Talia From Rtc Is So Regulus Black Coded And I Will Take Zero Arguments, Please And Thank You.

“Talia” from rtc is so regulus black coded and I will take zero arguments, please and thank you.

look. I know there are probably a million and a half takes on this, but I had this thought, and it wouldn’t leave my brain, so now you have to deal with it too.

ian is not the sun.

ian is the moon, and mickey is the sun.

mickey is the sun, at least in ian’s eyes he is, because ian’s whole world starts ends and revolves around his husband. the pull mickey has on him feels like a gravitational orbit, stronger than any crush or infatuation ever has been, and no matter how much distance (physical and metaphorical) ian puts between them, he always—always—comes back to mickey. and mickey, well he burns hotter and brighter than just about anyone else they know, all barely checked temper and hot seething rage, and hell hath no fury like a mickey scorned because he will burn you faster than any fire ever could. and god, his eyes—do not get ian started on mickey’s eyes—they’re as blue as a cloudless sky on a summer’s day, all warm and wide and vast as the horizon, and ian could stare at them for hours the way he’d stare up at the sky in the backyard as a kid. and yeah, maybe sometimes you can’t look directly at mickey, like maybe you’ll get hurt if you stare for too long, but ian’s best friends are a pair of sunglasses and a bottle of spf, so he’s not exactly new to the sun game, and if he’s the only one who knows how to handle it—that’s more than fine with the both of them

and ian—ian is the moon the way mickey needs air to breathe, because yeah, maybe he’s all smiley and lukewarm to everyone he fucking meets, but that’s not ian, not the real ian, that’s just good fucking manners or whatever shit ian says, but mickey doesn’t care about that. mickey cares about the ian that’s only for him, the one that is there for him through everything, even the bad shit, like the little sliver of moonlight slipping through the curtains on a really dark night, the little bit of comfort that’s enough to get him through the dark times and keep going until morning, like the guiding light on the sidewalks when he wanders home from work or the alibi or whatever late at night when the streets are empty and he’s alone. because mickey’s never really alone, not now that’s for sure, but not even then, when there were miles (metaphorical and literal) between them, because mickey would look up at the moon through the bars on the rec room window or the patio from his apartment in mexico and he’d think of ian, and his stupid fucking lopsided curved grin creeping up on his face like a crescent moon in its own right, and it’d be enough to get him til morning. even now, when he can’t sleep and he’s restless, he still looks for the moon, only now he doesn’t look out the window—why would he when he has the real thing on the other side of his mattress—he throws an arm and a leg over his husband like he’d lasso the moon if he could, and he pulls ian closer.

ian goes through phases, up down then up again, and they’re manageable, almost predictable if you study it close enough, like the phases of the moon or the flow of the tide, in and out, waxing and waning, and mickey loves all versions of ian, the full bright smiles and the dark barely there days, and every variation in between. because ian is still ian, no matter what stage he’s currently in, the same way the moon is still that bright glowing rock in the sky night after night, and mickey is happy to get pushed and pulled like waves on the shore under ian’s influence.

mickey studies the galaxies printed on ian’s body, across his chest and stomach, his shoulders and his arms, even the little ones dotting the backs of ian’s hands, and mickey finds peace in the stardust that paints ian’s skin, in the constellations he maps out on ian’s face with his lips, and even tho the freckles there are more faded then when they were kids, mickey still knows where every single one of them is. he brushes his fingers over the new one above his eyebrow, the one ian got after spending a little too much time with his tomato plant the other day, and mickey feels like an astronomer discovering a new star that he just never would’ve been able to see five, ten years ago on his own personal night sky, but he’s here to see it now so he kisses his latest discovery and falls asleep dreaming of a name for his newest constellation

Glasses people love to make you try their glasses on to see how fucked up their eyes are. It's a sign of respect in their culture.

rocking back and forth. i love you. i know. abed played han another time and he kissed annie (as leia) as a romantic gesture. troy doesn't remember telling abed he loves him. annie wanted his brother to move in bc troy was like a brother to her and abed wanted his girlfriend to move in bc. well. i love you. i know. im seeing real lava because you're leaving, it's embarrassing. you may notice side affects, like a compulsion to come back. cool. cool cool cool. that's a lie. i love you. i know. we can't stop, this is the last thing we're ever gonna do together. knowing that doesn't feel like enough anymore. i know you hate when people do this in the movies. i love you. i know. no one gets abed, but i got him a little. the darkest timeline is the one where troy left. i miss abed so much. you weren't supposed to think those things about me. happy valentine's day. it is now. still best friends? yeah, still best friends. i missed you so much, buddy. you know i'd do anything you did. abed, think of something safe. i love you. i know. i don't think the lava's here because you're leaving, i think it's here because i won't let go. we can never stop being friends. you were out there somewhere and you weren't looking for me? just checking on abed. making sure he's okay. just, you know, make sure he stays comfortable. i worry for him when i'm not around. maybe all relationships are made up of logical inspectors and emotional constables and we need both to make space and time a better place. yeah, troy will find me. what if abed wants to replace me? it makes me so angry and sad all at the same time. you know for the first time in my long history of being locked inside things, i knew someone would come. i haven't exactly been a whirlwind of entertainment since troy left. it has to be ok for it to get on a boat with levar burton and never come back. because eventually, it all will. i love you. i KNOW.

I’ve been sitting here trying to figure out whats so appealing and familiar about the ship maxley from the goofy movie “an extremely goofy movie” and it finally hit me.

its literally drarry. its all just drarry. I cannot say this enough, it’s drarry. its draco malfoy x harry potter but as mickey mouse animals. which also means mickey mouse the clubhouse is the mauraders but we arent ready for that conversation just yet.

This is why its so appealing. We already know and love drarry, its now just a new form. Drarry is already an amazing put together dynamic (no thanks to jkr, we do NOT like her here!) and maxley is literally just the same dynamic but as skating goat-dog-things.

kid in the library just said "a VILLAIN who lives in the MOON is after us" so keep an eye out for that today guys