
This world is just a canvas to our imagination. Everything you can imagine is real. .....It is hard to imagine a more stupid or more dangerous way of making decisions than by putting those decisions in the hands of people who pay no price for being wrong.......What we wish, we readily believe, and what we ourselves think, we imagine others think also.
641 posts
At Some Point I Simply Turned The Fuck You Hand Round To Show An Elephant Without Ears.
At some point I simply turned the fuck you hand round to show an elephant without ears.
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Today I think this is one of the most beautiful insults there is .... literally... I get told I so fuck me ..... somehow nice ..... masturbation also makes you less aggressive.

A simply fenomenal series at the time.
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Since then I have also had a life counsellor

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More Posts from Galerymod

It's happened to everyone, you want to say something of real importance and at that very moment it's blown away!
As if a big eraser had just touched your brain.
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The best thing about the moment is that so much attention has been generated and expectations have been raised immeasurably..... resulting in emptiness. As well as compassion for the inadequacy of human beings.
Il ne faut jamais manquer l'occasion d'apporter de la beauté, ne serait-ce qu'un instant, dans la vie des autres !
You should never miss the opportunity to bring beauty - even if only for a moment - into the lives of others!
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Barbara Pravi - Voilà
Écoutez-moi, moi la chanteuse à demi
Parlez de moi à vos amours, à vos amis
Parlez leur de cette fille aux yeux noirs
Et de son rêve fou
Moi c'que j'veux c'est écrire des histoires
Qui arrivent jusqu'à vous
C'est tout
Voilà, voilà, voilà, voilà qui je suis
Me voilà même si mise à nue j'ai peur, oui
Me voilà dans le bruit et dans le silence
Regardez-moi, ou du moins ce qu'il en reste
Regardez-moi, avant que je me déteste
Quoi vous dire, que les lèvres
D'une autre ne vous diront pas ?
C'est peu de choses, mais moi tout ce que j'ai, je le dépose là
Voilà
Voilà, voilà, voilà, voilà qui je suis
Me voilà même si mise à nue c'est fini
C'est ma gueule c'est mon cri, me voilà tant pis
Voilà, voilà, voilà, voilà juste ici
Moi mon rêve mon envie, comme j'en crève, comme j'en ris
Me voilà dans le bruit et dans le silence
Ne partez pas, j'vous en supplie restez longtemps
Ça m'sauvera p't'être pas, non
Mais faire sans vous j'sais pas comment
Aimez-moi comme on aime un ami qui s'en va pour toujours
J'veux qu'on m'aime,
Parce que moi je sais pas bien aimer mes contours
Voilà, voilà, voilà, voilà qui je suis
Me voilà même si mise à nue c'est fini
Me voilà dans le bruit et dans la fureur aussi
Regardez-moi enfin et mes yeux et mes mains
Tout c'que j'ai est ici, c'est ma gueule, c'est mon cri
Me voilà, me voilà, me voilà
Voilà
Voilà
Voilà, voilà
Voilà








Moss all monitor with moss, year million age rock, highly folded by high pressure monitor with ephemeral vegetation.
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When I come across geological layers of rock in nature, I always think how limited in time human life is. The silent witnesses on which one recognises the traces of time and the elements will continue their eternal process of decomposition without complaint long after my lifetime.
I can only take responsibility for respecting nature and pass this on to everyone I can reach.
"The Invention of Loneliness" made Auster famous in 1982. The book was prompted by the death of his father in 1979, a property speculator from whom the son had once distanced himself with poems and black existentialist coats. Auster reflects on the distant relationship with his father and traces the family history, then deals with the more autobiographical first part of the book in a more essayistic manner in the second part.
Paul Auster became internationally successful with his "New York Trilogy", which appeared in the individual volumes "City of Glass" (1985), "Drop Shadow" (1986) and "Behind Closed Doors" (1987), but was later often summarised. 17 publishers rejected the books, only a dwarf company in faraway Los Angeles took pity on Auster and brought the three loosely interwoven, darkly enigmatic crime stories onto the market - and thus helped Auster to world fame.
"Leviathan" (1992) is about a writer investigating the death of a friend: The latter blew himself up while building a bomb. The book also features a character called Iris Vegan, a cameo appearance by the protagonist of Siri Hustvedt's first novel "The Blindfold" - Auster had been married to Hustvedt since 1982. Auster received the French literary prize Médicis for the book in 1993, which shows the esteem in which he was held in Europe, more so than in his home country. "In this country, he's just a bestselling author," wrote New York Magazine in 2007, "in Paris, Auster is a rock star."

US author Paul Auster is dead, according to a media report. The author of the "New York Trilogy" died at the age of 77 as a result of lung cancer. The "New York Times" and the British "Guardian" reported this, citing Auster's confidante Jacki Lyden. According to the report, the writer died in the New York borough of Brooklyn.
HER ...... ROCKET MAN
HER
The story of HER is characterised by massive successes and tragic strokes of fate, by triumph and tragedy in equal measure - but ultimately it is above all the story of a friendship: that between Victor Solf and Simon Carpentier.
German-born Victor and Frenchman Simon met back in 2007 - they were still at school - and the two hit it off like brothers. When they started making music together, their sound was equally influenced by classic soul à la Otis Redding and hip-hop from the post-"Yeezus" phase. They gave their project the name HER in 2015.
Their music became instantly recognisable when the early song "Five Minutes" was used as the soundtrack for Apple's "Shot on iPhone" campaign - which ultimately earned them more than 6.7 million streams on Spotify. The duo from Rennes with Franco-German roots then released the EP series "Her Tape #1" and "Her Tape #2", which were peppered with highlights such as "Quite Like", "Union" and "Her" - which in turn meant more than 20 million additional Spotify streams for HER. Behind the seductively provocative visuals that adorned their covers was a subtly dreamy newer wave sound, minimalist, somewhere between pop and soul, in which jazz elements also flickered - and so the two best friends circled the globe several times, presented the EPs live and also made a decent wave in the States.
So much for the numbers, the impressive successes of the last two or three years - because in the midst of all the hustle and bustle, Simon lost a long, hard, silent battle against cancer, which hardly anyone outside his closest circle of family and friends realised: he died a few months ago, in August 2017.
"The whole of last year was incredibly hard because Simon was so unwell," reports Victor. "For example, it was incredibly difficult for him to do our tour - but he also thought it was important to carry on and give concerts! He just didn't want to give up, he didn't want to stop... he battled with this illness for six years. And we didn't actually talk about cancer or death that much during that time: We wanted to talk about life instead. And now, I think it's my job to continue this line and this approach. It's really difficult for me, but I'm doing my best - for myself and for him."
With the support of his late friend, at least in spirit, Victor went back into the studio and continued working on their debut album "HER", which will be released by Republic Records in 2018. He put the finishing touches to the existing songs and also returned to the stage in between: among other things, he played a stunning, deeply moving set at the Rock En Seine Festival in Paris - a festival, incidentally, where HER had always wanted to perform. More shows followed all over Europe and then the album was as good as finished: "Most of the songs were already finished beforehand; they just needed some fine-tuning on the vocals, the background vocals...", he reports. "It was just important to me that Simon's voice, Simon's vision and his guitar playing remained virtually untouched and really sounded exactly how he wanted them to in the final version. I worked on that."
With the single "We Choose", HER have already released a significant album harbinger in advance: Simon's unmistakable voice spreads out over an extremely minimalist, light and smooth production, meaning that his presence can be felt immediately and his signature is unmistakable. "The strange thing is that this was the very first song we wrote as HER - and also the last one I recorded with Simon," explains Victor. "We wrote it just as our previous band was coming to an end. We wanted to make a real statement with it: that you can't lose hope, that you have to hold on to what you love. We were working on new ideas every day back then, and this song just stood out because we were also about holding on and carrying on - after all, there were people back then who thought we were going to stop completely now that the other band had ended. Well, we didn't stop. And I think now is the perfect time to release 'We Choose': Because even when things are bad, there's still one thing - hope. The song is kind of the prologue to the next chapter. A chapter that will hopefully continue the way he would have wanted it to."
While the band started this new chapter with a sold-out concert at the Bataclan in Paris, the music of HER remains the best and most tangible proof of how unique the chemistry and bond between the two band founders was.
"It's just extremely important that this album comes out," Victor concludes. "It's the only way for me to come to terms with his death. This is music forever, for life."