Honestly, I Love That Artwork

Honestly, I love that artwork <3 dont let him get to you. (Although I’d also say he may have not realised it was you who drew it in the first place, he probably just thought you’ve taken the pic from another artist)

So someone really hates my artwork and this is how I replied.

I’m an art practitioner; I’ve seen worse things than a mere badly made Satsuki yet I never feel obliged to force the artist to do what I want.

Omg this is literally me

*when I hear a musician slightly mess up in a recording*

“oh wow this sounds so raw”

*when I hear myself slightly mess up in my own recording*

“oh wow this sounds like garbage”

glad you like it ^^ I'll try my best to make one every two weeks. I have a lot of music to cover so I think this series will go on for a good while

Throughout the almost 3 years I’ve been in the brony fandom, I’ve been able to discover an enormous amount of bronymusic of all kinds and genres, and I honestly think too many of these songs have fallen under many people’s radars too many times.

That’s why I’m starting this series! Old…

B-but what about us ponies who don’t get to go there? May we receive some physical love and/or mathtubs as well in the future?

(those cd artworks are downright beautiful)

physical math for your physical pleasure

my little ponies! come find me at efnw and obtain physical archives of digital representations of my psychological abuse!

zeitumkehrer has a super super super special never-before-heard-except-by-you-know-who-you-are collaboration between me and my favorite jazzhorse. and also something else.

tampopo tempo is just that, but isn’t that enough?

mention the mathtub for a hug, a discount, and possible a mathtub.

<3

The moment I've been waiting for so long. Amor Fati

this is it

I’m not sure if this is the case, but I’m afraid serchumfuggler may have confused quarter tones (which are notes located between 2 semitones, thus not playable on a standard piano) with quarter notes, which refers to the duration of the notes within a given meter signature. As most (if not all) of Sgap’s songs use a standard 4/4 signature, it’s not that surprising to find quarter notes used in them. Meanwhile, quarter tones are a much more interesting thing to notice as they are much morre rarely used in music.

serchumfuggler submitted:

SGaP does indeed use quarter tones very extensively; you can hear them in basically every single one of his songs. two examples would be in the beginning of Dashy / Hearth’s Warming Eve, or halfway through Night Glider, at 1:20-ish. now that i’m listening closely for them, i find that they’re in, quite literally, nearly every single song of his at one point or another.

in general, SGaP just loves going ‘off the beat’, away from his 4:4 time signature (a 1-2-3-4 beat), to create his songs. if you listen very closely to nearly any of his songs, and count in a 1-2-3-4 rhythm, you’ll notice that, although almost nothing seems to match up to the beat, on every 4th beat, a chord ends and another begins, or the percussion plays, or something else changes.

even in places where his songs cut out briefly, or seem to change entirely, the beat usually holds true. for example, at the beginning E40, count a beat every single time the guitar is strummed. when the song drastically changes at around 0:40, you’ll find that the beat still holds true, and that notes are indeed played on them, and that when the song ‘resumes,’ it will do so after a 4th note in this 1-2-3-4 beat.

although, he isn’t necessarily held back by the 1-2-3-4 beat, either, as i’ve noticed. later in E40, where he sings 'where has older sister gone?’ you’ll find that it no longer holds up. it’s still there, but it’s gone slightly faster, and it’s much harder to find, because of the lack of hints; the only clue is when one 'burst’ of strumming ends, that’s the fourth note in the beat.

i could give more examples if needed, but that’s the gist of it, and it’s part of what makes his songs so wonderful and lively to listen to.

Many thanks for this thorough explanation! Especially with such detailed examples. This has really helped me to understand his music a little better, including why it seems so unique, and I think it’s a help to plenty of others, too