germanbluerose

asteria

I LIVE FOR BLUE LOCK. Multifandom ig.

175 posts

YAS YAS THANKS QUEEN LOVE YOU!!! And Yesssss I'll Send The Bot Right Away To You, But I Think I'll Make

YAS YAS THANKS QUEEN LOVE YOU!!! And yesssss I'll send the bot right away to you, but i think I'll make a kaiser one yea?

kamariya - kenyu yukimiya

paring: yukimiya x fem!reader

au: indian/bollywood + actors

cw: not proofread, intended lowercase, reader is a dancer like in that one scene in stree, yukimiya is the male lead for the "movie", yukimiya is mentioned by his first name, lyrics from the song are in Orange and italics, just yukimiya being a simp tbh

a/n: yukimiya brainrot. my indian girlies unite frfr!!! character choice based off of this moodboard a person made and. i. i had a vision. on holiday so i skipped out studying to write this (i'm cooked). Not really my best work but I wanted to post this bc I am happy to write it! hope you enjoy!! Woah fishii double posts writing 🙀

word count: 1576

best paired with: kamariya from stree <3

“practice run,” the director calls out, gesturing for all main actors and supporting cast to join him beside the camera station. the main leads, the main couple, are no where to be found. well, it’s not a big deal, since it’s just a scene with a song and dancing.

you’re a side character, a dancer, but the main dancer of the group. of course, the female lead gets introduced at this point in the film, but all eyes are on you for a good part of this scene. on you, your body, your movements and face. so naturally, you’re nervous, to say the very least.

“hmm, seems that Kenyu isn’t here yet. well, then, [name]. you can practice once more, if you’d like. might be a good idea to practice in front of a small audience, since you seemed shy when i last checked.” the director points towards a campfire setup, where the following scenes were meant to be recorded. you nod, following the others to the area where they each took their seats.

lucky for you, the other actors, both side and supporting roles, are kind. they hype you up, telling you to take your time as you both emotionally and physically prepare to dance. its not like you can just start moving your hips to the beat of the music. besides, it hasn’t even started playing yet.

you turn so that your back is to the small audience, as they sit in a semi-circle formation. you flex your hands a couple of times, hopping up and down to get yourself ready. one breath in. one breath out.

it really is as easy as just moving your hips. what’s the worst that can happen? losing confidence isn’t an issue, you’ve got a little hype squad.

one last breath in, the tip of your toes just barely touch the floor. you’re barefoot, to maintain your balance. you push yourself up from the floor, one foot a bit higher than the other to get into the “flow”.

you want to dance, you really do. but its too quiet. too awkward. eyes are to focused on you. you’re the main attraction, yeah, but… something has to lure the audience’s eyes in. in a seductive way? not too sure about that. maybe, that wouldn’t be so bad, would it?

lost in thought, the start of the song being sung by one of your back up dancers snaps you out of your trance.

“o seeli peeli pa ke o balam, tod de bharam. chhod de ghabrana.”

there you go. slowly but surely, you feel your shoulders loosen and your stress melt away. or maybe you’re just too focused to notice the others started clapping along and singing the parts they know.

unconsciously, you hum the tune to the song as your arms comfortably stretch above your head, slowly slithering down your torso as your hips take turns gently jerking up on either side. while it started off a little bit still, your movements became elegant just as fast as they became comfortable and natural for you to perform. the blouse you were wearing was somewhat revealing, but it makes sense for a scene like this.

“hmmm~”

your skirt, the longer piece of your lightweight lehenga, flows freely at your ankles. its red colour contrasts the soft blue lights that bounce off of the sequences on your outfit, off of the others’ faces and gracing your gorgeous face with a blue tint.

“dil ke saare button khol de, khul ke bol de,”

you expect your voice to come out a little bit squeaky, but to your surprise, it comes out just as intended. you spin around, slightly lifting the skirt of your lehenga as you move forward. you let the light fabric drop back to your ankles, turning the audience’s attention back to you. your wrists flick in various positions, with your shoulders flexing at different angles.

“bata de tera aaj hai plan kya?”

just as you’re about to invite your back up dancers to practice with you, the actual song plays. it’s a bit annoying, but what better opportunity to practice timing? you move your hips to the beat of the song, the words almost wrapping around your wrists and guiding them to smoothen your movements, from your back to the very tips of your fingers.

“aaj bijli bhi girwani hai, fire bhi lagwaani hai-”

your breath is comfortably held in your throat for a moment, trying to correctly perform a certain move when you hear an exhale behind you.

“jo tu aa ke baby hamre saath ma…”

you brush it off, exhaling as your arms slither down your torso once more. wait. exhale? behind you?

“aa, aa, aa, aa ke…”

you can’t turn around. it’s obviously someone from the audience, but you can’t help feeling a bit nervous as someone is quite literally over your shoulder. well, whatever, you can do this.

“kamariya…”

you finally turn around, expecting to be met with one of your back up dancers. but…

but?

“hila de hilla de, hila de hilla de-”

you pause, half on your tippy-toes and leaning backwards a bit.

“hila de hilla de,”

the person now in front of you leans in, just barely whispering.

“najariya…”

and god you can’t deny that there’s a good reason he’s been casted for the male lead. you can feel his breath lightly fanning over your neck, the tip of his nose just a slip up away from touching you.

your eyes flicker to the director, and he quietly points to the camera. its on. you either have to start dancing as naturally as possible again, or retake the whole scene. with the main lead watching. you take your chance, pulling yourself to stand up straight by tugging the man’s tie. your loop it around your hand once, a somewhat playful yet hesitant smirk on your lips.

“mila de milla de, mila de milla de-”

and he seems to have gotten the gist of how you want things to go. the other actors keep singing, some whistling and others clapping to the beat of the song to set the scene that you’re tonight’s main attraction.

“mila de milla de,”

he pulls you in by the waist, one hand intertwined with yours above your head, spinning you around. in an almost comical manner, one hand rests on your lower back as he leans you down.

“kamariya…”

so this is Kenyu Yukimiya. the Kenyu Yukimiya.

this is the closest you’ve been to the male lead. and oh boy, do you wish you were the female lead for such a movie. well, this is your moment. the “audience” whistles again, while Kenyu’s supporting actor, someone who is meant to be his best friend in the cast, drags him to sit back down.

your back up dancers spread out a bit more, and the camera stops. for a moment, anyways. the director calls out for everyone to stay in their positions, as the camera crew quickly moves the camera to be directed on you. well, here goes nothing. the scene right before the female lead will be introduced, you’ve got to make your mark and show the world you talent. the camera turns back on, and the “audience” starts singing again. they start of quiet, slowly growing louder as you regain your confidence.

“hila de hilla de,”

one flick of your wrist above your head,

“hila de hilla de,”

and a slither of your arm down your waist from your other arm.

“hila de hilla de-”

and you know his eyes are on you. they follow each of your movements, almost sparkling as bright as the blue lights reflecting off of the sequences on your lehenga. but why?

“najariya…”

you hear him just barely say under his breath, over the loud music and even louder singing.

“mila de milla de,”

what’s so fascinating about your dancing that he forgets his very queue for the next scene where the female lead is introduced? hah, loser.

“mila de milla de,”

you can’t deny that you slightly slow down your movements, just to watch the way his eyes follow your hips. the way they slowly meet your eyes, a crooked smile on his gorgeous face as he fights the urge to join you to dance once more. one chance, one chance he wants with you!

“mila de milla de,”

well, fuck it. off script? barely even following the plot of this movie, at this point. he stands back up, taking your hand and spinning you around. you’re a bit surprised, you didn’t actually expect him to give into his urges and dance with you. but hey, you’re not complaining.

“ho.. haye re mera dil le le!”

he sings between his laughs, leaning in close enough for you to be able to push his glasses up the bridge of his nose with your free hand. you’re tempted to do that, just to get him flustered. you would’ve done something to get him embarrassed if the director didn’t yell out “cut!” right when the sparks were erupting between you two.

“take five minutes, then from the top!” the director calls out, letting you leave to freshen up. but Kenyu stays in place, he’s still smitten by the way you move.

“najariya…” you hear him mutter under his breath, not in a musical manner. out of genuine desire for you to stay.

maybe another time, since you’re sure his eyes are on you.

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