Where Is That Gif Where Spencer Pushes That Lady Out Of Her Chair From LOL

where is that gif where spencer pushes that lady out of her chair from LOL

s01e21/secrets and lies! about 33 minutes and 30 seconds in

ive had this thought rattling around in my brain for a thousand years but i wanted to wait until i got to diana's introduction to share it. do you ever think about how reid's life would have changed if he'd had any siblings? particularly younger ones?

how it would have changed the kind of person he became, how much worse the parentification would have been. how much more of a scumbag it would have made his father. if he had custody or if he lost them to the system or to family he barely knew (whenever i think about this sort of au i always think of the first, maybe because the latter two are just Too Real). do you ever think about it. i do.

i couldnt get good screencaps of it, largely because there are quite a lot of these moments and theyre often very short and rely on the physicality/movement of the characters but. godddd p911 hurts in hindsight with the way morgan is acting the whole time (particularly with principal rawlings, a man who holds a position of power and trust over the children he wants to hurt).

screaming crying eating my laptop. holds him gentle. i dont care that at this point in the series he is a solid fourteen years older than me. i am holding him gentle he needs it

hello fandom artist. in front of you is a male character widely interpreted as transmasculine because of his vaguely gnc features. your task is to draw him next to a cis man without feminising him beyond recognition. if you fail you will be beaten to death with hammers. your time starts now

goddddd motel scene time. i have a lot of thoughts on it and hopefully i'll be able to put them into some kind of order.

ELLE: After he shot me, he reached into my wound so he could write on the wall in my blood. I was barely conscious, but I...I could feel his hand in there. And sometimes it's like I can still feel it. REID: Elle, he's dead. You're...You're right here. You won.

obviously this is an unhelpful thing to say. i dont think that makes reid evil, or a bad friend, i think it makes him a twenty-four-year-old who's struggling to understand a situation he's never been in.

i dont think elle resents him for it. im sure there's frustration, deservedly so, but i dont think it's targeted at reid, more at the general sense of Nobody Is Getting Me. especially this expression here:

in the moment, this doesnt read to me as anger. it's certainly not a happy smile; she's not comforted by what reid says because it's not a comforting thing to say, and i think it sort of develops into anger later, but in the moment, she doesn't resent him for not being able to say the right thing. again, there's frustration, because he doesn't get it. he can't (not yet, anyway). a part of her wishes he did, a part of her wishes somebody did, and yet a different part of her hopes none of them ever do, because it's an awful, awful thing to understand.

i headcanon that reid and elle stay in contact after elle leaves, but i dont think its immediate. i flipflop between two reasons

reid doesnt reach out because he feels guilty, like if he had just said the right words in the right order in that motel room, she would have stayed. i think this is generally how reid responds to abandonment (and sometimes just conflict in general). if i had just said the right thing, done that differently, been better, i could have fixed it. boy is...a little emotionally stunted. if he was a stage of grief he would be bargaining. do you get me.

reid does reach out, but elle doesn't respond. maybe she's still angry about him not being able to Get It, maybe she wants to distance herself from the bau in general, maybe him not Getting It hurts in particular because they were quite close, etc.

either way, they get back in contact post s02e15, when reid texts her a barely coherent rambling apology for that night, how it was an unsympathetic and unhelpful thing to say, and he does get it now, and he's sorry, there is no winning—

she calls him.

MORGAN: Why the woods, JJ? JJ: Hmm? MORGAN: Your fear. You said it was of the woods. JJ: (ominous music) Uh, I used to be a camp counsellor when I was a teenager in the woods up in Vermont. I had the night shift. Tuck the girls in and turn off the lights. You know, the typical drill. Everything seemed fine, all the kids were asleep. You know, nothing seemed out of the ordinary, until I noticed that there was some blood on the hallway floor. (reid and morgan make eye contact) So, I followed the blood trail out to the camp director's cabin. Walked up to his bed and he was just lying there underneath his covers, dead. (morgan raises his brows and reid looks at him again) Someone stabbed him. I ran out of there so fast. Out the door, down the hall. I just...I remember it being really dark. Once I got to the door, there was another counsellor there. I guess she heard me scream. They caught the caretaker on his way out of town. I guess he still had the knife on him. Anyway, I guess that's probably when I decided I didn't like the woods. MORGAN: You're serious? JJ: REID: JJ: No. (ominous music stops, jj scoffs) No. I can't...you fell for that? Come on. I don't know why I'm afraid of the woods. I just...I am. (gesturing at Reid) Why is he still afraid of the dark?

jennifer jareau how does it feel to be the funniest person in the world. is it funnier if this is a story she regularly tells to fuck with people or if she came up with it on the spot? i cant decide

bonus:

MORGAN: Yeah, Reid, why are you still afraid of the dark? REID: Because of the inherent absence of light! JJ: (disbelieving, hitting his arm) Oh! MORGAN: JJ, that was pretty good. Just know that paybacks are a bitch. JJ: (sarcastic) I'm shaking.