A Typical Chosen One Protagonist But They Spend The Entire Book Trying To Evade Their Cosmic Responsibilities

a typical Chosen One protagonist but they spend the entire book trying to evade their cosmic responsibilities 

Shout out to mentally ill people who dropped out of school

- shout out to the kids who were “so bright” and ‘heading somewhere” and had to drop out because school was too much to handle along with mental illness

- shout out to the kids who struggled to get where they got before they dropped out

- shout out to the kids who tried and tried and tried and still couldn’t finish

you aren’t unintelligent because you dropped out of school, you aren’t a delinquent or a bad person because you dropped out of school, just because you did what you had to doesn’t make you a bad person

Talentless Nana: Audience vs Character Motivation

An Analysis of how Talentless Nana’s complex writing and take on protagonist sympathy, by a person who isn’t qualified to talk about it. Spoiler free for episode one until the cut, after that spoilers for a bit further into the manga, but nothing huge.

Every story has to deal with what I affectionately call the “who cares” principle. This idea is that for every story, there must be a reason the audience cares, why they want to see it through to the end. This reason usually structures the plot. A story cannot exist without a reason to see it through.

While people’s motivations to consume media differ incredibly (I.e “I’m only in it for the ships, I like the animation, I like the artist”) I believe in most stories there is something in the story that the audience is supposed to care about.

In a lot of stories it’s what the protagonist wants, hence them being protagonist. Part of this is because many protagonists are simply audience surrogates with varying levels of personality, but there is more to it.

This makes the task of audience sympathy fairly simple, all the creator has to do is endear their audience to the protagonist and soon we care about what they care about, making it easy for the creator to straight up tell us what we want via the protagonists mouth.

For example, in My Hero Academia, “the audience” wants to see Izuku become the most powerful hero. It’s what Izuku wants, and we like Izuku, so we want what he wants. That doesn’t mean people don’t watch HeroAca because they like other characters, or because the fights are cool, or they like the art, it just means that’s what the audience is supposed to want, or at least something they care about at some level. The audience wants to see what happens, so that’s where the story goes.

This is how a lot of stories work, especially popular ones.

As long as you have

So what does this have to do with Talentless Nana? Well… (spoilers below.)

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A comic about being (possibly) neurodivergent, deeply rooted fears and overthinking

do NOT repost

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The Resurrection Puppet

Second chapter of Jujutsu Kaisen’s first light novel, featuring Nanami and Gojou.

The Resurrection Puppet

Nanami doesn’t hate going on business trips.

It’s not like you couldn’t call it going traveling on a budget, and it could also become a reason to go somewhere you normally wouldn’t.

Much less, somewhere like Hokkaido.

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No matter how much you plan and plot and research and prepare, you’ll never actually feel ready, so you might as well just jump right in and do the thing.