
× eddie as in not-limonov but still quirky and angry at the government × young, not sweet, fuck i'm nineteen × ancom radfem × lesbian × theatre kid who can't sing × chaotic academia bastard × i have opinions & i make people cry × current obsessions: WESTERNS, the magnus archives, horror films, hannibal, killing eve, black holes, 1930s russian avant-garde poetry, jack stauber's micropop, mitski × i am a proud language geek ask me to flirt with you in french or italian × gender critical × "in my ribcage two birds fight. one wants to be alone, the other wants to be free" ×
271 posts
Alright. Yes, Now I Think I Can Understand Myself And Yes, I Know It Was Over Before It Even Had A Chance
alright. yes, now i think i can understand myself and yes, i know it was over before it even had a chance to happen. but why hope?! why murder myself by knowing i won't stand a chance??! why desperately wait for the moment we can go home together and encourage myself to finally reveal the feelings that had been haunting me ever since i saw her for the first time, and yet never do it, having doubts about my french?
why? why? why?
why not asking her first? why not asking her back? why not kneeling before her, and kissing her hand, and finally pronouncing those terrific, marvellous words, "i think i have fallen in love with you, julia".
julia.
julia.
help me.
More Posts from Eddie-spielman

Masterpost of Free Romantic Literature & Theory (European) (Gothic Literature)
British Romanticism
Songs of Innocence & Songs of Experience by William Blake Poems and Songs of Robert Burns Don Juan & Childe Harold’s Pilgrimage by Baron George Gordon Byron Collected Poetry of Lord Byron The Rime of the Ancient Mariner by Samuel Taylor Coleridge Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth Collected Poetry by John Keats Ivanhoe; Waverly & The Lady of the Lake by Walter Scott The Complete Poetical Works by Percy Bysshe Shelley
French Romanticism
The Count of Monte Cristo; The Three Musketeers & The Man in the Iron Mask by Alexandre Dumas One of Cleopatra’s Nights and Other Fantastic Romances by Théophile Gautier Notre Dame de Paris & Les Misérables by Victor Hugo Collected Prose and Essays of Victor Hugo Poems by Victor Hugo Carmen by Prosper Mérimée The Red and the Black by Stendhal Cinq Mars by Alfred de Vigny
German Romanticism
Were I a Little Bird; The Mountaineer; As Many as Sand-grains in the Sea; The Swiss Deserter; The Tailor in Hell & The Reaper by Ludwig Achim von Arnim and Clemens Brentano The Broken Ring by Joseph von Eichendorff Faust by Johann Wolfgang von Goethe Collected Poetry by Johann Wolfgang von Goethe The Sorrows of Young Werther by Johann Wolfgang von Goethe Fairytales by Jacob and Wilhelm Grimm The Prose Writings of Heinrich Heine by Heinrich Heine Hegel’s Philosophy of Mind by Georg Wilhelm Friedrich Hegel The Golden Pot; The Sandman & The Devil’s Elixir by Ernst Theodor Amadeus Hoffmann Undine (Selections) by Friedrich Baron de la Motte-Fouqué Henry of Ofterdingen: A Romance by Novalis The Iron Idol by Jakob Schaffner The Robbers & Mary Stuart: A Tragedy by Friedrich Schiller Tales from the “Phantasus,” etc. by Ludwig Tieck
Polish Romanticism
Moja Beatrice by Zygmunt Krasiński Pan Tadeusz by Adam Mickiewicz Anhelli by Juliusz Słowacki
Russian Romanticism
A Hero of Our Time by Mikhail Iurevich Lermontov Poems by Alexander Pushkin Eugene Onegin by Alexander Pushkin Collected Works of Alexander Pushkin Collected Poetry by Fyodor Tyutchev Poems by Vasily Zhukovsky
Spanish Romanticism
Cantares gallegos by Rosalía de Castro El Estudiante de Salamanca and Other Selections by José de Espronceda The Cid Campeador: A Historical Romance by Antonio de Trueba
Historical Theory and Background
Literary and Philosophical Essays: French, German and Italian The French Revolution of 1789 by John S. C. Abbott Rousseau and Romanticism by Irving Babbitt A History of English Romanticism in the Eighteenth Century by Henry A. Beers Main Currents in Nineteenth Century Literature - The Romantic School in Germany by Georg Brandes On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle The Sacred Wood: Essays on Poetry and Criticism by T. S. Eliot The Destiny of Man by Johann Gottlieb Fichte The Faust Legend from Marlowe to Goethe by Kuno Francke The Hero of Esthonia and Other Studies in the Romantic Literature by W. F. Kirby Romantic Ireland by M. F. Mansfield and Blanche McManus The Diary of Dr. John William Polidori, 1816, Relating to Byron, Shelley, etc. Romance: Two Lectures by Sir Walter Alexander Raleigh The Social Contract & Discourses by Jean-Jacques Rousseau A Defence of Poetry and Other Essays by Percy Bysshe Shelley On Liberty by John Stuart Mill The Legend of Sir Lancelot du Lac by Jessie L. Weston
Academic Theory
Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Walter Scott’s works perception by his russian contemporaries by O. G. Anossova Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Romantic subject as an absolutely autonomous individual by Miljana Cunta Russian-German Connections in the Editing Practice in the Mid-19th Century: Vasiliy Zhukovsky and Justinus Kerner by Natalia Egorovna Nikonova and Maria Vladimirovna Dubenko Fichte as a Post-Kantian Philosopher and His Political Theory: A Return to Romanticism by Özgür Olgun Erden Negotiating boundaries: Encyclopédie, romanticism, and the construction of science by Marcelo Fetz Wandering Motive and Its Appeal on Reluctantly Wandering Franz Schubert by Dragana Jeremić-Molnar The Caucasian Motif in Fyodor Dostoyevsky’s ‘House of the Dead’ in the Light of the Polemic with Lermontov by Xuyang Mi The Core of Romanticism by Monika Milosavljević Romantic worldview as a narcissistic construct’by Branko Mitrović Topographic Transmissions and How To Talk About Them: The Case of the Southern Spa in Nineteenth-Century Russian Fiction by Benjamin Morgan Lermontov’s Romanticism and Jena School by Liudmila G. Shakirova The Self in a Crystal Sphere: Juliusz Słowacki’s Concept of the Subject (in his works from the 1830) by Marek Stanisz The Many Faces of Nature: An Ecocritical Reading of the Concepts of Wilderness and the Sublime in John Keats’ Selected Poems by Morteza Emamgholi Tabar Malakshah & Behzad Pourqarib
if i once told you i am going to learn something by heart, then i am. there's no other way, that's it.
and that's the story of how i learned the lyrics to the whole hamilton soundtrack in, let me see, two months..?
well this including the fact that i'm not a native speaker, so... ehm, additional points?
to think about it...
ever wondered how would you express a feeling when you're like "yEs" but one second after you're like "...nO" after seeing something?
just say
yo.
i wish i could relate to at least like three... but the only one i actually do is the last haha
funny story once i skipped a whole week of online classes and didn't do a single assignment because i set my mind to become a sassy 18th century pirate™, and so i basically sank myself in studying different types of ships and the whole piracy history and rereading treasure island and honestly?? that was the best week i ever had-
dark academia but it’s online school
- waking up early in the morning to watch the sunrise, even though you don’t actually need to
- staying up late to read or paint because you don’t have to get up early
- handwriting assignments that should be typed and submitted digitally
- having a coffee cup with you, rather than a thermos because you don’t have to take it anywhere
- still getting ready and dressed so that you can feel focused on your work in the mornings
- emailing your teachers to see if they have any extra reading related to the topic
- turning in all of the assignments for the week earlier than the rest of your class because you wanted to finish them early
- not doing any assignments for the week because you were too interested in researching about different planets or the deep sea
consider: not just girls with swords,,,,, but,,, guys with swords.
both.
please