frankiebirds - frankiebirds
frankiebirds

nineteen | canadian | avatar by me | they/it | 🍉

920 posts

This Scene Makes Me Need To Lay Down. Goddddd.

In the woods at daytime, a man in a blue sweater and a man in a brown and white striped button-up, both wearing brown coats, look down and offscreen. There are two other men in the background, one taking photos of what the other men are looking at.
The man in the blue sweater turns to look at the man in the brown and white striped button-up, who continues to look sadly down and offscreen.
The man in the brown and white striped button-up turns to look at the man in the blue sweater, clearly upset.
The man in the blue sweater has his arm around the man in the brown and white striped button-up, pulling him in for a side-hug. They have both returned to looking down and offscreen.

this scene makes me need to lay down. goddddd.

sometimes i get the sense that reid is more attached to gideon than gideon is to reid. obviously they both serve as surrogates for the family member each is estranged from (gideon is estranged from his son and reid is estranged from his dad) but.

you know. reid clings to gideon, not physically but emotionally, and i think a lot of his wellbeing at the start of the series relies on gideon's presence. gideon almost certainly knows the most about reid out of anyone on the team—i don't think canon ever says that reid has told gideon about diana, but i would imagine he has—and i think reid feels understood by him in a way he doesn't by other people, even compared to the rest of the team who (mostly) try their best. i think he also tends to try to be as good and deserving as possible of gideon's presence, since he definitely at least partially feels like his father left because he wasn't good enough.

on the flipside, while gideon definitely sees reid as a son, he's...not the best dad. i think we see him repeating a lot of the mistakes that drove a wedge between him and stephen with reid, and i think that had mandy patinkin stayed on, we would have gotten a larger parallel there. he holds him at arms length, trying not to get too close, although he definitely cares about him more than he lets on and the mask slips sometimes, like this moment and on the plane after ldsk.

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More Posts from Frankiebirds

11 months ago

I've always been a little thrown off by the way the characters (the team and the passengers) react to Reid trying to talk down Ted, and I've never liked that the episode ends with Ted being shot (although I appreciate that he survives).

I'm not saying this to be critical of the characters: the team doesn't have audio, and the passengers (save for Elle and the incapacitated psychologist) don't have the knowledge to see Reid getting through to him, but:

A man in a plaid shirt standing in a train. His brows are furrowed and his mouth is slightly open. The caption reads: "Then as you grew older, it became almost a responsibility."

I don't know. Look at Ted's face. I'm bad at reading expressions, but at the very least, this doesn't seem like the expression of someone unaffected by what's being said to him, or the face of a man who's about to start shooting people. During the conversation, Ted stops aiming the gun at Reid, and yells at Leo to shut up when he tells him to shoot Reid.

I really think that Reid was on his way to talking Ted down, and I wish he'd gotten to do it. I don't think Elle hitting Ted while Reid is talking him down makes a lot of sense*. She's one of the few passengers who can understand that Ted is calming down, and I think she's at the right angle to see his changing expression. I wish Reid had gotten the chance to keep talking, because I do think he was close to ending it without anyone else getting shot.

One other thing I noticed while watching this episode—throughout the episode, Leo has always been onscreen while he speaks, either in the same frame as Ted, or the camera cuts to him while he speaks. However, if you rewatch the scene, notice that whenever Leo speaks during it, not only is he always offscreen, but his voice has an echo to it that wasn't there before. I don't think most of the analysis I post is reflective of the writer's intent, but that seems very intentional to me, symbolizing that Leo is becoming less real to Ted and therefore losing his grip on him.

*this is a criticism of the writing, not the character. yes, elle is impulsive, but the choice to hit ted while he's being talked down and is no longer aiming the gun at anyone seems like a strange and risky choice.


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11 months ago
A man dressed in black stands in a train at daytime. He has an intense expression on his face, lips pursed and frowning. The subtitle at the bottom of the image reads: "Good job, sport."

I think the language the man Ted is hallucinating ("Leo") uses to refer to Ted throughout the episode is really interesting (he calls him "sport" a few times, I think) especially coupled with the role he takes.

This just occurred to me while watching the episode, but I wonder if he's maybe hallucinating his father? Not as he currently is, the age gap wouldn't make sense (there's only a thirteen year age gap between the actors) but maybe his father passed and this is what he looked like at the time of his death, or this is what he looked like at some other important moment.

(I don't think this was the intention. I just like to overthink things)


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11 months ago

so nice of reid to offer to do elle's files for her. what a gentleman! <3 no takebacks!

Three people walk through a dimly lit lobby while other people mill about behind them. From left to right: a man in a suit and blue tie, a man in a green jacket, and a woman in a dark jacket with a fur-lined hood. The subtitle at the bottom of the image reads: "Thank you. Now I get to go back to the 15 folders on my desk."
A fourth man, dressed in dark clothing, joins the group from the right. The man in the green jacket has his brows furrowed and the man in the suit and blue tie is looking at him. The subtitle at the bottom of the image reads: "Wait a minute, 15? I have 24."
The man in the green jacket and woman in the jacket with the fur-lined hood face eachother. The caption at the bottom of the image reads: "That's because I slipped you four of mine on Friday. Yep."

(Not included in the subtitles on the last image: Cross-talk with Reid saying "What?!" while Elle is saying "four of mine" and Elle following "Yep," with "Mmhm."

also:

The man in the suit and blue tie smiles

Hotch smiling! twice in one episode!


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11 months ago
Outdoors during the day, a woman in a blue, yellow, and pink striped button-up under a black blazer looks at the figure of a man in a grey suit in the foreground. A white fence and people are behind her. The subtitle at the bottom of the image reads: "We'll have a press conference."
The man in the grey suit, also wearing a patterned black and grey tie, looks at the figure of the woman in the striped button-up in the foreground. People walk around behind him. The subtitles at the bottom of the image read:
-"When?"
and
-"Soon."
The man in the grey suit and tie smiles, eyes squinted. The subtitle at the bottom of the image reads: "Come on, JJ. Give me something. Huh?"
The same man, though no longer smiling and with his eyes open. The subtitles at the bottom of the image read:
-"For old times' sake?"
and
-"Okay."
The woman in the striped shirt stands close to the man in the grey suit, speaking conspiratorially into his ear. The subtitle at the bottom of the image reads: "You may want to rethink that tie."

underrated jj moment. do you think he cried over this.

not pictured: jj's various smiles and her tugging on his tie (i think that's what she's doing? the angle makes it a little hard to tell)


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