Elle & Reid - Tumblr Posts

9 months ago

so nice of reid to offer to do elle's files for her. what a gentleman! <3 no takebacks!

Three people walk through a dimly lit lobby while other people mill about behind them. From left to right: a man in a suit and blue tie, a man in a green jacket, and a woman in a dark jacket with a fur-lined hood. The subtitle at the bottom of the image reads: "Thank you. Now I get to go back to the 15 folders on my desk."
A fourth man, dressed in dark clothing, joins the group from the right. The man in the green jacket has his brows furrowed and the man in the suit and blue tie is looking at him. The subtitle at the bottom of the image reads: "Wait a minute, 15? I have 24."
The man in the green jacket and woman in the jacket with the fur-lined hood face eachother. The caption at the bottom of the image reads: "That's because I slipped you four of mine on Friday. Yep."

(Not included in the subtitles on the last image: Cross-talk with Reid saying "What?!" while Elle is saying "four of mine" and Elle following "Yep," with "Mmhm."

also:

The man in the suit and blue tie smiles

Hotch smiling! twice in one episode!


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8 months ago

i love this line and this scene in general so much. they're trying to figure out what "hour be none" means and reid walks in and gives the answer (with some mostly unnecessary but endearing additional info) and elle responds so affectionately. i really loved their dynamic, however you view it.

Indoors, a woman in a dark zip-up top and white gloves points at a man in a yellowish striped button-up with his back to the viewer. Behind the woman's head is text written in blood, some of which is obscured by the angle and by her head, but what can be read says "HERE THY QU (obscured) D (obscured) H TRULY B (obscured)" The subtitle at the bottom of the image reads: "Reid, do not ever go away again."

bonus (cropped from the next shot):

The man in the yellowish striped button-up (also wearing a dark blue tie, with a brown bag strap over his left shoulder) smiles.

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8 months ago

goddddd motel scene time. i have a lot of thoughts on it and hopefully i'll be able to put them into some kind of order.

ELLE: After he shot me, he reached into my wound so he could write on the wall in my blood. I was barely conscious, but I...I could feel his hand in there. And sometimes it's like I can still feel it. REID: Elle, he's dead. You're...You're right here. You won.

obviously this is an unhelpful thing to say. i dont think that makes reid evil, or a bad friend, i think it makes him a twenty-four-year-old who's struggling to understand a situation he's never been in.

i dont think elle resents him for it. im sure there's frustration, deservedly so, but i dont think it's targeted at reid, more at the general sense of Nobody Is Getting Me. especially this expression here:

In a dimly lit room, a woman with a brown bob smiles, eyes wet-looking.

in the moment, this doesnt read to me as anger. it's certainly not a happy smile; she's not comforted by what reid says because it's not a comforting thing to say, and i think it sort of develops into anger later, but in the moment, she doesn't resent him for not being able to say the right thing. again, there's frustration, because he doesn't get it. he can't (not yet, anyway). a part of her wishes he did, a part of her wishes somebody did, and yet a different part of her hopes none of them ever do, because it's an awful, awful thing to understand.

i headcanon that reid and elle stay in contact after elle leaves, but i dont think its immediate. i flipflop between two reasons

reid doesnt reach out because he feels guilty, like if he had just said the right words in the right order in that motel room, she would have stayed. i think this is generally how reid responds to abandonment (and sometimes just conflict in general). if i had just said the right thing, done that differently, been better, i could have fixed it. boy is...a little emotionally stunted. if he was a stage of grief he would be bargaining. do you get me.

reid does reach out, but elle doesn't respond. maybe she's still angry about him not being able to Get It, maybe she wants to distance herself from the bau in general, maybe him not Getting It hurts in particular because they were quite close, etc.

either way, they get back in contact post s02e15, when reid texts her a barely coherent rambling apology for that night, how it was an unsympathetic and unhelpful thing to say, and he does get it now, and he's sorry, there is no winning—

she calls him.


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8 months ago

hey do you ever think that the reason reid knocks "shave and a haircut" on elle's door is because post-fisher king elle gets nervous when someone knocks on her door because she doesn't know who it is, so reid (or even the whole team) start knocking a pattern. do you ever think about elle checking the peephole anyway. i do.


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8 months ago

hey do you ever think that the reason reid knocks "shave and a haircut" on elle's door is because post-fisher king elle gets nervous when someone knocks on her door because she doesn't know who it is, so reid (or even the whole team) start knocking a pattern. do you ever think about elle checking the peephole anyway. i do.


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6 months ago

goddddd motel scene time. i have a lot of thoughts on it and hopefully i'll be able to put them into some kind of order.

ELLE: After he shot me, he reached into my wound so he could write on the wall in my blood. I was barely conscious, but I...I could feel his hand in there. And sometimes it's like I can still feel it. REID: Elle, he's dead. You're...You're right here. You won.

obviously this is an unhelpful thing to say. i dont think that makes reid evil, or a bad friend, i think it makes him a twenty-four-year-old who's struggling to understand a situation he's never been in.

i dont think elle resents him for it. im sure there's frustration, deservedly so, but i dont think it's targeted at reid, more at the general sense of Nobody Is Getting Me. especially this expression here:

In a dimly lit room, a woman with a brown bob smiles, eyes wet-looking.

in the moment, this doesnt read to me as anger. it's certainly not a happy smile; she's not comforted by what reid says because it's not a comforting thing to say, and i think it sort of develops into anger later, but in the moment, she doesn't resent him for not being able to say the right thing. again, there's frustration, because he doesn't get it. he can't (not yet, anyway). a part of her wishes he did, a part of her wishes somebody did, and yet a different part of her hopes none of them ever do, because it's an awful, awful thing to understand.

i headcanon that reid and elle stay in contact after elle leaves, but i dont think its immediate. i flipflop between two reasons

reid doesnt reach out because he feels guilty, like if he had just said the right words in the right order in that motel room, she would have stayed. i think this is generally how reid responds to abandonment (and sometimes just conflict in general). if i had just said the right thing, done that differently, been better, i could have fixed it. boy is...a little emotionally stunted. if he was a stage of grief he would be bargaining. do you get me.

reid does reach out, but elle doesn't respond. maybe she's still angry about him not being able to Get It, maybe she wants to distance herself from the bau in general, maybe him not Getting It hurts in particular because they were quite close, etc.

either way, they get back in contact post s02e15, when reid texts her a barely coherent rambling apology for that night, how it was an unsympathetic and unhelpful thing to say, and he does get it now, and he's sorry, there is no winning—

she calls him.


Tags :
6 months ago

hey do you ever think that the reason reid knocks "shave and a haircut" on elle's door is because post-fisher king elle gets nervous when someone knocks on her door because she doesn't know who it is, so reid (or even the whole team) start knocking a pattern. do you ever think about elle checking the peephole anyway. i do.


Tags :