Writing Food - Tumblr Posts

4 years ago
I Love A Good Thesaurus. ~ EP

I love a good thesaurus. ~ eP


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3 years ago

Personae

@the-wip-project Day 11

How do you create your characters? Do you make a profile of them? Do you know your character before you start writing the story?

I've tried several tools, from the basic bullet list of characteristics on the first loose paper I could lay my hand on, to an intricate mind map of the story cast with pictures, places, dates, etc.

Since a lot of the creative process goes through an insanely vast amount of daydreaming time, my characters are quite happy with budding and growing in my imagination. Their features existing already, only some details become more precise over time. But overall, I like to respect canon in that regard.

But it's the writing that really gives them the consistency I'd like their personalities to have. And this is when the magic happens because I'd be at a loss to say with precision what they're like before I actually start writing. As the letters, words and sentences flow on the blank document, their profiles take shape; the traits which are meant to be set, revealing de facto those that are going to follow the arc of development and evolve along with the plot.


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3 years ago

@the-wip-project Days 12 & 13

Prompt:

Unfortunately, things never go according to plan around here.

Indeed they don't.... I NEVER INTENDED TO WRITE THE FIRST CHAPTER OF A NEW WIP IN THREE DAYS!!! I'M SHOUTING BECAUSE I'M SUPER EXCITED!!!

Look at your characters, maybe even the one you created yesterday, and be honest. Do you have a type?

I've been scratching my head about this question. I don't know if I have a type of character. I certainly have a recurrent type of plot though lol.

What I could say is that my main characters are meant to complete each other one way or another and to meet half-way on their individual paths. My stories revolve a lot around building bridges, facing trauma, sweeping unpleasant truths from under the rug, starting personal inner journeys. So my characters are flawed from the start, aware or not of their own missing pieces and weaknesses (but soon to be) and I guess this is the type of personae I enjoy staging and following along the relative unknown of the plot, the encounters it brings about, self-discovery and retrieving some balance after their life being more or less disrupted.

I realise it may sound super heavy 😅, but it's not necessarily the case. It matches fluff as angst equally.


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3 years ago

Folklore & Fanlore

@the-wip-project Day 14

Do you have figures/creatures of folklore in your WIP? If not, can you think of something that would fit?

So, which WIP are we talking about here exactly? 😉WIP 1 or WIP 2?

WIP 1 has no figure of folklore in particular, but is ingrained in a specific country's recent history. The context is actually central to the plot so it required some research at understanding of traditions, mentalities, ways of living. It was never my intention to tackle this aspect as an expert (far from it) and it still isn't. However, I love learning new stuff and I hate half-assing tasks, even for leisure. So it was important, and fun, to me to get those details accurate whenever they needed to be.

WIP 2 doesn't hold any figures of folklore per se, but figures of fanlore more like. The Alpha/Beta/Omega trope offers a very intricate and fascinating universe, and whenever you thought you had read every possible variations of it, someone surprises you with more inventiveness (your humble servant yearns to that privilege).

Writing was a healing process when I started it. Now it is part of a learning process, where I give as much as I gain. It requires effort, time and dedication, but the nourishment I get in return is amazing. I grow as a person, just as my characters grow. Add to that kudos and comments, and I'm on cloud nine.


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3 years ago

@vividly-creative

I read you and I feel you *hugs*

I've had similar thoughts about all the stories I've created (I'm having them right now for my 18-month old wip and the one I started... 3 days ago), a feeling that getting to the end is going to be so worthwhile because what I have in mind is so amazing, and at the same time so daunting that it actually stops me in my tracks, because what if I ruin this beautiful thing I have in my mind? What if it never reaches my expectations, and above all others'? And this is the one moment when the poisonous temptation to compare our work to others' pulls out its claws and drooling fangs.

From one thought to another, one day, I eventually considered things from a different point of view and came to a certain conclusion that I'd like to share with you. Maybe it'll ring something inside you, or maybe not.

Recently I've said in a post that I was a planner, and I am. This is the only way for me to beat this whimsical habit of mine: procrastination. I'd procrastinate for almost everything, and while I wouldn't mind postponing work-related stuff, it'd suck more to see myself postpone hobbies that are supposed to make me feel good. Writing falls into that category. Except that procrastination is not just postponing (and it certainly isn't idleness, we know that) Procrastination is also when you decide to do/create/start/continue/review another task instead of the one you "were supposed to do" (please, note the quotation marks), for reasons ranging from subjective importance to objective inclination.

It's not a flaw, it's not even a bad habit, but it certainly is exhausting in the long run.

But procrastination tells us something about us, creators.

Procrastinating is dreading the moment when the project, our project, will reach its term. When we'll have to part from it, when this project will live on with a life of its own, where it's meant to be, exposed to other people's scrutiny and comprehension. When it's no longer ours, and we have no control over it anymore. And yet, our parenthood over this piece of work is intact. We've been its source of life, its legal guardian.

We're responsible for its existence, as well towards its outcome, by making sure it's prepared for what's to come, autonomous, viable, acceptable, defendable. Perfect.

The fear of separation and the quest for perfection go hand in hand with procrastination.

Setting up a deadline, a date, a goal to finish a wip is like scheduling this separation and the grief that'll come with it, because it feels like a part of us will leave too, and there'll be nothing we can do about it. So, we hope it'll go in the best of ways, with flying colours. When the moment comes, we hope we'll be up to it, that the void that'll come after will be tolerable (but if we have other wips on the backburner, it'll hurt less, won't it?)

So, yeah, this is how I feel when I write my stories. I love to see them grow, develop, gain confidence. I'm always eager to write them down, to read the words and sentences flow and discover what I wanted to write (honestly sometimes I don't even know what I write...) And I'm so looking forward to knowing the end (LOL!!) while dreading that moment when I'll have to say goodbye.

Nobody likes to say goodbye to something/someone we love. I said goodbye too many times, without knowing that things were actually over, without making sure that I was happy with the way things were between them and me, that this part of me could go without any reason for future concern or regret.

I guess what I'm trying to say is that your wips might go when you finish them, but you can be sure they'll meet amazing people (readers, publishers, you name it) and make them happy. Don't be afraid to finish them and let them go (at your own pace).

Your creativity will never let you down. Take care 🤗

Doubting Myself

Lately I’ve been creating a lot of stuff, back to back.

I’ve been writing a lot and bringing characters to life. I’ve been working so much on my novel, my word count is getting up, my word document is getting longer and I’ve been receiving positive feedback from my friends.

Still, I feel likeI’m barely making any progress.

I have brought so many ideas to life  and I’m proud of myself and of what I created… but  it feels like it doesn’t mean anything.

My portfolio could and should have much more work in it. It feels like I’m behind and I always will be.

No matter how much I create, I constantly feel like I could’ve made more and I need to make more.

I want to have this inhumane amount of art made within a couple of hours. 

The moment I start writing a scene I’m picturing how I want it to sound at the end and I start asking myself if I’ll be able to even finish it. The second I start a new sketch I begin ruminating how it should look and I want to skip the process to finally see the end result.

I have to keep reminding myself that a successful piece of art is the one that makes you proud and allows you to grow as an artist; but that does not mean it will always be satisfying and I get that.

I love to create.

I want to create.

I chose to create.

But it’s hard to enjoy the process sometimes, when you keep telling yourself “This is the time I will finish this novel.“

“This is the piece that I will finally send to publishers.” 

“This is the work that I will have hundreds of rejection slips and just that one approved, because it only takes one publisher to say yes.” 

“Today I’ll make the photograph that gets into a calendar.”

“This is the art project that will make people take me seriously.”

“This is the one that will make me an artist.”

It ’s exhausting.


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3 years ago

@the-wip-project Days 16 to 19 (Gosh, I'm so so late 😥)

Do you have prophecies and superstitions as part of the worldbuilding in your WIP? Could you add some?

In WIP2, the A/B/O fic, there's this trope about the bond mates create when they claim each other (which is one of my favourite parts of the ABO universe to be honest) that I decided to use as a prerequisite superstition from the point of view of one of the secondary characters; a secondary character who'll only appear at the beginning and vanish shortly after, but whose impact on the protagonist will be powerful enough to ingrain this belief quite deep.

Only to be debunked later by the other main character 😊

Think about an interview question for your main character/s and then write down what they don’t say. What secrets do they keep? What do they lie about?

Right, so I've decided to present this as an interview between my protagonist and his psyche:

Protagonist: Alphas are a plague. They suck, stink and can go to Hell. I don't need one in my life. I can totally live without them. I'm independent and strong and in love with myself. Who needs alphas anyway?

Superego: Right, I understand where you come from. Your reaction is logical and the emotional charge of your thoughts is legitimate. I'm sure though that, when you calm down, you'll be able to see things in a more composed and lucid way, and consider your words as a bit extreme.

Ego: SHUT UP! I.GOT. HURT! NOT THEM, I! So yeah, alphas are the scum of the earth. Just watch me live my life like I don't care, and learn!

Id: lol.

What ideas came to you recently from daydreaming?

Too many. Like....

@the-wip-project Days 16 To 19 (Gosh, I'm So So Late )

I've trying to figure out how a toddler speaks in English and how adults would react. I've also been thinking about future scenes, which should normally happen a few chapters later, and I'm always debating with myself whether I should write them down while they're vivid in my mind or focus on where I'm at, now. I've also made some research on Hawaii for my other wip, so my head is also full of palm trees, paradise beaches, luxuriant vegetation in the volcanic outback (very pleasant part of the daydreaming here) and the serious talk that must take place in such an idyllic environment (pretty ironic)

How do you decide which WIP to work on?

I've been asking myself this question since I started the second wip *scratches head* (my writing involves as much daydreaming as head-scratching, I'm realizing) and I've come to the idea to write a bit of both at the same time. And it's quite satisfying, since I have the feeling of overlooking neither, even if I don't produce a lot. Besides, as they're very different, one really allows me to take a step back from the other and take the time to consider what I've just written (if it makes sense, what I forgot, didn't phrase accurately etc...).


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3 years ago

CHARACTER FACIAL EXPRESSIONS (WRITING REFERENCE)

EYES/BROWS

his eyes widened

her eyes went round

her eyelids drooped

his eyes narrowed

his eyes lit up

his eyes darted

he squinted

she blinked

her eyes twinkled

his eyes gleamed

her eyes sparkled

his eyes flashed

his eyes glinted

his eyes burned with…

her eyes blazed with…

her eyes sparked with…

her eyes flickered with…

_____ glowed in his eyes

the corners of his eyes crinkled

she rolled her eyes

he looked heavenward

she glanced up to the ceiling

she winked

tears filled her eyes

his eyes welled up

her eyes swam with tears

his eyes flooded with tears

her eyes were wet

his eyes glistened

tears shimmered in her eyes

tears shone in his eyes

her eyes were glossy

he was fighting back tears

tears ran down her cheeks

his eyes closed

she squeezed her eyes shut

he shut his eyes

his lashes fluttered

she batted her lashes

his brows knitted

her forehead creased

his forehead furrowed

her forehead puckered

a line appeared between her brows

his brows drew together

her brows snapped together

his eyebrows rose

she raised a brow

he lifted an eyebrow

his eyebrows waggled

she gave him a once-over

he sized her up

her eyes bored into him

she took in the sight of…

he glared

she peered

he gazed

she glanced

he stared

she scrutinized

he studied

she gaped

he observed

she surveyed

he gawked

he leered

his pupils (were) dilated

her pupils were huge

his pupils flared

NOSE

her nose crinkled

his nose wrinkled

she sneered

his nostrils flared

she stuck her nose in the air

he sniffed

she sniffled

MOUTH

she smiled

he smirked

she grinned

he simpered

she beamed

her mouth curved into a smile

the corners of his mouth turned up

the corner of her mouth quirked up

a corner of his mouth lifted

his mouth twitched

he gave a half-smile

she gave a lopsided grin

his mouth twisted

he plastered a smile on his face

she forced a smile

he faked a smile

her smile faded

his smile slipped

he pursed his lips

she pouted

his mouth snapped shut

her mouth set in a hard line

he pressed his lips together

she bit her lip

he drew his lower lip between his teeth

she nibbled on her bottom lip

he chewed on his bottom lip

his jaw set

her jaw clenched

his jaw tightened

a muscle in her jaw twitched

he ground his jaw

he snarled/his lips drew back in a snarl

her mouth fell open

his jaw dropped

her jaw went slack

he gritted his teeth

she gnashed her teeth

her lower lip trembled

his lower lip quivered

SKIN

she paled

he blanched

she went white

the color drained out of his face

his face reddened

her cheeks turned pink

his face flushed

she blushed

he turned red

she turned scarlet

he turned crimson

a flush crept up her face

WHOLE FACE, ETC.

he screwed up his face

she scrunched up her face

he grimaced

she winced

she gave him a dirty look

he frowned

she scowled

he glowered

her whole face lit up

she brightened

his face went blank

her face contorted

his face twisted

her expression closed up

his expression dulled

her expression hardened

she went poker-faced

a vein popped out in his neck

awe transformed his face

fear crossed her face

sadness clouded his features

terror overtook his face

recognition dawned on her face

SOURCE


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3 years ago

How to write about Grief:

There is no right or wrong way to experience grief. Just as there is no right or wrong way to write it. Everyone is different, each set of circumstances are different. 

The point of this post is to show you how different people react in different ways, and give points on how you might write that, depending on your character and story.

Reactions to Grief

Numbness: Your character may go into auto-pilot and be unable to process the events that have unfolded.

Anger: This can be aimed at other people, at a Higher Being, or at nothing in particular.

Unsteady: Your characters may be unsteady. For example, unable to stop their voice from shaking or they may find it difficult to stand.

Focusing on Others: Your character may disregard their own feelings because they are so overwhelmed and instead concentrate on someone else’s well-being. 

Seek out routines: Amid upheavals, your character may seek comfort in tasks that are familiar and “safe,” such as working, cleaning, making their bed, making absurd amounts of tea or taking a morning walk.

Pretending that Everything Is Okay: Grief is viewed as an emotion that should cease or be concealed once the funeral is over. So people mention the news in an offhand comment, then talk and laugh as if all is right with the world.

Denial: Some people deny the reality of death and convince themselves that the news is a joke or can’t be true.

Reactions from people surrounding your character:

People may avoid your character as they do not know what to say or simply can’t find the right words.

Some may even go as far as to cross the street when they notice your character approaching.

Even people that the character has known for years may act strange or standoff-ish, simply because they don’t know what to say.

On the other side of that, some people may be overly helpful and friendly.

It is not uncommon for estranged friends, family or others to suddenly reappear in a person’s life after they have experienced grief. 

Either because those people want to offer their support and love  or because they’re being nosy and they want to be kept up to date on the “drama”.

Most people will move on from the event fairly quickly if they weren’t emotionally invested. 

Some people may even get annoyed at your character for still being upset weeks or months later.

When talking about the person they have lost:

Your character may recall a memory or tell a story about their loved one, these are possible reactions. (I have encountered all of them.)

Your character may being to cry or get upset at the thought of the person they have lost. 

The person they are talking to may become awkward and avert eye contact when your character brings up the person they have lost. 

Others may ask or tell your character to stop talking about the person they have lost. They may roll their eyes, cough awkwardly, or cut off your character mid sentences so that they can change the subject.

Some people may ask inappropriate questions about the circumstances in which the character’s loved one passed away. Depending on the personality of your character then may react differently. 

Other things to note:

Grief is not constrained by time. 

One of the main problems with grief in fiction is that a character is typically heartbroken for a couple scenes and then happy again. But grief does not evaporate because the world needs saving. 

Allow your character to wrestle with their grief. 

Your character may feel guilty. Your character may feel a twinge of guilt when they laugh or have a good time with someone else; when they do something to remind them that they’re alive, and their loved one isn’t. 

Grief is a game changer. A previously outgoing character may withdraw and isolate themselves. Some people may take grief and/or bereavement as a sign that life is too short; they may make big decisions in an attempt to make themselves feel better and grow away from their pain.

Sometimes grief can help you find your purpose.

At first grief can be all consuming. It hurts and you can’t really control it. It may seem unrelenting. Eventually the grief will become easier to deal with, your character may find the days to be better, but that doesn’t mean that when the grief hits it doesn’t hurt any less.

For most people, grief never really goes away. “Sometimes you have to accept the fact that certain things will never go back to how they used to be.”

It is rare that a person will ever give a long speech about their feelings, a lot of people struggle to even find the words. But that’s okay. Show the reader how your character feels, rather than just telling them.

Don’t pause the plot to deal with the aspect of grief. This could overwhelm the readers and drag the pace down. In reality, life doesn’t just stop due to grief, the world keeps spinning and things still need to be done. Use the character’s grief as a backdrop for the story’s events.  

Yes, grief affects the character’s day-to-day life, goals, and relationships. But it shouldn’t drive readers away or stagnate the story. Instead, should engage readers and produce empathy that keeps them turning pages.

You don’t need to tell your readers that everything will be fine. You don’t need to provide all of the answers.

“Skirting grief and treating it lightly is easy. But by realistically portraying it through a variety of responses and its lasting effects on the character’s life, readers will form a connection with your characters.“


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3 years ago

Resources for Writing Injuries

image

Patreon || Ko-Fi || Masterlist || Work In Progress

–

Head Injuries

General Information | More

Hematoma

Hemorrhage

Concussion

Edema

Skull Fracture

Diffuse Axonal Injury

Neck

General Information

Neck sprain

Herniated Disk

Pinched Nerve

Cervical Fracture

Broken Neck

Chest (Thoracic)

General Information

Aortic disruption

Blunt cardiac injury

Cardiac tamponade

Flail chest

Hemothorax

Pneumothorax (traumatic pneumothorax, open pneumothorax, and tension pneumothorax)

Pulmonary contusion

Broken Ribs

Broken Collarbone

Keep reading


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2 years ago

Day 29/90

Day 29/90

Hello writerly friends!

In our journey along the Three Act Structure, we are now at the point that Jessica Brody calls Break Into Two. She points out that something really different has to happen here. The world has to be new and different for our characters. If the world is just the same old same old, there would be no reason for the characters to even go into the second act. Act One is the “status quo”, Act Two is the “upside down” world.

Day 29/90

This is where the characters learn their life lessons. Jessica Brody says that these life lessons are the theme. I’m not quite sure I agree but nevertheless, this section is a good moment to check what your theme is. When you discovery write, sometimes you can surprise yourself and your theme may be a different one now than the one you started out with. Go with the flow, and lean into your theme.

Write on friends!


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2 years ago

physical intimacy prompts

holding hands during a stressful situation

smiling in-between kisses

touching foreheads

cheek kisses

slow dancing

intertwining fingers

comparing hand sizes

resting your head on your partner's lap

piggy back rides

standing on your tip toes to reach your partner's lips

kissing your partner's wounds

forehead kisses

falling asleep on your partner's shoulder

bridal carries

spooning

rolling over in bed, switching positions during a kiss

embracing your partner

intertwining fingers when making love

pulling away from a kiss, deeply looking into each other's eyes, appreciating being here with each other before diving back in

nudging into the crook of your partner's neck

being carried/tucked into bed, after having fallen asleep on the couch waiting for your partner to come home

saying ''i love you'' in-between kisses

nose boops

back rubs

tracing fingers down your partner's chest

hand on chest during a casual conversation

bumping into each other

hugs that last longer than they should

showering together

hands around the waist

straddling your partner's thighs

helping your partner undress

playing with your partner's hair

falling asleep to your partner's heartbeat

resting a hand on your partner's back

squeezing each other's hands

sitting in your partner's lap

cupping your partner's face

tickling

linking arms with each other

exploring each other's lips

caressing your partner's face

brushing your lips together, lingering for a moment

jumping into your partner's arms

wrapping legs around your partner

tucking a strand of hair behind your partner's ear

pulling your partner into your lap

hugging from behind

lifting your partner off the ground

holding hands across the table

holding hands under the table

bear hugs

caressing your partner's hand

laying a hand on your partner's thigh

literally sharing a sweater

slapping your partner's butt

tummy kisses

feeling each other's pulse

glancing at each other's lips

falling asleep while cuddling on the couch

climbing back into bed, onto your partner's body to wake them up


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2 years ago

How to write a kiss scene

How To Write A Kiss Scene

requested by: anon request: How do I write a good kiss scene? As how do I describe it? What details or words would make it good?

What goes into the writing of a kiss scene?

details to incorporate:

the sensations in their stomach, their chest, and their knees

the way their breathing changes shortly before the kiss

the feeling of the other's hands

the texture of the other's clothing

the moment they realise they've reached the point of no return

the feeling they're left with after the kiss

words to use...

... to describe the kiss:

tentative

tender

hesitant

quick

soft

gentle

delicate

languid

feathery

familiar

exploring

hungry

heated

fiery

frantic

impatient

sloppy

messy

aggressive

... to describe how they feel about the kiss:

nervous

excited

giddy

anxious

apprehensive

ambiguous

surprised

reassured

certain

confident

relieved

eager

greedy

... to show what the lips do:

exploring each other

brushing over each other

locking

devouring

touching

sealing

pressing against each other

capturing

lapping

tasting

crushing together

travelling (the other's body)

trailing (down to the other's chin)

grinning into the kiss

caressing

lingering

... to show how their body reacts:

feeling warm all over

buzzing

humming

pumping/palpitating heart

clenching lungs

joy bubbling up

tingly stomach

warm chest

burning cheeks

sweaty palms

blood rushing through their veins

... to describe what their hands are doing:

tangling in their lover's hair

wrapping their arms around their lover's neck

intertwining their fingers with their lover

resting on their lover's hips

pressing into their lover's shoulder blades

cupping their lover's cheeks

touching their lover's chin

curling their arm around their lover's waist

resting on their lover's shoulders

grabbing their lover's collar

sneaking up under their lover's shirt

brushing over their lover's bare skin

lightly squeezing their lover's butt

focus on:

the sensations instead of what's physically happening. (the protagonists might very well not know themselves what is happening exactly, but they feel very precisely)

I hope this helps <3


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2 years ago

show, don’t tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions


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2 years ago

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)


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2 years ago

Saying I'm sorry...

... as an apology

... as a confession

... as a manipulation

... as a truce

... as a last attempt

... as an ask for forgiveness

... as a sign of respect

... as a duty

... as a goodbye

Saying I'm sorry…

angrily

desperately

anxiously

quietly

insolent

guiltily

unapologetic

passionately

honestly

*I'm sorry* - Apology Starters

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰


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2 years ago

How to Pick a Point of View for Stories

Figuring out the point of view (POV) for your next story can seem daunting. It changes how you convey your plot and the emotional themes driving it. These are a few ways to narrow your options.

1. Consider the Pros and Cons of Each POV

There are absolutely pros and cons for different points of view. They accomplish different things for each story even if they feel vaguely the same at first. When you’ve got a story in mind, think of these factors to potentially pick a POV.

First-Person Pros and Cons

Pros

Your reader will have an intimate connection with your protagonist because they’ll read the protagonist’s thoughts and feelings in “real time.”

A specific emotional tension is possible the protagonist is narrating everything through their personal lens/biases and the reader doesn’t get inside any other character’s head to learn their actual motivations/emotions.

A super distinct narrative voice can pick up the pace for readers in the first 100 pages of a novel

Cons

You don’t get to jump between characters, which isn’t helpful if you’ve got a well-developed cast of characters you want to spend time with.

It’s easy to have a repetitive sentence structure due to phrasing like, “I said,” “I though,” “I want,” etc.

Readers don’t get to emotionally connect with other characters on the same intimate level, which may limit the themes you want to write about.

Third-Person Pros and Cons

3rd Person Omniscient POV Pros

The reader gets into each character’s mind, so there’s no bias in the narration.

You can jump between characters in a single scene, allowing a multi-dimensional view of the main plot’s journey or lesson.

You can switch characters to reveal more of your world to your reader, which is perfect for writers who do deep worldbuilding before they start writing.

3rd Person Omniscient POV Cons

Readers may struggle to form an allegiance to a character because there’s so many giving their points of view.

The hook for a story may come much later than normal if multiple characters need to be introduced through narration before the inciting incident.

If you’re writing a longer story, you’ll have to chart the primary plot line, then each character’s individual arcs to understand how they intersect and where you’ll jump POVs.

3rd Person Limited POV Pros

You get quality time with multiple characters.

You can create an unreliable narrator within a cast of characters that your reader gets equal time with.

The quality time with each character can make it more emotional when a character faces a challenge.

3rd Person Limited POV Cons

You’re forced to follow only one character’s perspective at a time. There’s no jumping between minds in a scene.

Each character will have a personal bias regarding whatever situation they’re in, so they’ll need individual goals and opinions too. You’ll need more character building before or during writing your story.

You’ll still need to chart each character’s arc to understand how it pushes the primary plot forward, what role each character plays, why they’re essential for the reader to spend time with, and how they’ll grow individually.

2. Think About What Matters Most For Your Story

What is the purpose of your story? What do you want to achieve with it or how do you want to practice your craft with it?

You could want to try out a story with multiple narrators. That boils your options down to 3rd person omniscient or limited. Easy!

Do you want to write a protagonist that your readers feel bonded with? That could mean your story happens in first-person POV. It could also work with 3rd person limited, depending on which character recurs most often.

Maybe you have a few characters in mind for a story but only one of them seems interesting enough to vocalize the story. Pick that character for your first-person POV. The other characters may be important, but if their voices aren’t distinct, your reader will just be bored when they’re narrating. 

3. Go With Your Gut

Ultimately, you have to go with your gut. Pick the POV that makes the most sense and write the story. You can always go back and rewrite it in another POV if it feels like the current one isn’t working for whatever reason.

Yes, it’s a pain to do that kind of rewriting, but it’s such a relief to know your themes/message/plot will come across the right way. It’s always possible to make that change, even if you finished a novel-length manuscript.

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The more practice you give yourself with the various points of view, the more comfortable you'll feel when picking one for your future stories. Even practicing with flash fiction will flex your creative muscles enough to help you learn when each POV is most useful for your work.


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2 years ago

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”


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2 years ago

some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.


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2 years ago

“Show Don’t Tell”? Not Always. Here’s When to Use Summary.

I was inspired to write this post after getting a great anonymous question in my Ask: “What’s your opinion on the whole ‘show don’t tell’ advice? Do you have any tips for when to show and when to tell?”

Here’s my response:

I honestly think that “show don’t tell” is one of the most over-quoted and least-understood pieces of writing advice out there.

For those of you who aren’t familiar, “show don’t tell” means that instead of explaining or telling something to your reader (“Sheila was reckless and impulsive”), you should show Sheila’s impulsiveness through action or dialogue. For example, “Even though her rent was overdue, after she got her paycheck Sheila spent $400 on an antique toilet.” This would allow the reader to draw the conclusion that Sheila was impulsive for themselves, rather than being told.

Theoretically, this is great advice for new fiction writers, who, left to their own devices, tend to write their stories entirely in “telling” mode.

But summary (telling) has a place in fiction as well, and it’s an important one.

Keep reading


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