I'm Just Sitting Thinking About Girls Suppressors And I Need Nothing Else

I'm just sitting thinking about girls suppressors and I need nothing else

And unfortunately I have no art of them :(

I like Diana, who went from humble accountant to protector, almost like mother bear, to, well, good accountant. I like her hidden anger, I like her unleashed violence, I like her straightforward problem solving, I like how she doesn't please people, I like how she breaks down when she sees blood, but needs to keep calm look and nails that

I like Tamara who is an aspiring doctor who at first followed her friend into suppressing superpowers, but further developed her own vision of suppression and transformed how suppressors operate

I like Arina who came to suppressors for help for her beloved and stayed there because she found new purpose. How her caring side and her harsh side meet together and create both good couch and good fighter. How she overcomes her feeling of weakness, how she recognizes her strength, how she unlearns false truths (and false fighting style)

I like Sonya, who went from "fathers daughter" type to a high class mercenary. Her practical look at life, her broad vision. Her management from discomfort to full embrace of her superpower. Her assertive approach to people. And despite all harsh personal qualities she has weakness for bats and handsome women. And how she betrays literally most dangerous woman in her circles and walks away FINE after that

long time ago I overloaded suppressors' story with too much characters and arcs. And then I just cleansed it completely, leaving only main 4 - Angeline, Michael, Diana and Max. And I grow the story about them again, but only them and only in chronological order

There used to be stories about superheroes, about teen superhero team, about superpowered political cult ran by former celebrity, about vigilantes, about super terrorist that was about to spread the plague??, but all of that overloaded story and made me do 5d chess with myself to arrange all of that to make everyone appropriate age

And I'm more happy now with what I got. Sure I made same amount of new characters as before, but now all of them serve some purpose or are connected to more than 1 character at a time. Side characters are side characters, main 4 are main 4.

My friend that watched (and loves a lot!) cargo 200 and I vibe together with curse of knowing what happens in this movie and contrast between musical theme and events of movie

I want to dehydrate those who brought to the world the idea that SKETCHBOOK must be a pretty place, sort of art gallery. No it shouldn't be pretty. You do brain dump there, warm-ups, explorations and other intermediate steps of making art, not finalized art

In respond to that they turn telekinetic upside down and shake.

You know that I don't need hands for telekinesis, right?!

And at this moment they understood, that tiying up them was not that smart idea

Angeline uses little squishy foam ball as her anchor in pocket dimension and as her fidget toy. It's often seen how she juggles this ball through pocket dimension.

And Michael for long time thinks that this particular ball has some special meaning for Angeline or her superpower and is very worried when she loses it first time. He tried studying that ball, thinking that some secrets of Angeline's power are hidden in it.

But there's nothing. It's just a foam ball with smiling face. Actually Angeline has like 3 of them and loses them once a day at least