Journals, Articles, Books & Texts, Onfolklore, Mythology, Occult,and Related-to- Generalanthropology,
Journals, articles, books & texts, on folklore, mythology, occult, and related -to- general anthropology, history, archaeology.
Some good and/or interesting (or hokey) ‘examples’ included for most resources. tryin to organize & share stuff that was floating around onenote.
Journals (open access) – Folklore, Occult, etc
Culutural Analysis - folklore, popular culture, anthropology – The Mythical Ghoul in Arabic Culture
Folklore - folklore, anthropology, archaeology – The Making of a Bewitchment Narrative, Grecian Riddle Jokes
Incantatio - journal on charms, charmers, and charming – Verbal Charms from a 17th Century Manuscript
Oral Tradition – Jewish Folk Literature, Noises of Battle in Old English Poetry
Journal of Ethnology and Folkloristics – Nani Fairtyales about the Cruel Bride, Energy as the Mediator between Natural and Supernatural Realms
International Journal of Intangible Heritage
Studia Mythologica Slavica (many articles not English) – Dragon and Hero, Fertility Rites in the Raining Cave, The Grateful Wolf and Venetic Horses in Strabo’s Geography
Folklorica - Slavic & Eastern European folklore association – Ritual: The Role of Plant Characteristics in Slavic Folk Medicine, Animal Magic
Esoterica - The Journal of Esoteric Studies – The Curious Case of Hermetic Graffiti in Valladolid Cathedral
The Esoteric Quarterly
Mythological Studies Journal
Luvah - Journal of the Creative Imagination – A More Poetical Character Than Satan
Transpersonal Studies – Shamanic Cosmology as an Evolutionary Neurocognitive Epistemology, Dreamscapes
Beyond Borderlands – tumblr
Paranthropology
GOLEM - Journal of Religion and Monsters – The Religious Functions of Pokemon, Anti-Semitism and Vampires in British Popular Culture 1875-1914
Correspondences - Online Journal for the Academic Study of Western Esotericism – Kriegsmann’s Philological Quest for Ancient Wisdom
– History, Archaeology
Adoranten - pre-historic rock art
Chitrolekha - India art & design history – Gomira Dance Mask
Silk Road – Centaurs on the Silk Road: Hellenistic Textiles in Western China
Sino-Platonic - East Asian languages and civilizations – Discursive Weaving Women in Chinese and Greek Traditions
MELA Notes - Middle East Librarians Association
Didaskalia - Journal for Ancient Performance
Ancient Narrative - Greek, Roman, Jewish novelistic traditions – The Construction of the Real and the Ideal in the Ancient Novel
Akroterion - Greek, Roman – The Deer Hunter: A Portrait of Aeneas
Greek, Roman and Byzantine Studies – Erotic and Separation Spells, The Ancients’ One-Horned Ass
Roman Legal Tradition - medieval civil law – Between Slavery and Freedom
Phronimon - South African society for Greek Philosophy and the Humanities – Special Issue vol. 13 #2, Greek philosophy in dialogue with African+ philosophy
The Heroic Age - Early medieval Northwestern Europe – Icelandic Sword in the Stone
Peregrinations - Medieval Art and Architecture – Special Issue vol. 4 #1, Mappings
Tiresas - Medieval and Classical – Sexuality in the Natural and Demonic Magic of the Middle Ages
Essays in Medieval Studies – The Female Spell-caster in Middle English Romances, The Sweet Song of Satan
Hortulus - Medieval studies – Courtliness & the Deployment of Sodomy in 12th-Century Histories of Britain, Monsters & Monstrosities issue, Magic & Witchcraft issue
Annual of Medieval Studies at CEU
Medieval Archaeology – Divided and Galleried Hall-Houses, The Hall of the Knights Templar at Temple Balsall
Medieval Feminist Forum – multiculturalism issue; Gender, Skin Color and the Power of Place … Romance of Moriaen, Writing Novels About Medieval Women for Modern Readers, Amazons & Guerilleres
Quidditas - medieval and renaissance
Medieval Warfare
The Viking Society - ridiculous amount of articles from 1895-2011
Journals (limited free/sub/institution access)
Al-Masaq - Journal of the Medieval Mediterranean – Piracy as Statecraft: The Policies of Taifa of Denia, free issue
Mythical Creatures of Europe - article + map
Folklore - limited free access – Volume 122 #3, On the Ambiguity of Elves
Digital Philology - a journal of medieval cultures – Saracens & Race in Roman de la Rose Iconography
Pomegranate - International Journal for Pagan Studies
Transcultural Psychiatry
European Journal of English Studies – Myths East of Venice issue, Esotericism issue
Books, Texts, Images etc. – Folklore, Occult etc.
Magical Gem Database - Greek/Egyptian gems & talismans [x] [x]
Biblioteca Aracana - (mostly) Greek pagan history, rituals, poetry etc. – Greater Tool Consecration, The Yew-Demon
Curse Tablets from Roman Britain - [x]
The Gnostic Society Library – The Corpus Hermeticum, Hymn of the Robe of Glory
Grimoar - vast occult text library – Grimoires, Greek & Roman Necromancy, Queer Theology, Ancient Christian Magic
Internet Sacred Text Archive - religion, occult, folklore, etc. ancient texts
Verse and Transmutation - A Corpus of Middle English Alchemical Poetry
– History
The Internet Classics Archive - mainly Greco-Roman, some Persian & Chinese translated texts
Bodleian Oriental Manuscript Collection - [x] [x] [x]
Virtual Magic Bowl Archive - Jewish-Aramaic incantation bowl text and images [x] [x]
Vindolanda Tablets - images and translations of tablets from 1st & 2nd c. [x]
Corsair - online catalog of the Piedmont Morgan library (manuscripts) [x] [x]
Beinecke rare book & manuscripts – Wagstaff miscellany, al-Qur'ān–1813
LUNA - tonnes from Byzantine manuscripts to Arabic cartography
Maps on the web - Oxford Library [x] [x] [x]
Bodleian Library manuscripts - photographs of 11th-17th c. manuscripts – Treatises on Heraldry, The Worcester Fragments (polyphonic music), 12 c. misc medical and herbal texts
Early Manuscripts at Oxford U - very high quality photographs – (view through bottom left) Military texts by Athenaeus Mechanicus 16th c. [x] [x], MS Douce 195 Roman de la Rose [x] [x]
Trinity College digital manuscript library – Mathematica Medica, 15th c.
eTOME - primary sources about Celtic peoples
Websites, Blogs – Folklore, Occult etc.
Demonthings - Ancient Egyptian Demonology Project
Invocatio - (mostly) western esotericism
Heterodoxology - history, esotericism, science – Religion in the Age of Cyborgs
The Recipes Project - food, magic, science, medicine – The Medieval Invisible Man (invisibility recipes)
Morbid Anatomy - museum/library in Brooklyn
– History
Islamic Philosophy Online - tonnes of texts, articles, links, utilities, this belongs in every section; mostly English
Medicina Antiqua - Graeco-Roman medicine
History of the Ancient World - news and resources – The So-called Galatae, Gauls, Celts in Early Hellenistic Balkans; Maidens, Matrons Magicians: Women & Personal Ritual Power in Late Antique Egypt
Διοτίμα - Women & Gender in Antiquity
Bodleian Library Exhibitions Online – Khusraw & Shirin, Hebrew Manuscripts as a Meeting-Place of Cultures
Medievalists – folk studies, witchcraft, mythology, science tags
Atlas Obscura – Bats and Vampiric Lore of Pére Lachaise Cemetery
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More Posts from Gessenay


© 狐狸大王a
※re-posted with permission ※please don’t remove the source

lánlán.........
if this is not in fact the only art of this pairing in existence then please let me know ; - ;

Before sharing my thoughts on the passing of the great Chadwick Boseman, I first offer my condolences to his family who meant so very much to him. To his wife, Simone, especially.
I inherited Marvel and the Russo Brothers’ casting choice of T’Challa. It is something that I will forever be grateful for. The first time I saw Chad’s performance as T’Challa, it was in an unfinished cut of Captain America: Civil War. I was deciding whether or not directing Black Panther was the right choice for me. I’ll never forget, sitting in an editorial suite on the Disney Lot and watching his scenes. His first with Scarlett Johansson as Black Widow, then, with the South African cinema titan, John Kani as T’Challa’s father, King T’Chaka. It was at that moment I knew I wanted to make this movie. After Scarlett’s character leaves them, Chad and John began conversing in a language I had never heard before. It sounded familiar, full of the same clicks and smacks that young black children would make in the States. The same clicks that we would often be chided for being disrespectful or improper. But, it had a musicality to it that felt ancient, powerful, and African.
In my meeting after watching the film, I asked Nate Moore, one of the producers of the film, about the language. “Did you guys make it up?” Nate replied, “that’s Xhosa, John Kani’s native language. He and Chad decided to do the scene like that on set, and we rolled with it.” I thought to myself. “He just learned lines in another language, that day?” I couldn’t conceive how difficult that must have been, and even though I hadn’t met Chad, I was already in awe of his capacity as actor.
I learned later that there was much conversation over how T’Challa would sound in the film. The decision to have Xhosa be the official language of Wakanda was solidified by Chad, a native of South Carolina, because he was able to learn his lines in Xhosa, there on the spot. He also advocated for his character to speak with an African accent, so that he could present T’Challa to audiences as an African king, whose dialect had not been conquered by the West.
I finally met Chad in person in early 2016, once I signed onto the film. He snuck past journalists that were congregated for a press junket I was doing for Creed, and met with me in the green room. We talked about our lives, my time playing football in college, and his time at Howard studying to be a director, about our collective vision for T’Challa and Wakanda. We spoke about the irony of how his former Howard classmate Ta-Nehisi Coates was writing T’Challa’s current arc with Marvel Comics. And how Chad knew Howard student Prince Jones, who’s murder by a police officer inspired Coates’ memoir Between The World and Me.
I noticed then that Chad was an anomaly. He was calm. Assured. Constantly studying. But also kind, comforting, had the warmest laugh in the world, and eyes that seen much beyond his years, but could still sparkle like a child seeing something for the first time.
That was the first of many conversations. He was a special person. We would often speak about heritage and what it means to be African. When preparing for the film, he would ponder every decision, every choice, not just for how it would reflect on himself, but how those choices could reverberate. “They not ready for this, what we are doing…” “This is Star Wars, this is Lord of the Rings, but for us… and bigger!” He would say this to me while we were struggling to finish a dramatic scene, stretching into double overtime. Or while he was covered in body paint, doing his own stunts. Or crashing into frigid water, and foam landing pads. I would nod and smile, but I didn’t believe him. I had no idea if the film would work. I wasn’t sure I knew what I was doing. But I look back and realize that Chad knew something we all didn’t. He was playing the long game. All while putting in the work. And work he did.
He would come to auditions for supporting roles, which is not common for lead actors in big budget movies. He was there for several M’Baku auditions. In Winston Duke’s, he turned a chemistry read into a wrestling match. Winston broke his bracelet. In Letitia Wright’s audition for Shuri, she pierced his royal poise with her signature humor, and would bring about a smile to T’Challa’s face that was 100% Chad.
While filming the movie, we would meet at the office or at my rental home in Atlanta, to discuss lines and different ways to add depth to each scene. We talked costumes, military practices. He said to me “Wakandans have to dance during the coronations. If they just stand there with spears, what separates them from Romans?” In early drafts of the script. Eric Killmonger’s character would ask T’Challa to be buried in Wakanda. Chad challenged that and asked, what if Killmonger asked to be buried somewhere else?
Chad deeply valued his privacy, and I wasn’t privy to the details of his illness. After his family released their statement, I realized that he was living with his illness the entire time I knew him. Because he was a caretaker, a leader, and a man of faith, dignity and pride, he shielded his collaborators from his suffering. He lived a beautiful life. And he made great art. Day after day, year after year. That was who he was. He was an epic firework display. I will tell stories about being there for some of the brilliant sparks till the end of my days. What an incredible mark he’s left for us.
I haven’t grieved a loss this acute before. I spent the last year preparing, imagining and writing words for him to say, that we weren’t destined to see. It leaves me broken knowing that I won’t be able to watch another close-up of him in the monitor again or walk up to him and ask for another take.
It hurts more to know that we can’t have another conversation, or facetime, or text message exchange. He would send vegetarian recipes and eating regimens for my family and me to follow during the pandemic. He would check in on me and my loved ones, even as he dealt with the scourge of cancer.
In African cultures we often refer to loved ones that have passed on as ancestors. Sometimes you are genetically related. Sometimes you are not. I had the privilege of directing scenes of Chad’s character, T’Challa, communicating with the ancestors of Wakanda. We were in Atlanta, in an abandoned warehouse, with bluescreens, and massive movie lights, but Chad’s performance made it feel real. I think it was because from the time that I met him, the ancestors spoke through him. It’s no secret to me now how he was able to skillfully portray some of our most notable ones. I had no doubt that he would live on and continue to bless us with more. But it is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again.
The most *micro* of Wangji micro smilesTM when Wei Wuxian recites the Lan Clan rules instead of the Wen Clan rules in episode 12
😏 👏👏👏👏👑
I made this clip from Viki.com