So Uuuuh This Is NOT FINISHED. Also It Was Sketched Out Like Two Years Ago When I First Listened To Wolf

So uuuuh this is NOT FINISHED. Also it was sketched out like two years ago when I first listened to Wolf 359. I recently started relistening and I remembered I started this again. It has haunted me that I never got it done bc I was really excited about it. It was the companion piece for the version I did of Eiffel. So anyways I'm posting the rough Work in Progress sketches for posterity. Feels like a waste to just let it rot hidden deep in my hard drive and at this point... yeah I don't think its gonna happen I'm sorry haha. Not unless I suddenly get a lot of free time (not likely unless I win the lottery).

i'm normal

Leaving my night job dancing at the Pink Pony Club in West Hollywood to go to my dayjob, also in West Hollywood, where I am part of the only news team that doesn't know WHAT'S on the teleprompter before they read it, and anyone who laughs or breaks loses points

Well hello, what's this?

They wanna kiss so bad they fucking hate each other

I don't see nearly enough people talk about Kepchel being the most toxic of exes.

THIS

Minkowski's entire arc is about structure. Her rigid adherence to protocol is what gets the crew into as many messes as it gets them out of! She's comfortable with what she knows and relies heavily on environments where everything is as good as scripted.

When thinking about autistic Minkowski, I do also love that the conclusion of her story isn't abandoning structure; it's using it. She figures out how to take all of this rigid framework and use it as a tool to get her people home safe. Even more than that, she learns to communicate, even when it means admitting she doesn't understand, because she's found people who won't shame her for not catching a pop culture reference. I love. The her

i have so many feelings about autistic minkowski