kuradai-s-kosa - Kuradai Kosa
Kuradai Kosa

She/They feathered gremlin that occasionally posts her own art

267 posts

I Havent Played Three Houses But Heres What I Think I Know About The House Heads

I haven’t played Three Houses but here’s what I think I know about the house heads

Dimitri: “I have to keep the pride of the holy empire true.”

Edelgard: “We need to get rid of the arbitrary line between the classes.”

Claude: “Do you ever just like, actually think about hands?”

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More Posts from Kuradai-s-kosa

2 years ago

Hi! Would you ever consider doing that spirited TED talk about why Lovecraft now appeals specifically to the marginalized people he hated? I'm trying to make sense of it myself and it would really help to hear your informed opinion!! Sorry if you have already written about it or if it's maybe too personal! Hope you guys are doing well during the lockdown :)

Yeah, sure.

Lovecraft’s work deals intimately with the pain and fear associated with feeling alienated from your community, your ancestors, and even yourself. 

A lot of his stories are about how there is something ‘different,’ about you or the people around you, that fills you with unease, but is also difficult to define. Your family feels malevolent to you; you feel like everyone in your small town is watching you, or has bad intentions towards you; you know that there’s something that just isn’t RIGHT about yourself. 

Your community might want to force you into a religion, or even a partnership, that seems unspeakable to you, and which fills you with horror.

Sound familiar?

These themes are relatable to LGBT people, to disabled people, to non-neurotypical people, to biracial people, or to people of color who are being raised in communities in which they are an overwhelming minority.

The Shadow Over Innsmouth is probably Lovecraft’s most famous story. It’s about being trapped in a small town where everyone is a part of a terrifying religion that personally hates you, everyone is being forced into horrifying heterosexual couplings of in which one of the partners is a literal monster, for the purpose of breeding, and in which the protagonist survives, escapes, and the government bluntly condemns his tormentors.

As a gay little kid growing up in conservative Maine, this was big for me.

In the end, the narrator of Shadow Over Innsmouth realizes he’s descended from the cultists of this town, and that he is becoming the thing he previously hated and feared. I also was afraid of never getting out of my town, and one day turning into someone just like the people who made my life miserable. To me, it read like a horrible cautionary tale: get out, and don’t look back. What’s going on here is wrong, and you need to pull yourself away, before the pressures of your family & community turn you into one of them.

But that’s The Shadow Over Innsmouth: a story which features alien miscegenation, sure, but not usually one of the stories that gets specifically called out when people talk abot how racist Lovecraft was.

The White Ape is probably the most racist thing Lovecraft ever wrote (also titled Facts Concerning the Late Arthur Jermyn and His Family). It’s about a man who goes to Africa, falls in love with an ape, successfully reproduces with it, and then all of his descendants are criminals and madmen, with unpleasant, twisted appearances. It’s told from the POV of one of his more distant descendants, who uncovers this information while researching his own geneology, and, upon discovering that there’s an ape in his lineage, commits suicide by dousing himself in lighter fluid and setting himself on fire.

Yikes.

And yet...this story speaks to me, too. There’s a history of serious alcoholism in my family. My mother was an alcoholic. I asked questions: her father was an alcoholic, and suffered from hallucinations as well. His father was also an alcoholic, and he beat his wife and children savagely. And his parents? I don’t know. No one was ever willing to talk to me about it. But every generation I looked back, there was more abuse, more mental illness, more violence. 

The idea that, if I could look back far enough, I could discover a progenitor that had poisoned our entire family was something I dwelled on, as a kid. Would I want to know the truth? Would it make any difference? Would I have some kind of crisis if I found out that I was a descendant of a rapist, or a murderer? How would I react if I learned that I was a part of a cycle of violence and substance abuse that no one before me had managed to escape?

The White Ape is super, super racist, obviously, but it’s not just racist. Taken another way, it’s a story about dysfunction being passed down within a family. It’s a sins-of-the-father story. And if you come from an abusive home, that’s compelling.

Look, Lovecraft was a mega racist. He was also a man who struggled with mental illness his entire life, who had watched both of his parents die in mental asylums, and who never found success in his life. He was afraid all the time, and he wrote about how frightening the world was to him, and how he never felt like he was truly a part of it. 

The racism sucks. 

The rest of it, if you’re a person who has been mistreated or marginalized, can really resonate.

2 years ago

the kids are alright

Ya truly love to see it!

5 years ago

I want an Isekai but from the perspective of the people left behind, which might sound odd but let me set the scene.

It starts with generic anime high schooler (Shinobu) getting ready for the first day of school after summer (either year two or three). On the way they start talking about how their friend (Hikaru) and the rest of the club they were in went missing right before summer, and stuff like the realities of life they've learned from it. Shinobu meets up with a couple friends on the way and when they get to the school gate they say school won’t be the same without their dear friend, but then... 

BOOM!, huge flash of energy, just needlessly over the top entrance.

The club returns in full adventuring gear with all the fantasy classes present , all using magic and stuff, along with an elf or something that wanted to see their world, and to top it off Hikaru as the hero of that world. There's a huge freak out, everyone has to figure out what to do, like do they just go back to school?, how do they deal with a magical world that people can just piss off to?


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2 years ago
A New Era Of KO CRISIS.

A new era of KO CRISIS.