Mimi Notably Never Directly Refers To Yamato Over The Course Of Both Adventure And 02. However There

Mimi notably never directly refers to Yamato over the course of both adventure and 02. However there IS an implication of interactions in the first half of the show.

Mimi is one of the youngest in the group. Though she and Koshiro are the same age, Koshiro's quiet serious nature and computer skills often lead him to be treated more seriously while Mimi's penchant for complaining (no matter how justified), makes her treated a little more like a junior. There's a hierarchy of protection, that Mimi sits only above Takeru for. Mimi, being on the younger side, is more free to complain about her situation. Sora clearly looks after Mimi as the senior girl, as does Joe as the oldest over all, but Yamato also seems to look after her, at least in the first half of the season, as an extension of looking after Takeru. For instance, very early in the series, Yamato advocated for taking a break, presumably on behalf of Takeru, but it was both Takeru and Mimi who were struggling. And in episodes 5, 7, and 19 Yamato seems to be tasked with looking after the younger kids, Takeru and Mimi, Koshiro sometimes, even if I don't think it was necessarily purposeful in 5.

As such while we don't see much of Yamato and Mimi directly interacting it does stand to reason that they get along and do work well together. Yamato is generally rather considerate of people's negative emotions, such as with how he treated Sora's breakdown in episode 26 and how he handled Mimi's graves early in the dark masters arc. I would imagine that Yamato is relatively tolerant of Mimi's complaining. Conversely I would imagine Yamato is someone who Mimi holds a lot of respect for.

As a side note, the fact Taichi leaves Hikari in Yamato's care I think also speaks to Yamato's unspoken role of "babysitter", the complimentary shield to the role of sword Taichi plays. Yamato's tendency to prioritize the group's well being, over Taichi's tendency to take initiative and confront enemies. It also of course makes sense in the context of their crests, Taichi is courage (to do things), and Yamato's is friendship (to look after people).

And of course on the other side we get Joe Taichi and Sora as a group, the initiative takers, the ones who are more likely to do a dangerous job. Joe who went out in episode 7, Taichi and Sora who went to find him. Those three were the ones dealing with Andromon while the others looked around the factory, and the ones who went in for Sora's crest. Koshiro goes either way depending on if his skills are necessary or not.

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AITA for choosing to kill my best friend?

I (M14) am part of a group dedicated to preventing the take over of an evil AI (L) that split off from my grandfathers creation (M). Turns out my best friend, lets call him YJ (M14… kinda?), was an AI created by L in order to spy on me. Anyway, YJ didn't actually know about this until L activated some sort of override of his free will and used him to gain access to a strong power that allowed him to enslave all of humanity and turn them into AIs.

Anyway, we thought we managed to get him on the ropes, though M was destroyed in the process, but L at the last moment issued an ultimatum to me. I could delete L, and by extension YJ or let YJ live, but humanity would be imprisoned, and I only had 60 seconds to make a decision. I chose to delete YJ and L and save humanity. I did promise to study AI to revive YJ in the future.

But right before I could press the button YJ regained enough control to stop me and press the button himself, so I wasn't actually the one to kill him. He said it was so I wouldn't have to. But I still feel bad because he felt he had to delete himself and I was going to do it myself otherwise.

Especially since it seems M may have known YJ was an android made by L when she recruited him to our side, and she may have been counting on his decision all along. M saved our life and helped us take out L, and sacrificed herself in the process. But she still asked YJ "if there was someone he would give his life to protect" as his test for joining our team. I feel guilty that I didn't notice how suspicious that question was before and that I hadn't been as worried about his self-sacrificial tendencies before.

I know that we didn't really have a choice and it was either that or let all of humanity die. But I worry that he may not have appreciated himself enough or made him think he wasn't important.

AITA for not noticing that M was setting up YJ to sacrifice himself?

So digimon has a habit of giving their main protagonists goggles, giving them brown hair, and reptilian digimon. They also often make them heroic big brother types (and quite often literally big brothers… or at least caretakers). But digimon also has a habit of having young female characters with mysterious powers and a holy digimon partner. And sometimes, the two characters are related.

Not always directly, and never really in the same way twice, but often the two characters, when both roles exist, play complementary story roles in some way. Especially as the "Goggle boy/Taichi" archetype is consistently at the center of the story, and "Holy Girl/Hikari" archetype varies in relevance. And to be clear, I'm not trying to break down every character into the basic digimon archetypes, but they do exist and they are kind of useful to look at as a point of comparison.

Of course this all goes back to Digimon Adventure (film), where Taichi and Hikari a brother and sister, take up opposing roles in regards to the digimon situation. While Hikari was originally imagined to not be a digidestined in the future, her fear of the situation after her original acceptance (as opposed to Taichi's suspicion and later cooperation) clouding her perspective, that really isn't want happened in the final product. Hikari was innately drawn to the digital world. She never forgot. The incident is potentially because of her. And where does that leave Taichi? The (relative) normie who was called because of her, but stepped up to the plate as the one everyone turned to, independent of her. Taichi is their leader, Hikari the 8th child. Taichi (and Yamato) get ultimates. Hikari (and Takeru) have Angels that grant them that power. Hikari is innately powerful, but young, and Taichi is powerful to, but in a slower way born of being the first one to do things and push forward. Consistently the first one to evolve. The first and the last. All of that to say that this is sometimes echoed in later digimon. While nothing has quite reached the levels of original Adventure there are still plot lines and sort of story roles that echo that initial storyline.

While Chika doesn't play a major role in Savers, her role as Suguru's other child, her prodigious amounts of Digisoul, and her role welcoming Ikuto and Falcomon (a la Tailmon), clearly aligns her with Hikari. Even if in show she doesn't play a role that engages with that with the priority on her brother, the Taichi archetype, the main character with the agency that drives the plot, she still echoes Hikari with her surprising chillness with digimon, and a fateful encounter with a digiegg that ends violently.

In Cyber Sleuth, Erika is easily a Hikari archetype, and while her big brother is not the Taichi, she is the driving force behind the Hacker's memory plot. Her relationship with Keisuke (the main character, who you play as) in particular is the center of Hacker's Memory. While Keisuke is absolutely a goggle boy, Keisuke isn't a Taichi, he's the Daisuke to Aiba, the real Taichi. Keisuke and Daisuke are less, larger than life ambitious world changers than Taichi and Aiba. The reason I bring this up, is that even though Aiba and Erika never really meet, they are the focal points of both story halves. Aiba is situated at the focal point where Nokia and Arata, and Yuuko reunite. The focal point between the royal knights, the hackers and Kamishiro. Sure Keisuke is the hacker's memory protag, but it's noted he's not very protagy. Erika is the story's focal point, Keisuke her Daisuke, along for the ride, with his own motivations sure, but in the same way Nokia did, and Nokia was ultimately secondary (though also very important, has some Taichi in her). Aiba and Erika are both dying throughout the events of the game as the result of an accident, but also due to the accident now have some special digital skill. It's also important to note that Erika and Aiba's group are the only two groups that had digital encounters to kick this off. They're the only ones who have been to the digital world prior to this whole situation. In reality the 6 of them are this entries only true "chosen children" so to speak. But even that has its precedent, Hikari being separated from the other digidestined in the beginning. Aiba and Erika do not know each other. Their traumas and their resolutions are both different. Aiba's unremembered trauma was resolved by a rescue and reunion. Aiba's "cyberfication" is a death sentence, despite being relatively well off compared to most victims. Erika remembers her parents death and the resolution is separation from her loved ones, the loss of their memories. Her "cyberfication" is ultimately her salvation and allows her to live on when she would otherwise die.

Of course Survive is one big callback. Takuma literally has goggles, the Ta name and an Agumon. He is the groups leader, even when there are older people he's the one whose character guides the other kids, the first to evolve, the strongest. Miyuki has a holy partner and a literal power to transverse worlds, set apart by the others by her different arrival date (though in her case it was early). Now interestingly Takuma and Miyuki are not siblings. Miyuki is for once no ones little sister and is instead an older sister. (Her little brother, ironically being the Gennai archetype). But they are tied together. Takuma is the one who manages to reach Miyuki and they return to the human world, in an echo of Adventure epsiode 21. Miyuki mysteriously provides additional context to the situation, and demonstrates power (Miyuki and her song, Hikari and her references to the first film) No time has changed at all for Takuma since his departure, though unlike Hikari (who time was flowing normally for), 50 years had passed. While both Takuma and Taichi hestiate to leave the digital world, (in most paths), they ultimately do in order to return to their friends, Agumon returning anyway. In Adventure Taichi leaves Hikari behind (with the promise to the audience she'll return soon). Takuma jumps after Miyuki expecting her to be at his side when they return, but her being taken away. But more than that, Akiharu has Gabumon, and together with Takuma forms Omegamon. Now the Yamato analogue is very much Kaito (and Dracmon even has a wolf evo), though Akiharu has a little bit of Yamato in him, a brother protecting his sister, closed off to himself, having undergone a traumatizing incident as a child. But Takuma and Akiharu are the ones who form Omegamon to save Miyuki in the Moral path. Takuma is the one (granted he has different context from the other kids), who actually got to know the real Miyuki. The one who has the most invested in her due to their brief meeting, and the one most invested in saving her, when the others fear she's a lost cause. Conversely, Takuma is the one Miyuki really calls to from the other kids. Takuma is also the one who gets closest to the professor (asides from Shuuji) and gets to start piecing together things, often finding out truths about 50 years ago before the other kids. Aside from Akiharu, Garurumon, Renamon and Miyuki themselves, Takuma is the most involved in that drama. Granted a lot of this is game play, due to being a video game, as with Cyber Sleuth, but it still is worth noting.

Digimon overall as a franchise has a lot of its own archetypes that may be related to common genre archetypes but have their own sort of flavor to them. This is rather typical of franchises like digimon, but I find its still interesting to look at, whether intentional or not. It makes sense that Taichi and Hikari's characters would

Sorry for the delay, I've been fighting battles in the real world (boring schoolwork-related battles, but battles nevertheless). Honestly, when I finalized the Katsura's I was tired and was just going to call it a day. Which is a shame, because I feel like I didn't do them justice, but whatever. And I was going to do the same for Haru… but Haru’s section is the one I had the most issues with, to begin with. Simply because as our main character, he’s perhaps got the most going on, but also the most straightforward which is just overall not very appealing to write honestly. So Haru involves a bit more rewatching and I just didn't have time, (Most of the Katsura’s brother’s details are confined to a few easily identifiable episodes) so I just cast it aside. And Haru's relates a lot to Yuujin which. Hoo boy. I have a lot to say about him.

Anyway, without further delay here are my thoughts on our main protagonist.

Haru is the kind of boy who watches and admires hot-headed anime protagonists, rather than the kind of boy who is a hot-headed anime protagonist. Though he admires these characters greatly for their values and beliefs, Haru himself starts the show viewing himself as a side character. This is a point that is refuted in-universe by Yuujin, and out-of-universe by well, Haru being billed as the protagonist. “Are you a protagonist?” is the question that defines Haru’s arc, and Haru spends the season proving his response of “yes” true to himself and those around him. But Haru’s assessment that he's more of a side character is not inaccurate when it comes to his personality. He can be somewhat self-centered and prone to annoyance and embarrassment. He’s not very confident, he’s a bit cowardly, likes to read, not athletic but also not shown to be particularly intelligent. He’s not shown to be dumb, or anything, just nothing is really made of his academic abilities and he’s not shown to be particularly strategic. In fact, he on multiple occasions is shown to be fairly clever, but he doesn’t exactly make up for his more mild personality with genius strategic ability. He is able to come up with applicable search terms to situations, deciding to draw Shootmon’s attention using Puzzlemon, and using Navimon to track Mienumon. But He takes hours to solve Puzzlemon’s puzzles (though he does solve them which is more than Astra or Eri can say.

Haru’s story is about becoming a protagonist. Though at the beginning of the series Haru decides for himself he’s going to be a protagonist, this is a fate that was out of his hands. Though we don’t know it at first, Haru has a very personal connection to this whole thing, as Haru’s grandfather is responsible for this whole mess, but more importantly, Haru has been monitored by super AI since he was a small child. Super AI who manipulated events throughout the entire season, for all our protagonists, but in particular have been manipulating the events in Haru’s life since he was in 4th grade at the least. He himself is an ordinary boy, but he’s part of an extraordinary situation, even if he doesn’t know it at first. A situation where knowingly or not Haru has been monitored and groomed to be an ideal protagonist. While we don’t know to what degree Haru has been influenced, if really much at all (purposefully) prior to the series start beyond monitoring, AI has unknowingly played a huge role in who Haru is.

But even so, Haru’s nature as a kind, fantasy-loving, boy is genuine. His desire to be a protagonist is real, even if potentially encouraged even indirectly, by Leviathan, the machinations behind Haru himself is the one who takes these steps to be the kind of hero he wants to be. Kind and brave.

And while I said, Haru starts the show as cowardly, that doesn’t actually mean he’s any less prone to reckless behavior later in the series. Haru’s reckless in the same way many protagonists, Digimon or otherwise are. While Haru may not have realized it, Haru’s admiration of the protagonist's values makes them his values, even if Haru initially lacks the same emotional strength to follow through on these ideals. While Haru starts out as a quiet bookworm, (and those traits don’t just disappear, although certainly overshadowed by everything else going on in his life) Haru makes a constant effort to be better. To make the right decisions. To reach out to those that are hurting and offer a helping hand. When he chooses to help save Christmas for Ai, or becomes dedicated to helping Rei with Hajime, or diving in to help Gatchmon as he drowns in the L-Virus. But these actions gradually require more and more action on Haru’s part, until we reach the end and Haru, Haru, who started the series cowering under his covers, is leaping off the top of a building on the slim chance it will help save the world. The one who has the courage to look his best friend in the eye and say I’m sorry, but I have to do this, but I will make it up to you.

Aside from the connections between humanity and AI, Appmon has another big theme of choice. Haru has to make a choice. The first choice Haru makes is to assert that he is a protagonist. The last choice is to do his duty as a protagonist and make the choice. Generally speaking, a good protagonist is one who actively pushes the direction of a story, actively makes choices that have consequences. It’s why we associate many protagonists as leaders, while being the leader and the main protagonist aren’t mutually exclusive they overlap in the way that they make decisions that affect the story and their teammates. I’m sure we all remember that moment in Digimon Adventure where it’s Taichi who has to make the choice of which card to use to take them home. The choice Taiki made to rescue Shoutmon. The moment where Takuya makes that choice to go home (another series about choice). Choices are important. While the choices Haru and the others make are certainly influenced by the AI, Denemon notes that Minerva likely gave the questions as a prompt in the right direction rather than as the deciding factor in choosing them, but ultimately they are the ones making the decisions. Leviathan gives Haru the choice between Yuujin and humanity under the mistaken belief of being able to predict Haru’s choice. (And is proven wrong yet again when it's Yuujin who pulls the plug). But Haru proves humanity, life, as fully capable of defining their own lives with their decisions. Haru growing into a protagonist involves him growing more proactive, which is the detail Yuujin comments on in episode 2.

But it’s not Haru’s growing courage and confidence that marks him as the main protagonist of Appmon. It’s his kindness, the trait that he had from the very beginning that facilitates his growth, and the Appdriver’s successes. His kindness is what Yuujin uses to label Haru as the protagonist. Haru is the one who gathered the Appdrivers together, who reached out to Rei. Who reached out to someone who was once, and possibly still, his enemy once he had been betrayed. Haru’s kindness is what won him Yuujin’s genuine admiration, to the point where Yuujin was willing to die for him. This is a kindness that he’s had since elementary school. In a story about the questions of the dangers of AI, and the growing connections between humanity and AI’s, Haru’s kindness is the answer Appmon gives. It’s this charisma that makes him the natural foil to Charismon. It’s this genuine kindness that brings others to his side and inspires actions to protect others. Not to mention that beyond Haru’s kindness, Haru wasn’t the type to be easily discouraged even prior to meeting Yuujin, learning soccer even though he wasn’t very good at it. It’s this determination that pulls him through difficult RPGs, and spending hours on puzzles.

Haru isn’t a total nice guy. He’s capable of selfishness at times. He’s capable of being annoyed with others, (often Gatchmon). Particularly earlier in the series before he realized his capability for helping others. For the first couple episodes, Haru regularly has moments where he expresses annoyance at his situation. Focused on his own embarrassment, and having to be prompted into action by Gatchmon. He’s a bit of a coward, to the point of actively trying to escape the fight, and rather pitifully insists he’s not fit for the situation. Similarly, while Gatchmon goes to find Haru to fight Leviathan, Gatchmon also starts with some somewhat cowardly behavior, being afraid to even say Leviathan’s name. The kind of behaviors that make you go “Hey, why would an AI choose him”. But Haru quickly grows into the role of the protagonist, out of a genuine desire to help others, Gatchman and Ai in particular. And when I say quickly I mean quickly (again growth as soon as episode 2). He still demonstrates some more selfish tendencies in those early episodes (wanting to read instead of taking a cooped up Gatchmon trick or treating in episode 4) but as others join Haru’s team they become less prominent. The moment he declares himself a protagonist he starts to live up to the kind of protagonist he wants to be, even if takes a little bit for him to fully grow into the role, demonstrating the power this subtle guidance had on Haru and the others.

Haru’s family, despite its plot relevance, is pushed to the background, which is kind of odd for a Digimon series, especially one set in the real world. For Haru early on we meet his mom and see his home. His mother is apparently a housewife who runs a blog. She seems to care about Haru a lot and is shown to be rather attentive, noticing odd sounds coming from his room on numerous occasions, including recognizing Denemon’s voice. She also seemed to be on good terms with Denemon, and was willing and able to tell Haru about him. That doesn’t really tell us a lot about Haru however, it does tell us that Haru grew up in a loving household and that Haru seemed to inherit his mild, but observant nature from her.

Denemon, while plot-relevant, died when Haru was very small, and so while he has everything to do with the situation Haru is in now, he doesn’t seem to have a whole lot to do with the way Haru is. And really they are opposites in a lot of ways, Denemon being a passionate and ambitious person while Haru is more reserved and at the start of the series significantly less ambitious. That said, Denemon and Haru do have a few similarities. Both are somewhat forward-thinking and curious people. Haru’s Buddy is a search Appmon. To search for answers, to find something you want to know. Denemon built Minerva to help solve problems, which serves a similar function to a search app if you think about it. Furthermore, both Haru and Denemon are very open-minded and put a lot of hope in the future of humanity to live alongside AI. Of course, by the end of the series, Haru comes to share in his grandfather’s interest in AI as well as his more hard-working nature.

We never meet Haru’s father, despite being Denemon’s son, and presumably still around in some capacity, due to being mentioned neutrally when discussing Haru’s relationship to Denemon, but there really isn’t enough there to extrapolate from. But Appmon’s finale, and Yuujin’s revelation give us the implication that Haru was not the only one being monitored by Leviathan, which may suggest there are others like Yuujn to monitor other people in Denemon’s life. After all, Yuujin seems pretty geared to monitoring Haru specifically. Even if there aren’t other androids, Haru is not the only person from Denemon’s life who Leviathan paid attention to. Haru’s father, Denemon’s son, is a likely candidate as well. But of course, we don’t see any of that, so that’s left to the realm of theories and fanfics.

If I were to wager a guess, part of the reason Haru grew so entrenched in the Appmon situation is in part due to his age. As Denemon’s grandson, Haru was probably by far the youngest of those who Leviathan deemed important enough to monitor. Which also made it difficult to monitor. If Yuujin is the only android, he probably is an android because it's difficult to recruit children to befriend a target the way an adult would. And if he’s not the only android, Yuujin still would have involved the most upkeep and attention due to the fact Yuujin had to age. Either way monitoring Haru was probably a bit more of an endeavor than any other character. On top of that his youthful open-mindedness (and free time) was definitely an asset for him bridging the gap between humans and AI, with both Yuujin and the Appmon. Though, all of that is just speculative.

Gatchmon is very aggressive when compared to Haru, which while an uncommon Goggle Boy/Partner pairing, isn’t really new either. Gatchmon assertive "ore". While Yuujin is definitely who Haru imagines as a protagonist type, Gatchmon is more in line with a typical shonen protagonist with his recklessness and aggressive nature. This is a role swap that has been done before, notably in Xros Wars where you could consider Shoutmon to be the real main protagonist. But it’s still somewhat refreshing (and done much differently than in Xros Wars anyway). Gatchmon isn't always the most sensitive or the most selfless, as he gets irritated by Offmon and is a general nuisance to Haru in some of the early episodes. Gatchmon is the one who gives Haru the strength to take action to protect and become the person Haru wanted to be. Gatchmon also shows a desire to get involved, his investigation leading him to Leviathan and eventually to Haru, the way Haru desires to be a protagonist. They share the same desire (that all of our main trio does really), to be people who make a difference. Gatchmon’s thematic connection to Haru is highlighted in the finale, where they are tied by their search for something.

“It was a destined encounter, arranged by a greater power” Those are among the first words Haru speaks in the series, referring to his encounter with Gatchmon. But Appmon is unique among Digimon series in that we see no hide or hair of a power that could be what we consider a god. We know who arranged this meeting, and it is perhaps fair to refer to Minerva and/or Leviathan as a higher power. But that’s the thing about Appmon. The grand forces that rock the earth, with their perfect schemes and subtle influence are ultimately man-made. The final form of Appmon are “God Grades”, and mostly derive their names from human gods. But they too are man-made. While I could probably say a lot about Appmon’s discussion on how humanity's greatest influencing factor, the one force closest to a real god, is something we made ourselves. But nevertheless, Haru as the grandson of the creator of these “higher powers” proves humans worth. A war of ideals battled out between Denemon’s children, children who have grown past him. In Greek mythology, the gods are repeatedly overthrown by their children. Zeus overthrew Cronus, who overthrew Uranus. The God Grades just so happen to be largely named for Greek deities.

But unlike those stories in which the gods do everything they can to prevent being overthrown by their own children, Denemon does not begrudge the AI the chance to grow and surpass him. He and Haru, and all of the Applidrivers, put their trust into building connections and putting their trust in the AI, helping them to grow stronger. While Leviathan does take advantage of this, allowing the children to grow stronger to then consume the god grades, the god grades come about because the kids weren’t afraid of the AI having more power than them. They were perfectly content with living together. Unlike many of your more conventional protagonists, Haru isn’t exactly the most aggressive kid. Haru’s not a leader in the traditional sense. Haru is far more inclined to follow the leader, which makes him exactly the kind of person who is fine with not being the most powerful or important person in the room. Appmon’s big central question is of the singularity, the fear of being overtaken by the AI we created. So it's fitting that Appmon's protagonist, is a character who solves their issues through conflict, but through reaching out. Who breaks the trope of the self-fulfilling prophecy that's repeated over and over again throughout the history of storytelling of trying to destroy those who are predicted to destroy you. Who better as a Digimon protaganist?

Listen, I understand why Suite isn't a popular season. Generally speaking, the best parts of it are generally done better in the two seasons that precede it. It in many ways is just a weaker frankensteining of Fresh and Heartcatch. But Fresh and Heartcatch are fantastic, so just because it's worse than those seasons, doesn't mean its bad in my opinion. And to be fair, it does deserve many of its criticisms.

But it's also one of my favorite seasons, and I think some of it's criticisms are more a matter of taste. There's just a lot I love about Suite.

Hibiki and Kanade

I also know a lot of people aren't huge fans of the whole fighting thing Hibiki and Kanade have going on. And I agree, it's not the best executed and some things don't make sense. I also understand that many people are not fond of the vitriolic best buds trope, but I don't think that makes their relationship inherently bad just not to everyone's taste. For what it's worth, we haven't had a pair of cures like them before and since and it's a tragedy to me personally because I am quite fond of vitriolic best buds, duo cures and childhood friends. We have so many cure duos and aside from these two, none are childhood friends. The CLOSEST is the fact that Saki and Mai met once, when they were 9. Several trios of childhood friends (Fresh, Doki Doki and Happiness Charge), but they're the only true childhood friend duo. I honestly want more cures like these two. They get the learning to understand each other that the new friendships have, with the wealth of intimate knowledge about each other stemming from their childhood friendship. Despite spending a year "apart", the years they spent together still mean something, and they can't seem to stay away. They're mad at each other but there is still a comfortable familiarity in the way they aren't afraid to fight with each other. They say they aren't friends but they still call each other by first name.

Their hearts naturally fall into perfect harmony. The have like the same sense of style. Kanade likes to bake. Hibiki likes to eat. Souta refers to Hibiki as "Hibiki-Nee-san", and otherwise treats her similarly to his own sister. They have a flashlight code that they use to communicate across town at night. Neither one realized that there are two entrances with Sakura trees at their middle school or tried to talk about it for a whole year. They're both so stupid.

They take after Nagisa and Honoka a lot too. Nagisa and Hibiki are both athletic redheads who are good at sports and have black as a main color in one of their outfits (Cure for Nagisa, Civ for Hibiki), and generally use pink in their outfits. Both like to eat. Both can be prone to grumpiness and disagreements with their family members. Honoka and Kanade are both white Cures with fierce tempers and a strong sense of responsibility, able to handle domestic things like cooking. Both have more academic strengths, but are relatively graceful. There are some twists of course, Kanade has the little brother who she bickers with (their little brother's even both end their name with "ta"), Hibiki is the one with a parent who is often abroad. I really like how the two called back to the original duo without at all feeling like a copy.

To be fair not communicating is the name of the game in Suite. And so, I do 100% understand not liking this plot. I really do understand it. It's more than fair. All of the plots basically revolve around miscommunication. That is like. The entirety of Suite. Miscommunications, and the breakdown and subsequent healing of relationships. A very very valid complaint. One that I can overlook, but understand if others cannot.

Siren and Hummy

So, Precure's second heel-face turn Cure (if we don't count the Kiryuu sisters). She's a shapeshifting cat who can sing. The original one.

While normally I dislike the "Brainwashed to be evil" trope. It can be very effective. Go Princess used it to great effect in which there was a level of tragedy to the years that had been stolen away from Towa, and how her motivations had been twisted. I think it has similar effect here, where we kind of get both. She was brainwashed, and I do think that does cheapen Siren's motivations and redemption a bit, but she also had genuinely negative feelings towards Hummy, that she acted on in refusing to practice with Hummy. She still has to face Hummy head on, and as much as she tries to pretend that she's hard and strong enough to live in her bitterness. Siren isn't actually mean enough to keep facing her friend and betray her over and over again.

Hummy being better at singing than her caused her to lose a piece of her identity. The most important singer in all of Majorland. The one who sings the melody of happiness. So Siren doubles down on that identity. She becomes Minorland's singer. But she also, due to her shapeshifting, spends that time adopting different identities. Testing things out, even if she doesn't realize it. Ultimately she has to completely let go of her old identity (losing access to her original form) and everything associated with it and forge a new sense of self, in order to find happiness. But she doesn't completely lose everything.

Despite not liking to be called Siren anymore, she still lets Hummy call her that. She turned her old identity of Siren into something bitter, so she had to cast it off to redefine herself. But Hummy is the only one who ever saw the real Siren through everything Siren tried to become. Hummy may have been the one who took her sense of worth, but she's also the one who always saw Siren's value as Siren. Hummy gets to use Siren because her relationship with Hummy is the only thing that survived Siren's evolution. The two have to forge a new relationship to a certain extent. But it's built on what came before.

I also just think it's fun that the bulk of this emotional arc is on Hummy. It's cat drama. Fairy drama. Usually this is the kinda of stuff that happens between the pink and the heel-face cure. But not this time. This time it's the cat fairy, and the pink is dealing with her own friendship drama. I think it also ties right back into Suites continued echo of healing relationships, actually listening to people in order to harmonize with them. Hibiki and Kanade have to resolve their bitter feelings from their estrangement. Siren has to get over her jealousy to let Hummy back into her life. And Mephisto and Aphrodite have to stop fighting a war against each other.

Major Land's Royal Family

I mean really, no one bothered to tell Hibiki and Kanade at any point that Mephisto was the brainwashed former King of Major Land and that Major Land had a princess who was in hiding? Just locked out of the loop. Both Kanon and Majorland are entirely made up of people who can't communicate.

Anyway, Ako is my all time favorite cure. I rather unpopular choice, I know. But she fits right in with many of my other favorites, characters such as Hikari Yagami, Takeru Takaishi, King Clawthorne, King Ezran, Anya Forger etc. I love kid characters. I especially love messed up traumatized kids who don't always deal with it in great ways. And kid characters with heaps of responsibility on their shoulders. Like chosen ones and royalty.

So Ako is the epitome of what I look for in my favorite characters. She's a 9 year old with high future expectations, that she can't even begin to try and live up to because she's been sent away from everything she's known and loved. Not just moving to a new town, but a new world, where the rules of what is and isn't normal are different. In addition she was forced into physically altering her appearance, wearing unfamiliar clothes, and cutting her long hair. Not only that, she now has to keep everything about her secret. Her hometown, whatever music magic she has, her real future career plans, everything that made her her, has to be suppressed and kept secret. And she was like. Six. That's tiny. And she has to construct a whole new fake identity?

No wonder she's grumpy and keeps to herself? Her alternative is just trying to keep up a bunch of lies all the time. And keeping to herself, means few friends, and trying to keep people away, because this is supposed to be temporary to some degree. She has back home eventually, she's their future queen. She really has no choice BUT to be a grumpy brat. To keep from getting found out and to keep from getting attached. Like sure she doesn't have to be a brat to Hibiki and Kanade, but she's kinda right half the time, and honestly her tempering that brattiness into being just unpleasant enough to be left alone without being so obnoxious she draws people's ire involves way more socio-emotional intelligence than should ever be expected from a nine year old. And at a certain point, after years of it, it became part of her real personality. The sweet optimistic little princess is still there. But it's under a layer of cynicism.

Ako wants her family back. So she gets the power to do that. And things still don't go her way.

I've joked to people before that Ako is one of 4 cures with divorced parents. Her parents are effectively divorced, but extra. They're not just trying to fight over a house and custody of her, but over not just an entire kingdom, but the fate of the world. And her father doesn't even know who she is anymore. Her parents are actively at war, and her mother honestly shows no qualms about letting her husband be potentially killed, not bothering to tell the people she's sent after him about their relationship and his true nature. (And then her mom asks Mephisto to kill her to protect their kingdom, Ako can't catch a break).

This ties back to a fact that is kind of brushed over in the show. Ako is the princess. In the show she's honestly just the princess because it puts her in between Mephisto and Aphrodite's drama. But we see in show that Mephisto and Aphrodite are constantly putting their kingdom's needs above their own. A- monarchs (points deducted for getting brainwashed), but like. B- parents tbh. They love Ako so, so much, but simply can't raise her themselves. In fact, Ako's parents won't look after themselves, so Ako has to look out for them instead of the other way around. We see this a lot with Mephisto.

Sometimes Ako makes absolutely stupid decisions, like releasing notes, because she doesn't want to go against her dad, even if he isn't himself right now. Because she's a child whose parents are fighting, seemingly to the death, and if she can spread out the fight, she can hopefully drag out the arrival of consequences.

Ako does eventually learn to use the power as a cure, so she can balance the needs of the many over the needs of her loved ones. So she can do both. But she has to learn to make the hard choices and be willing to stand against her loved ones.

Also Ako also gets the miscommunication based friendship breakdown with her and Suzu, and to a lesser extent her and Souta in the movie. Suite really goes hard on the whole healing relationships thing.

Ako is really a direct foil to Yuri who precedes her. Missing evil brainwashed dads. Present throughout the whole show, but only join the team in the last quarter (the latest of any Cures). Semi-awkward friendship with one of the other cure's siblings in part because their friend doesn't know about all their magical girl trauma. Already looped into the magical girl stuff before any of the other cures, so has a preexisting relationship of some sort with the grandparent mentor. Ako is pretty much just a baby Yuri, but who has just now gained the power to try and fight after years of inability to do anything, instead of having just lost her power, and having to face down her own failure and keep going. So she's an angry elementary kid rather than a depressed high schooler. How can I not love her?