Bleach Muses: Ichigo , Renji, Zaraki ( Also Want To Add Shinji )
bleach muses: ichigo , renji, zaraki ( also want to add shinji )
More Posts from Marusekai
👀 send me a muse and i'll attempt to write them !
how i get with shipping and we have the same energy
HEROIC INTERVENTION. ( A PROMPT LIST! )
so i was writing this headcanon for one of my characters, and it got me thinking about how some characters are absolutely, to their very core, protectors, and even then they still need protecting! so i made this list which is similar to about five other memes i've made. feel free to add a "reverse" if you so wish! DO NOT ADD TO THIS LIST NOR CLAIM IT AS YOUR OWN. THANK YOU.
FROM THE SENDER TO THE THREAT:
[ TO THE THREAT ]: " is there a problem over here? "
[ TO THE THREAT ]: " can i help you with something? "
[ TO THE THREAT ]: " i think it's time you were leaving. "
[ TO THE THREAT ]: " why don't you and i go outside for a sec? "
[ TO THE THREAT ]: " you wanna tell me why you're hassling my friend? "
[ TO THE THREAT ]: " you better start running before i really get pissed. "
[ TO THE THREAT ]: " i'm sure there's a rational explanation behind you upsetting this person? "
[ TO THE THREAT ]: " i hope you're not thinking of staying here a moment longer. "
[ TO THE THREAT ]: " get out. "
[ TO THE THREAT ]: " right, either you leave or i kick you out. your choice. "
[ TO THE THREAT ]: " i think it's fairly obvious my friend doesn't want anything to do with you, don't you? "
[ TO THE THREAT ]: " leave them alone. now. "
[ TO THE THREAT ]: " didn't you hear them? back off! "
[ TO THE THREAT ]: " don't even think of pretending you didn't hear me the first time: leave! "
FROM THE SENDER TO THE RECEIVER:
[ TO THE RECEIVER ]: " hey, are you okay? "
[ TO THE RECEIVER ]: " don't worry. i'll take care of this. "
[ TO THE RECEIVER ]: " why don't you go on out back? i got this, it's okay. "
[ TO THE RECEIVER ]: " here. you go on into the car, alright? i'm right behind you. "
[ TO THE RECEIVER ]: " is this person bothering you? "
[ TO THE RECEIVER ]: " it's okay. hey, hey… look at me. they're gone. "
[ TO THE RECEIVER ]: " hey… what's going on? what's wrong? i… has this person said something to you? "
[ TO THE RECEIVER ]: " it's alright. the others just went out to the car; why don't you join them? i'll handle this. "
[ TO THE RECEIVER ]: " hey, hey… talk to me, huh? what's the matter? you look like you've seen a ghost… who was that? "
[ TO THE RECEIVER ]: " don't be scared. i'm going to take care of this. i promise. "
[ TO THE RECEIVER ]: " you don't need to say anything. just nod if you want me to kick them out, okay? "
[ TO THE RECEIVER ]: " you're alright. i'm right here, don't worry. and they'll be gone before you can blink, that's another promise. "
ACTIONS:
[ HAND ]: sender, having seen the receiver's encounter with the threat, gently takes the receiver's hand to assure them they aren't alone.
[ INTERVENE ]: sender wordlessly steps in between the receiver and the threat, facing the threat while shielding the receiver from them.
[ BLOCK ]: sender steps in between the receiver and the threat, this time facing the receiver while turning their back to the threat and blocking them from the receiver's line of sight.
[ BACK ]: sender places a protective and gentle hand on the receiver's back, preparing to guide them away from the threat.
[ DOOR ]: sender firmly but politely insists that the threat leave the building, and escorts them out of the door.
[ EXIT ]: sender physically catches hold of the threat and drags them away from the receiver, and outside of the building.
[ PUSH ]: sender places a careful hand on the threat to keep them at arm's length, and steps forward again to give the receiver more space between them and the threat.
[ SHOVE ]: sender runs over and forcefully shoves the threat back and away from the receiver.
[ SPACE ]: sender pushes between the receiver and the threat and begins to move forward, invading the threat's personal space as both a means of intimidation and a way of getting them away from the receiver.
[ DIVERT ]: sender arrives behind the threat and gains their attention, distracting them from the receiver so as to give them time to leave the area.
[ CLEAR ]: the sender firmly and clearly tells the threat that they are no longer allowed in the premises nor anywhere near the receiver.
[ ARM ]: sender wraps a protective arm around the receiver and guides them away from the threat and out of the premises.
[ PUNCH ]: the sender, having seen the receiver's reaction to the threat and the threat's lack of consideration, moves forward and punches the threat in the face.
REASONS TO TACKLE. [ a prompt list! ]
listen. tackling is a language that can convey many many things. and once again, this is a list that may be edited down the line to capture those languages, but in the meantime! we have this! bc i saw One Scene in a film and made it the dashes problem! bon appetit, enjoy! DO NOT ADD TO OR EDIT THIS LIST, NOR CLAIM AS YOUR OWN.
[ ANGER ]: sender tackles the receiver in a fit of rage.
[ DODGE ]: sender tackles the receiver out of the way of an attack.
[ LOVE ]: sender tackles the receiver onto a bed/sofa to give them some attention of a romantic or similarly heated nature.
[ TRAIN ]: sender tackles the receiver as part of a sparring or training exercise.
[ SLEEP ]: sender tackles the receiver on top of a bed in order to insist that they get some sleep.
[ HUG ]: sender tackles the receiver to the ground in their enthusiasm to give them a hug.
[ CALM ]: sender tackles the receiver to the ground in an effort to both restrain and calm them down.
[ STOP ]: sender launches themselves at the receiver and tackles them in order to stop them from doing something.
[ FIGHT ]: sender, in the midst of a physical fight with the receiver, tackles them to try and gain the upper hand.
[ RESTRAIN ]: sender tackles the receiver to try and physically restrain them.
[ HIDE ]: sender tackles the receiver to the ground, out of sight, in order to stop them from being seen.
[ SHIELD ]: sender throws themselves over the receiver's body to shield them from an attack.
[ INTERVENE ]: sender tackles the receiver to prevent them from attacking another person.
[ WHISPER ]: sender tackles the receiver so as to distract on-lookers from seeing them whisper something into the receiver's ear.
[ COLLAPSE ]: sender, weak due to previous conditions, collapses on top of the receiver, inadvertently tackling them to the ground in the process.
[ SLIP ]: sender slips on something and trips, bringing the receiver down with them in their descent.
[ POCKET ]: sender tackles the receiver in order to distract witnesses from seeing them put something into the receiver's pocket.
[ CONVINCE ]: sender tackles the receiver to convince on-lookers that they're enemies.