of fear against people motivates them to want to use violence against you.

Now if you want a recap of what I said somewhere else that I don’t care to look for, Appmon argues against it, basically Appmon is a battle between Denemon’s children. While one of his children goes rogue and kills him, fulfilling the prophecy of the singularity. He does not overthrow humanity because ultimately through the kindness he (and Haru) showed, Minerva (and Yuujin and the Appmon), remained loyal to humanity. Even though Appmon grew strong enough to overthrow humanity, they didn’t. Now I have an additional thought, that being Uranus, while defeated, still exists as the sky. Just like Denemon, though killed still exists. Does that mean anything? I don’t know.

Then I was thinking about how Digimon does gender in all its different seasons. And how Appmon was the most baffling. Because okay. Digimon aren’t consistent and they can have gender sometimes. But those are usually in the series where digimon aren’t man-created AI. So what the heck Appmon. Why do you have gender? And your appmon have parents? Parents have only been used for digimon in Xros (the season infamous for implying digimon sex), and Frontier, where digimon very much so had gender, but also were born from reincarnating eggs whose gender did not seem set in stone. Both seasons, which took the more “Digimon are naturally existing fantasy monsters” rather than “Digimon are AI monsters born from human influence” approaches. Are they AI born from humans? You can’t give me two completely conflicting stories about Appmon’s existence. 

Or can you?

So I’ve taken a few classes on myth and religion through the years. And unfortunately due to reasons I have mythology fresh on the brain. But the idea that myth contains conflicting stories about things is one that was discussed. Myths generally weren’t told as one continuous story of truths. They were told as independent stories. While they were regarded as truths, you weren’t supposed to think deeply about the discrepancies because these are stories of the divine. Beyond perfect human understanding. The individual stories each said something about the society. Each story held its own truth, relying on a consistent cast of characters. An example is how there are two, semi-conflicting stories of the creation of man in Genesis. This results from the fact that at one point these were two separate stories, each meant to illustrate a point about the world. It was only after they were gathered and codified did we consider them part of one story.

But this also got me to remember what gods are. They are divine representations of things. For instance it is not that Gaia represents the earth or governs it. It is that Gaia is the earth. Hades is also the name for the underworld. Gatchmon is a search app. Appmon are to Gods, the way Apps are to natural phenomenon. Appmon are modern gods. Now this isn’t the first time Digimon tipped its toes into myth. It has digimon who are representatives of all sorts of preexisting myths. But they don’t enact these myths. Perhaps they will be referenced as having godlike influence in their reference books, but they will not be worshiped like gods in the texts (anime, Manga, games) themselves. They invoke these myths, but they are not myths themselves.

The apps are personified in the way the gods are personified. Gatchmon is like a human comprehension of the search engine. Search engines exist, finding and sorting knowledge in ways that are beyond the average human comprehension. Search engine giving irrelevant knowledge? Gatchmon messing with you. Search engine giving you the perfect search result. Gatchmon. Music app algorithm playing songs you hate? Musimon. Music app playing the exact song you were in the mood for? Musimon. Phone randomly reboots… Rebootmon. In the same way the gods of myth toyed with human lives, causing them pain and suffering. Disease, love and fertility were all products of the gods. Appmon toy with humans in the same way. People earn the favor of the AI the same way the Greeks earned the favor of the Gods. Through sacrifice. In this case the sacrifice of their personal data.

So how can apps have parents? And go to school? And have genders? The same way that God’s have gender, have affairs and have parents. The way. Appmon live an existence beyond human comprehension and beyond the human flow of time. Appmon go to school for the same reason that there are myths of the gods cheating, and fighting and stealing among each other getting into petty grudges. App Fusion charts is like the genealogy of the gods. But for the Apps. It is the way that some Apps use other Apps to improve their functions. The way search apps will reference locations or the weather if you ask it to look those things up. The way Apps relate to each other, communicating using AI that builds upon each other. We wouldn’t have video calls if it weren’t for camera apps or phone calls already existing. The stories of the Appmon going to school, or having parents is the representative explanation for why things are the way they are. This app was never released? It failed app school. This App references these two? Those two Apps are its parents. Some Apps come into existence fully formed. Some do have parents. SOME APPS ARE BOTH, THE TRUTH NOT UNDERSTOOD BY MORTAL MEANS AND ONLY RELEVANT TO THE STORY THAT IS BEING TOLD. APPMON ARE MERELY OUR COMPREHENSION OF THE FORCES THAT GOVERN OUR LIVES.

 So now having established that, Appmon is a modern myth. A story of what’s to come, and the characters, the Apps, that rule our modern lives. Digimon Universe is the Ragnarok, the Book of Revelations of our modern age. Obviously it is not a true myth. It’s a children’s show. But it invokes the patterns of myth so I’m calling it as I see it.