Somehow We All Realized It With Horror When The Orange Hair Man Came True By An Intergalactic Stupid

Somehow we all realized it with horror when the orange hair man came true by an intergalactic stupid coincidence which was on the verge of impossibility and announced as president in a press conference he wanted to test whether let's say it nicely: a kind of chemical detergent could also be used against the pandemic.

That was the ultimate revelation of senselessness.

Even dumb asses should have seen the light from then on, unless they are completely stupid.

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Well, Georg stupid remains stupid, no pills help, but you should never stop bringing the less well-off closer to knowledge.

SRSNPH!

stupid remains stupid, no pills help.

Oh bloody hell, now the stupid bastards are getting angry again and putting on their red hats. The favorite fan article from the fan store of their cult leader and get out the victim cards.

This leftist Hollywood woke human understanding with his human rights lawyer wife has called us of hate and fake news living on truth denying science really dumb asses .

Yes.

How did the general brutalisation come about in the present time?

Are we humans really incapable of learning from history?

Is our fate the eternal repetition of the same mistakes based on ignorance and territorial claims to power or social claims to exclusive power?

Just posting pictures and liking something for a better world may make you feel good, but it is pointless and ineffective.

You like the great beach with the super cool sunshine but you're not interested in the ocean conservation or sea level rise.

You love the images of a supposedly perfect world and are happy about this perception even though there is not a single area that is not affected by the effects of climate change.

You can all just like and watch but don't complain when the effects show you that the reality is different. As the nice pictures with the dreamlike locations.

Privatisation is an option but not an alternative.

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The realisation that we really have to change all areas of life is a difficult cost to bear.

So keep it up! And always remember not to cry when things get really fucked up.

When you wear a T-Shirt or make one that questions the state of the world. In the end, it's just a T-Shirt as an expression of fashion!

Sad....and meaningless

The whole thing can only be improved through individual participation.

So, to paraphrase Monty Python: be nice to your neighbours and don't hit your children.

Sound

First day at school

I feel something's wrong

Shaky legs and sticky hands

I'm in hell, this isn't going to work

Everyone thinks I'm strange

Everybody tells me

I've got to do something

I've got to change

But I'll shut them all up

Quietly, gently

I've got to keep my promises

Forget all the rumors

They all said about me

That I couldn't do it

But I'll shut them all up

Quietly, gently

Too often I wonder

I wonder how it all works

It all makes sense but I get panicky

In a flash, I lose my bearings (I lose my bearings)

Everyone thinks I'm strange

Everyone tells me

I've got to do something

I've got to change

But I'll shut them all up

Quietly, gently

I've got to keep my promises

Forget all the rumors

They all said about me

That I couldn't do it

But I'll shut them all up

Quietly, gently

La, la, la-la, la, la-la

I want to sing for the losers

La, la, la-la, la, la-la

I know the song by heart

That's just the way I am

I won't change

I've said it twice

But I'm gonna shut 'em all up

Quietly, gently

I've got to keep my promises

Forget all the rumors

They all said about me

That I couldn't do it

But I'll shut them all up

Quietly, gently

La, la, la-la, la, la-la

I want to sing for the losers

La, la, la-la, la, la-la

I know the song by heart

I'm just like that, I'm not changing (la, la, la-la, la, la-la)

I won't change

I'll say it one more time (la, la, la-la, la, la-la)

But I'll shut them all up

Quietly, gently

Vision

Première journée à l'école

J'sens qu'y a un truc qui déconne

Jambes qui tremblent et mains qui collent

J'suis en enfer, ça va pas l'faire

Tout l'monde me trouve étrange

Tout l'monde me dit

Qu'il faut qu'je fasse quelque chose

Qu'il faut qu'je change

Mais j'vais tous les faire taire

Tranquille, tout en douceur

Faut qu'je tienne mes promesses

Que j'oublie toutes les rumeurs

Ils ont tous dit de moi

Que j'y arriverais pas

Mais j'vais tous les faire taire

Tranquille, tout en douceur

Trop souvent, je me questionne

J'me demande comment tout ça fonctionne

Tout s'explique mais je m'affole

En un éclair, j'perds mes repères (j'perds mes repères)

Tout l'monde me trouve étrange

Tout l'monde me dit

Qu'il faut qu'je fasse quelque chose

Qu'il faut qu'je change

Mais j'vais tous les faire taire

Tranquille, tout en douceur

Faut qu'je tienne mes promesses

Que j'oublie toutes les rumeurs

Ils ont tous dit de moi

Que j'y arriverais pas

Mais j'vais tous les faire taire

Tranquille, tout en douceur

La, la, la-la, la, la-la

J'veux chanter pour les losers

La, la, la-la, la, la-la

J'connais la chanson par cœur

J'suis juste comme ça

Je changerai pas

J'l'ai déjà dit deux fois

Mais j'vais tous les faire taire

Tranquille, tout en douceur

Faut qu'je tienne mes promesses

Que j'oublie toutes les rumeurs

Ils ont tous dit de moi

Que j'y arriverais pas

Mais j'vais tous les faire taire

Tranquille, tout en douceur

La, la, la-la, la, la-la

J'veux chanter pour les losers

La, la, la-la, la, la-la

J'connais la chanson par cœur

J'suis juste comme ça, je change pas (la, la, la-la, la, la-la)

Je changerai pas

J'vais l'dire encore une dernière fois (la, la, la-la, la, la-la)

Mais j'vais tous les faire taire

Tranquille, tout en douceur

I feel something's wrong.

You never stop learning, school is never over.

Every day is the first day when you feel wrong. Sing for us loser .

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Since the dawn of humanity, the stars have held a fascination for us, inspiring dreams of exploration. We currently find ourselves in the golden age of the universe, where all the suns are burning and unimaginable quantities of energy are being burnt, resulting in a brilliant light. However, the universe is drifting further and further apart, making it unlikely that we will ever be able to travel to distant galaxies.

Consequently, we are confined to our blue planet as transient beings, unable to fully comprehend its vast dimensions. Our perspective is akin to that of a voyeur, yet we remain safely ensconced at a distance.

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I am particularly fond of nocturnal environments, which afford me the opportunity to gaze up at the Stella and to experience a sense of insignificance.

In comparison to the vastness of space, I am but a small entity. This realization has led me to question my own sense of importance.

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It can be surmised that no other woman in the history of Hollywood has been photographed as often as she has. The circumstances from which she came, the times in which she lived, her aspirations for higher positions in the film business, her life and even the circumstances of her death could serve as a template for a Hollywood screenplay.

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There are so many photos of her, sometimes darling for the photographers, sometimes and only rarely the person she really wanted to be, even if it was only imagined.

The importance and significance of a star at that time cannot be compared with today. Different times, different circumstances, different dependencies, different environment in Hollywood.... The old Hollywood is often glorified and elevated to mythical status, but in the end it's a tough competitive business for film moguls.

I greatly admire some of her films and feel that she was a beautiful woman who was more than just the object of projection of the male world.

Even Warhol only captured her on the surface.

It seems that the demand to be taken seriously as an actress in her time was no less pronounced with her than with other actresses from her time who didn't have the absolute sex symbol.

She was an actress who knew how to convince with her naivety. However, the role she often had to play did not really allow her to feel at home in Hollywood. Her time in New York suggests that she felt more at home there.

Françoise Hardy, one of the most famous French singers of the 1960s, die on 11 June 2024 at the age of 80.

But her music and influence live on. Numerous artists around the world are paying tribute to her and remembering her extraordinary career and personality.

Recognising her internationally

One foremost among those who honoured Françoise Hardy after her death was Graham Coxon, guitarist of the British band Blur. Graham described himself as lucky to have known her a little. In 1995, Blur invited Hardy to sing on the song "To The End". The collaboration remains unforgotten and shows the respect and admiration she received from international artists.

Similarly, Tim Burgess, lead singer of the band The Charlatans, said goodbye in the artist's native language. However, Hardy not only sang in French, but also in English, Italian and German. The artist's versatility and charisma helped her to build up a large fan base beyond the borders of France.

Multi-generational fascination

Even younger musicians, such as Greg Gonzalez from Cigarettes After Sex, were deeply impressed by Hardy. According to Gonzalez, he was deeply moved when listening to her album "La Question". This admiration was mutual, as Hardy himself emphasised in an interview with Le Figaro.

Impact on film and television

Hardy's inspiration was not limited to music - she also left her mark on cinema. The American actor Elijah Wood also honoured her, recalling her role in John Frankenheimer's 1966 film "Grand Prix" and her brief appearance in "Quoi de neuf, Pussycat?" alongside Romy Schneider and Peter O'Toole.

en.wikipedia.org

Françoise Hardy - Wikipedia

Aesthetically, Hardy was considered a style icon in the 1960s. "Of course, it helped that Hardy was tall and beautiful and also had a flair for style; fashion designers like Paco Rabanne were soon showering her with clothes". Hardy attended a reception at jeweller Clerc in May 1968 in a dress with rhodium sequins by Rabanne, which was considered the most expensive piece of clothing in the world. She wore a similar jumpsuit weighing around 35 kilograms by the fashion designer at a concert.

As a model, she stood in front of the camera for well-known visual artists such as David Bailey, Richard Avedon and William Klein.[8] The Japanese designer Rei Kawakubo later named her fashion label Comme des Garçons after Hardy's first hit.

Wikipedia more or less

Françoise Hardy wore dresses by couturier André Courrèges in Jean-Luc Godard's film Masculine - Feminine or: The Children of Marx and Coca-Cola.

Farewell Françoise Hardy 💔

(January 17, 1944 - June 11, 2024)