Buffy Season One Review

Buffy Season One Review

I’m on my first Buffy rewatch in a long time - I think over a decade? I have watched the entire series enough times that the episodes are all still kind of burned into my brain, but I’m curious what my reaction will be now I’m a bit older.

Anyway, I’ve finished Season One, and I thought I might do a quick review of each season as I go. Can’t promise I’ll be able to keep it up, but I’ll give it a go. So…

Season One Review

S1 is… fine. It’s okay. It’s not as good as later seasons, but it’s not bad; it’s shallower than later seasons, but having expected that I found there’s a surprising amount of depth here. (Partly because I’m watching after reading @herinsectreflection’s excellent analyses, which inspired this most recent rewatch.)

I actually don’t think there are many bad episodes in S1 - the problem is, there’s hardly any good episodes either, and none that rise beyond just being ‘good’. They’re mostly just perfectly serviceable - the metaphors are a bit blunt, the humour’s a bit broad, the MIDI soundtrack kind of sucks, the vibes are kind of cheesy and immature, and overall, it’s just…

It’s Power Rangers. It’s a bit deeper and scarier, and the action scenes are worse, but basically, Season One is Power Rangers. And that’s not bad - I kind of like Power Rangers, and it’s not a bad season by those standards - but it’s not what Buffy is trying to be, or what it will become.

Season Score: 5/10 - It’s fine.

Big Bad - The Master:

In some ways, the Master is perfect. It makes sense that Buffy’s first villain is this kind of ancient and powerful vampire - he’s not as interesting as later villains, but it feels appropriate that Buffy has to beat this more generic Big Bad to move on to them. And he has a strong enough presence that he can actually bear the mythic weight that is placed upon him - it makes sense that he’s the one that killed Buffy, that he sired the Bisexual Vampire Squad; it never feels inappropriate that he has this important place in the mythology of the series, and he can carry that weight in his rare later appearances.

Unfortunately, in this season, he’s a Power Rangers villain. He sits in his lair, sending out minions and screaming in frustration when they fail. (Even finally facing the hero directly in the finale, beating them easily before they get a power up and return the favour - classic Power Rangers villain stuff.) He spends most of the season both trapped and sickly - while at full power he’s a compelling, intimidating presence, for most of the season he seems weak and kind of effete, like a homophobic Bond villain. At his best, he's montrous yet civilised, brutal but witty; in his weakened state, he lacks the contrasts that make him compelling.

Still, he is charming, he does work well in the finale, and he’s always a delight in his rare later appearances. So…

Big Bad Score: 5/10 - He’s fine. (... and not in that sense.)

Rewatch Reevaluations

The biggest change in my perspective since my last rewatch is around Angel. When I was younger, I didn’t really think much about the age difference between him and Buffy; now I’m older, I’m extremely aware of it, but also, it seems like the show is too. The episode where he shifts from ‘random mysterious stranger’ to ‘potential love interest’ is Teacher’s Pet - an episode about an older sexual predator preying on teenagers. Then in ‘Angel’, we don’t just see him creepily staring at Buffy, we see him lie to her about it afterwards, in an episode where the age difference is a major topic of discussion.

In general, his obsession with her comes across as way more creepy and pathetic than I remember, and while part of that is just my interpretation, I do think think the series is aware of it; I think him following her around and staring at her from afar is meant to be kind of offputting. I’m curious how I’ll feel about their romance going forward - I remember on previous watches I thought their breakup in Season 3 was unmotivated, and I suspect I’ll feel very differently about it this time around.

I’m also generally more aware of some things after reading @herinsectreflection’s essays. In particular, I’m noticing Buffy’s relationship to death - from her ‘seize the day, because tomorrow you might be dead’ philosophy in the first episode, to her rebelling against and accepting it in the last… and her Faith-like smile as she enjoys mortal combat with vampires at the beginning of ‘Prophecy Girl’. I’m also much more aware of Giles as a very flawed figure torn between paternal affection for Buffy and sending her to her death - which is explicit in a few episodes, but I’m more aware of it as an ongoing arc, rather than just some isolated emotional beats.

Other than that, one thing I’m noticing is how much weight the show gives to the death of minor characters. It’s easy for an action/horror show to start treating death casually or flippantly, but so far the show is careful to give each death an emotional impact, to make every death matter… at least ‘til the end of the episode, at which point they’ll be promptly forgotten about. Sorry Jesse.

And unsurprisingly for a 90s show, I am finding the sense of humour a little mean and kind of misogynistic, especially towards Cordelia. That said, though Xander is often the face of this meanness, I honestly don’t dislike him, even in S1. The thing is, either the show is aware that he’s being an asshole, in which case it’s an intentional character flaw, which is good; or it isn’t, in which case I tend to blame the show itself rather than the character. Maybe that’s a little generous, but it lets me enjoy the character, so I’m willing extend that generosity. I am curious how I’ll feel about him going forward. I'm glad at least Cordelia gets to be more of a character towards the end of the season - it does make the jokes around her feel a lot less mean.

Honourable Mention Award for Underrated or Forgotten Characters Who Deserve to be Mentioned Honourably

3. Zookeeper Furry from ‘The Pack’. Just a really solid one-off villain performance, in an era where performances tend towards the broad and cheesy side of the spectrum.

2. The Black Cat from ‘The Witch’. Looks like stock footage, never shares a shot or even a set with another character, and achieves nothing except slightly startling Giles, after which he just continues as if nothing happened. Yet despite doing basically nothing, it achieves greatness by earning a place in the opening credits. Truly an inspiration.

1. Principal Flutey. With how much he gets overshadowed by Principal Snyder, it’s easy to forget how great Flutey is as a character. From tearing up Buffy’s permanent record and taping it back together again in front of her, to being eaten by Hyena-possessed students, Flutey is a delight whenever he’s on screen - he’s genuinely a highlight of Season 1 for me. Principal Flutey, I salute you, and hearby mention you as honourably as I can.

Episode Rankings

Might not do this for every season, but hey, it’s a short season, so why not. Starting from the top:

'Prophecy Girl' - Obvious choice, needs no explanation.

'Angel' - Strong character work, introduces a bunch of ideas that’ll be important for the rest of the series, and solves the problem of making a single vampire a threat by giving her guns, which I respect.

'Welcome to the Hellmouth'/'The Harvest' - A solid introduction to the series; I wouldn’t call it great by most standards, but it competently introduces everything the setting, characters and the premise of the series, which is impressive in its own way. Luke is perfect in his role - he’s a compelling presence that feels like a genuine threat, but he’s not so interesting that he distracts from the important things.

'The Pack' - A solid guest performance from the zookeeper, Principal Flutey’s last stand, and some juicy thematic and character goodness makes leaves this Monster of the Week episode at the head of the pack. (… I am so terribly sorry.)

'Nightmares' - Character! Themes! Imagery! This episode has it all, at least by the standards of Season One.

'Out of Mind, Out of Sight' - The first episode that treats Cordelia like an actual character. Also, invisible assassin school! Everybody loves invisible assassin school.

'The Witch' - A perfectly competent MOTW episode, this gets a boost for featuring the cat that accomplishes nothing.

'I Robot, You Jane' - Yeah, the 90s hacker schtick is goofy, but this ep’s not bad - I like the goofy robot demon and the surprisingly good demon prosthetics for its non-robot body that barely appears in the episode. I like the idea that scanning a magic book can summon a demon into the internet itself. Also, Jenny’s here.

'Teacher’s Pet' - Another MOTW episode that does its job adequately. I’m inclined to think of this as the Most Typical Season 1 Episode - it perfectly represents the season at its baseline.

'Puppet Show' - I kind of like some of the ideas in this episode, but the puppet’s a creep and parts of the plot feel contrived. (Why are they sure the demon will leave as soon as it has the organs? Why would Giles get into a guillotine under any circumstances?) Overall… Eh, it’s fine.

'Never Kill A Boy on the First Date' - There’s some good stuff in here, especially around Buffy’s relationship to Giles and to her own Slayerhood. Unfortunately, the plot just doesn’t work - even this early on, one vampire just doesn’t feel like enough of a threat to build an episode around, and generic serial killer vamp is no exception - he's certainly no Luke. It’s a plot entirely concerned with setting up the larger arc around the Anointed One, and that would leave this episode feeling empty and boring even if it was for an arc that was actually, you know, good.

So that's Season One. I enjoyed it fine, but... I'm definitely looking forward to the series really getting good. If somehow you've actually read this far: Thank you for putting my words into your brain. I take it as a great compliment, and hope you liked them - or, failing that, that they invoked in you a great fury, such as only the worst opinions may conjure.

In any case - and regardless of whether I can be bothered to write any more of these - I will continue my rewatch into the Actually Good seasons of Buffy.

“buffy wants a dad and giles hates himself so violently that he feels the ultimate act of paternal devotion is to refuse to be her dad” THANK YOU for reducing the parts of the early seasons esp that leave me screaming/crying/tearing my hair out/etc into an easily understandable statement. it's like. i love it in that its SO in character for the two of them that i can't imagine another way for them to be but also buffy wants it So Bad and my heart breaks for her and. AGH.

yeah and to elaborate on this thought: i am genuinely convinced that giles thinks buffy understands what he is doing. i am one hundred percent certain that this man is looking at the situation and going -- she knows how fucked up it would be if i was her dad, right? she knows that if i was her dad, i would be sending her out to die, and that would kill me, right? she knows that if i acknowledge her as my daughter, i would be instantly fucking pulling her out of this fight, because she doesn't deserve to be here and we both know that, but What She Needs is someone who is going to encourage her to do what is right for the World and a parent can't do that in this situation. a parent will always put their child first. and so in his head, actively Not Being Buffy's Dad is the greatest possible mercy and the greatest act of devotion that he can give to her without shattering both of them and also the world.

but the tragedy of it is that giles does not understand the way buffy sees it, and the way buffy sees it is that every time she reaches out and asks for him to be there, he flinches back and tells her that she needs to be stronger than she is. and what she learns from that is that her desire for giles to protect and comfort her is something that makes him uncomfortable, and something that he expects her to grow out of. he doesn't approve of her wanting to be his kid, and doesn't like the idea of being her dad, and obviously she's the one who kind of sucks for wanting to force him into a role that he has no interest in stepping into, right? obviously that's what he thinks of her, right?

and it is made SO MUCH WORSE by the fact that giles obviously cares about buffy! you would have to be completely detached from reality to see the way giles treats buffy and not pick up on the compassion. but the message that buffy gets from the paired statements of “i don’t want to be your dad” and “i care so much about you and would lay down my life for you” is that giles cares about her but doesn’t like how much she cares about him. which is true. however, because buffy is buffy, instead of following this thread to “giles hates himself,” she jumps to “giles thinks i am just Too Much in general.”

Buffy the Vampire Slayers (1997 to 2003), Behind the Scenes photos

Sculpture by Youjin Lee

the world is a beautiful place. catgirls and catfishgirls truly can fall in love

We need to talk about the Enemies kiss from Faith's perspective. Because obviously this scene is framed from Buffy's POV, and invites us to ask questions about Buffy's character. The big question is "Is Buffy capable of killing Faith?" and the answer is explicitly "Not yet". "Yes" is the destination she will reach in the season finale. But the other question, implied but never brought to the forefront, is the inverse: Is Faith capable of killing Buffy? I would argue this scene proves that the answer is "No".

Faith and Buffy stand there, with knives to each others throats, a slight flick of the wrist away from ending the others' life. It seems like a Mexican standoff, an impasse - neither can kill the other without dying themselves. But the show tells us that it's actually not.

"What are you gonna do, B? Kill me? You become me. You're not ready for that."

The show tells us explicitly that Buffy will not kill Faith, and that Faith knows it. She is correct in her assessment here. She has to be correct, for Buffy's journey to make sense. She knows she is correct, because her role as Buffy's Shadow demands that she know.

It only follows, then, that Faith could have killed Buffy here. Since Buffy was incapable at that moment of killing Faith, it would have been trivial for Faith to kill her. She could have done it, and nobody could have stopped her. Nobody else was capable of stopping her.

So why doesn't she? If she kills Buffy in that moment, then she has won. She would be the only slayer, the one girl in all the world. Sunnydale would be her town to rule. If all her bravado about being jealous of Buffy and wanting to destroy her and her life and take anything she wanted without anyone holding her back was true, then killing Buffy here would achieve all that. If that was her only motivation, then she would have killed her.

But she doesn't. Because deep down, that is not the thing she always wanted. She never wanted to kill Buffy. I think that's one of the most important things about their relationship. Buffy can kill her - but she could never kill Buffy. Because who would she be without her? What is a shadow without its light?

That's not to whitewash Faith - she was perfectly capable of doing a lot of truly repugnant things to Buffy, and she did do a lot of them. But Buffy has an iron core that Faith does not, and it makes her capable of killing the people she loves. You can see this difference in the different ways they deal with Angelus. Buffy eventually musters up the strength to kill Angel in S2, while Faith remains resolute in absolutely refusing to do the same in AtS S4. It is the same for each other.

It's so fascinating. Buffy's arc is all about "becoming" Faith. "You kill me you become me". "You did it. You killed me". The show tells us that killing Faith proves Buffy's similarity to her, and yet also tells us the Faith was never capable of killing Buffy to begin with. How delightfully insane. How "she is more myself than I am" of them.

Faith stands there, with a knife to Buffy's throat, knowing full well that she could kill her right then. Nobody can or will stop her. She holds Buffy's death in her hands. A flick of the wrist, and she wins. She can have everything she claims to want. And what does she do?

She gives her a kiss.