![featherofeeling - I guess I go here now](https://64.media.tumblr.com/avatar_a834ba719e74_128.png)
sometimes-southern US dweller. in my second decade of fandom. I mostly read fic and write long reviews on AO3. multifandom, but currently (and always & forever) entranced by Victoria Goddard's Hands of the Emperor. always down to talk headcanons, sacred text analysis, or nerdy stuff. she/her.
797 posts
The Tragedy Of Anakin Skywalker (x)
![The Tragedy Of Anakin Skywalker (x)](https://64.media.tumblr.com/bf8f1bfc612fb1a1b1f596c30fc35745/tumblr_o0gpr19T5Y1v0q7ueo4_400.gif)
![The Tragedy Of Anakin Skywalker (x)](https://64.media.tumblr.com/5f02a95f06a1f55f8426256495c704c5/tumblr_o0gpr19T5Y1v0q7ueo1_400.gif)
![The Tragedy Of Anakin Skywalker (x)](https://64.media.tumblr.com/5c9440c963278395300383522c06a48a/tumblr_o0gpr19T5Y1v0q7ueo3_400.gif)
![The Tragedy Of Anakin Skywalker (x)](https://64.media.tumblr.com/223ad262a604e1c40ad3dcf447a0b85c/tumblr_o0gpr19T5Y1v0q7ueo2_400.gif)
the tragedy of anakin skywalker (x)
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More Posts from Featherofeeling
Woah, is this a thing now? Like, gif comics? With moving panels?
![Part 1](https://64.media.tumblr.com/6d3edfe3f446f0e99b13eadcc49abc4e/tumblr_o78a0f4pxT1upvou1o4_r1_500.gif)
![Part 1](https://64.media.tumblr.com/e1dfa90c63b21ac8666bee8e657798b6/tumblr_o78a0f4pxT1upvou1o5_r1_500.gif)
![Part 1](https://64.media.tumblr.com/3576331f8f77c0eac953018637653a8c/tumblr_o78a0f4pxT1upvou1o3_r1_500.gif)
![Part 1](https://64.media.tumblr.com/49ab2759916ac57020d7a6ee8bcdcc18/tumblr_o78a0f4pxT1upvou1o2_r1_500.gif)
part 1
![‘Star Wars’ and the Fantasy of American Violence](https://64.media.tumblr.com/ce35ecb0620469622f2d95ac5653b4e3/tumblr_o9td0trcdy1ut3cgg_og_540.jpg)
On the stories we tell of ourselves.
"Thirteen years ago, I spent the Fourth of July on the roof of a building in Baghdad that had once belonged to Saddam Hussein’s secret police. Our command had suspended missions for the day, set up a grill and organized a “Star Wars” marathon — the three good ones — in an old auditorium. But George Lucas’s lasers couldn’t compete with the light show playing out across Baghdad, and watching a film about the warriors of an ancient religion rising up from the desert to fight a faceless empire seemed, under the circumstances, perverse.
“So instead of “A New Hope,” I watched scenes from Operation Iraqi Freedom: tracers, helicopters, distant explosions in a modern city under an increasingly senseless occupation. I could see the United Nations compound that would get bombed later that summer. I could see the memorial to the soldiers who had died in the Iran-Iraq war of the 1980s, a giant turquoise teardrop sliced in two. I could see Sadr City, the wire-crossed slum that would give birth to Shiite death squads, and the Green Zone, where American proconsuls forged a new Iraq.
“I was a Bicentennial baby, born in 1976; “Star Wars” was the first movie I saw, strapped in a car seat at the drive-in. The film must have implanted deep in my infant subconscious a worldview, an idea of justice and the desire to wield a light saber, all entangling as I grew older with the Bicentennial celebrating the American Revolution, another story of scrappy rebels fighting a mighty empire.
““Star Wars” managed a remarkable trick. Two years after the fall of Saigon and America’s withdrawal in defeat from a dishonorable war, Mr. Lucas’s Wagnerian space opera recast for Americans the mythic story so central to our sense of ourselves as a nation.
“In this story, war is a terrible thing we do only because we have to. In this story, the violence of war has a power that unifies and enlightens. In this story, war is how we show ourselves that we’re heroes. Whom we’re fighting against or why doesn’t matter as much as the violence itself, our stoic willingness to shed blood, the promise that it might renew the body politic....
"The real gap is between the fantasy of American heroism and the reality of what the American military does, between the myth of violence and the truth of war. The real gap is between our subconscious belief that righteous violence can redeem us, even ennoble us, and the chastening truth that violence debases and corrupts....
"There is another version of America beyond the noise our fireworks make: not military strength, but the deliberate commitment to collective self-determination. Perhaps this Fourth of July we could commemorate that. Instead of celebrating American violence, we might celebrate our Declaration of Independence and Constitution, and the ideals those documents invoke of an educated citizenry deciding its fate not through war but through civil disagreement. Instead of honoring our troops, whose chief virtues are obedience and aggressiveness, we could honor our great dissenters and conscientious objectors. And instead of blowing things up, maybe we could try building something.
"It’s our choice. We make our myths. We show by our actions what our holy days mean. Forty years after the American Bicentennial, 13 years after I stood on a rooftop in Baghdad, and 10 years after getting out of the Army, I won’t be out under the fire, cheering our explosions. I won’t be watching “Star Wars” either. My America isn’t an empire or a rebellion, but an ideal; it’s not a conquest, nor a liberation, but a commitment."