Wow, These Are Fantastic Tools! Thanks!

Wow, these are fantastic tools! Thanks!

how to make a story file

As I am preparing for Camp NaNo*, I have been working on my story file. It occurred to me this might not be common or popular practice. “Story File” is a name I gave it and maybe some of y’all have a different name with the same contents. 

*There’s still time to apply to join my Camp NaNo cabin!

My Story File contains everything about my story that doesn’t go in the outline.

It’s broken up into major categories and specific templates. So without further ado, here is how I structure my Story File. 

Intro

Title

Logline

Synopsis

Genre

Estimated Total Length (word count)

Draft Length Goal (word count)

Character Bank

Main characters and brief, one-sentence descriptions with ages

Themes and Character Development

Central Question

The Yes/No question that is being asked through the whole story

Should have objective qualities, rather than subjective

i.e. “Will they fall in love?” (subjective) vs. “Will they leave their partners and become a couple?” (objective)

Thematic Questions

These are the internal conflict questions that reside in your character(s) and your story

ex. “Can there really be a successful government?”

ex. “Does grief excuse bad actions?”

Themes at a Glance

Words or phrases that relate to the themes of the story

ex. person vs. nature

ex. isolation

ex. grief

ex. first love

Motivation / Stasis State / Final State

for each main character, you should write a sentence or two pertaining to these three things

Motivation: What is the drive behind this character and their past, present, and future actions? What part of their background makes them the way that they are? What are they looking for? What do they want out of this/a situation?

Stasis State: What are they like before the inciting incident? What problems and questions do they have?

Final State: What has changed about them and their outlook? What questions have they resolved? What has happened to their internal conflict?

Relationships

I usually make a little web of the MCs and their relationship to one another. One for the stasis and one for final.

Stasis: How do these characters see each other? How do they act toward the other? (All before the inciting incident)

Final: How do these characters see each other now? How has their idea of one another shifted? 

Even if a character dies before the end, include the most recent relationship status in the Final web.

ex. this is how I organize it, using the Draw feature of Google Docs

Character Bank

This is just a very preliminary character bank. If you prefer a more in-depth one, check out my 6 Box Method.

Per (relevant/important) character:

Name

Nickname/preferred name

Age

Field/Occupation

Physical Description

Personality

Personal History

Education/Occupation History

Extra Notes:

Worldbuilding Bank

(Check out my worldbuilding posts on Categories Pt. 1 and 2 for better context)

Seasons and Climate

Languages

Other Cultural Pockets

Folklore and Legends

Fine Arts

Dress and Modesty

Classes

Jobs

Currency and Economics

Shopping

Agriculture and Livestock

Imports and Exports

Literature, Pop Culture, and Entertainment

Food and Water

Holidays and Festivals

Family and Parenting

Relationships

Housing

Religion and Beliefs

Government

Health and Medicine

Technology and Communication

Death

Transportation

Plants, Animals, and Human-environment Interaction

Education

Beauty Standards

Gender and Sexuality

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I hope this helps y’all and supplements what you’re probably already doing. I know it’s helped me tons to have everything in a central place.

Best of luck!

© Invictus | Do not edit.

© necessarily | ◇ Do not edit!

Their spent but happy selves ❤️

a look that we all should appreciate.

how to punctuate dialogue

(a general guide, dedicated to anon)

For the purposes of this description I’m going to use the word Words to indicate whatever the character is saying and the word Attribution to refer to the dialogue tag (the bit where you write ‘she said’). Further details and actual examples behind the cut.

1. dialogue followed by speaker

“Words,” attribution.

1a. quotation that is a question or an exclamation followed by speaker

“Words?” attribution.

“Words!” attribution.

The only difference from the above is changing the comma to a question mark or exclamation point. 

2. speaker followed by dialogue

Attribution, “Words.” 

Attribution, “Words?” 

Attribution, “Words!”

3. dialogue with the speaker in the middle of the quote

“Words,” attribution, “words.”

“Words,” attribution, “words?”

“Words,” attribution, “words!”

4. dialogue without attribution (the speaker is obvious and doesn’t need to be named)

“Words.”

“Words?”

“Words!”

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Thank you so much for this!

Writing Groups After Trauma

If your characters have recently experienced something difficult and you want to expand on the emotions that they feel afterwards, I have a couple of tips for writing realistic emotions after the fact.

During the Event

During the actual difficult event, whether a member of the group has died, been kidnapped, or people are in a stressful situation, people react in ways you wouldn’t expect.

Gallows humor is a great example of this! If people are helpless during a difficult event, the easiest way to cope with it is to make jokes about it. This separates the serious, life-threatening event from the jokes they make.

Expect a lot of praying from religious and non-religious people, quiet panic attacks, and surrealist humor. The people next to your character will become very close with them during this time (even if it doesn’t last after the fact).

Your characters might turn to random topics, like the past (ooh, convenient flashback time!), their plans if stuff hadn’t happened, or something stupid like a funny story they once heard.

Mob mentality, folks. People are fragile during events like this, so if one person has even a semblance of leadership, they’ll listen.

How Do They React?

After the fact, people try to cope with it the way that they’re most used to.

Your characters will be closer to each other. They’ll lean on each other and be personal in ways you wouldn’t normally think of.

Is your character in touch with their emotions? Expect a lot of crying, anxiety, and compassion. These people will recover quickly because they’re able to deal with it by facing it head on.

Is your character cold-hearted and reasonable? Expect a lot of irrational rationalization. They’ll try to frame the situation in a way that it doesn’t affect them. This can separate them from the rest of the group.

Is your character tough and resilient? Expect anger and action. If they have supporting friends, these people are the most likely to fight back.

Does your character already struggle with trauma, anxiety, or depression? They might not process the event until much later. They’ll look fine during and right after, but these characters might deal with severe dissociation and anxiety, even PTSD. Recovering will be a long process.

The Group Together

After a difficult event, people band together in ways you wouldn’t imagine. It’s hard to stay by yourself when you’ve gone through something hard. Your characters will be much closer, and they’ll work on healing next to each other.