All Interactive Work Is Political Because All Of It, In One Way Or Another, Deals With How You As An

all interactive work is political because all of it, in one way or another, deals with how you as an individual relate to your communal space, whether that communal space is a supermarket and you’re listening to a piece of audio about it, or that communal space is the court of an elven king and you’re trying to work out the social dynamics within that.

Katy Naylor, in conversation with Leo Doulton, voidspace magazine

Honoured to be part of @realmspod where everybody's gay.

Bonus NB version which @naomithinksit made for me 💛🤍💜🖤

sorry, it's a GOOD thing if cishet people use non-conforming pronouns or dress in non-conforming ways or whatever else. for one, that person may not be cishet. but more importantly, living in a society where more people feel comfortable exploring their relationship to gender and sexuality is an undoubtedly GOOD thing

Reblogging this manually. Op doesn't want credit for fear of being terminated.

I Need A Miracle is directed by Robert Valentine

Rob is a writer, director and producer, mostly working in the wonderful world of audio drama. His work frequently combines secret or hidden histories, adventure and a dash of the fantastic – be that magic, horror, the paranormal or science fiction.

@merelymatt says, as soon as I saw Big Finish Doctor Who, Dead London and Murmurs in Rob's portfolio, I knew the high concept genre-straddler that is I Need A Miracle would be in safe hands. He got such a strong handle on the material right from the start that it was like he'd written it himself, and he had just as much determination to make it brilliant!