Imo Any Adaptation That Fucks Up Irene Adler Is Intrinsically Not Holmes. She Causes Him To Grow The
Imo any adaptation that fucks up Irene Adler is intrinsically not Holmes. She causes him to grow the fuck up and realize he can be wrong sometimes and has to adapt to reality. If she is retconned into becoming a prop for how amazing he is, he is NOT growing and becoming who he is meant to be. So the sexism of ruining her character is hand in hand with why this also ruins his.
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i love when wilson pops into an episode only to psychoanalyze house to the point of endangering both of them and then fucks off.
hey house thinks about jumping off of very tall somethings just to see wilson come running and say the one thing he's been wanting. just so you know
Raaaaghhh bbc Sherlock rant because I desperately need to see more people hating on it
BBC Sherlock is written terribly i can write an essay on it. All the characters were nerfed so bad. The took an expressive emotional considerate man and turned him into a cold emotionless asshole. Which would be fine as just another adaptation, but people are using the BBC version of Sherlock as the base point for what he’s like which isn’t good. In the books when Holmes made a deduction about Watsons alcoholic brother and Watson was like “hey man maybe don’t dig up my family issues like that” and Holmes was IMMEDIATELY SO APOLOGETIC. Meanwhile in the BBC show it just glossed over the obvious emotional weak point for Watson and Sherlock didn’t even apologize. The BBC show is also just poorly written. It gives Holmes information that isn’t available to the audience, and makes it impossible for viewers to solve the mysteries. Which is literally half the fun of mysteries in the first place. It’s like Moffat is more focused on making himself look clever and outsmarting the viewer than actually writing a good fucking plot and mystery. Another character who was nerfed so badly (but let’s face it, they all were) is Watson. For most of the show it treats him as practically Sherlocks pet dog, inconsequential to the story. While in other adaptations, and the original books, he’s an instrumental part of the story and investigations. He’s more than just Sherlocks tag along, he’s Sherlock’s partner. Fucking treat him like it. The female characters are also incredibly poorly written. It reduced Irene Adler’s character to just “the baddie who’s in love with Sherlock.” Which again would be fine if it were just treated as just another Sherlock Holmes adaptation, but people use the show as a base point of Sherlock and Irene’s relationship as well. Which, in the books, it makes it very clear that Holmes is NOT in love with Irene, and Irene is NOT in love with Holmes. The only female character in the show who is actually a person and not a cardboard cutout is Mrs. Hudson. And don’t even get me started on the scientist (doctor?) lady who is so fucking boring and unimportant I can’t even remember her name. Her only purpose for 90% of the show is just being the silly girl who’s in love with Sherlock. The shows writing is so stupid and so ridiculous. Which would be fine, if the show weren’t also trying to be serious. Having this terrible of writing would be alright is it were supposed to be satirical, but it’s not. Moffat wants me to take his shit show seriously, and I can’t. If you’re going to have this stupid of writing, at least be aware that the writing is shitty so it’s somewhat redeemable. A Holmes adaptation that actually does a good job of this is House MD. It’s ridiculous and it knows it’s ridiculous and it’s not trying to be something it isn’t. The BBC show IS trying to be something it isn’t. It’s trying to be this serious and intriguing mystery when in reality it’s just a bunch of shitty writing and even shittier mischaracterization mushed together and thrown onto TV screens. The only parts of the show that I liked was the camera shots and the acting. The show has its pros and I can and will acknowledge them, but the cons outweigh them tenfold.
Letters the characters wrote for Kutner on an obituary website







