Consider The Bison From Consider Chaos By @awesomeavocadolove

Consider The Bison from Consider Chaos by @awesomeavocadolove

[Id: Black and white art. Zuko and Dragon. No a dragon, but the sky bison calf. Zuko in a straw of fresh hay, a newborn bison half sprawled over him, its sleeping body keeping him firmly in place. He grump, but his hand does not stop stroking the calf's fur and another one still holding the bottle with the pacifier. Calf have flame-like stain. End id]

I love slightly unhinged/changed pevensie children headcannons. Even though it's not technically cannon, it's still cool.

A SAVAGE PLACE

because I just re-read Prince Caspian and remembered how completely different it is to the movie, and because it says Aslan is good but not safe and I think so is Narnia and, as they become part of the fabric of it, so are the Pevensies

“You may find Narnia a more savage place than you remember.”

Trumpkin has never heard a silence so loud as this that follows his warning. The children glance at each other, crowding the air with a language he isn’t hearing. His skin prickles with it. He turns away from them, drawing his knife to begin skinning the wild bear.

Only a moment later, the smaller, darker boy is drawing his own knife and dropping to his knees. Trumpkin looks at him sidelong, uncertain.

“I’m a fair butcher,” King Edmund tells him mildly, and he plunges his arms in up to the elbows.

~

This is the story Trumpkin knows.

That once, Narnia was held in the grip of a terrible Winter brought upon it by a tyrant Witch, that four children were called by Aslan the Great Lion out of their own land to cast her down, and when they had done so the Lion crowned them himself at the shining castle of Cair Paravel, where the ruins now lie on the sea. That they governed so wisely and well that the folk of Narnia knew nothing of evil or hardship. That all was joy, when the trees danced and the animals spoke.

That the first of them held with equal steadiness the sceptre and the sword, that to him was given the crown above crowns, that every sovereign before or since stood but palely in the shadow of his glory. That the second of them surpassed all other beauties, that she was soft of hand and soft of heart. That the third of them had learned such wisdom on the path of darkness that his counsel was worth more than rubies, and the tongue in his mouth was as silver as his crown. That the fourth of them was the darling of the land, that laughter and lightness were her constant companions, that to see her smile was to be blessed.

In front of him now, the fourth is drying her eyes with dirty sleeves, and the third curses as he picks blood from under his fingernails, and the second scowls, tugging at her long hair, all straggly with salty air and sweat, and the first of them is building a thin fire with trembling hands, silent.

~

“Don’t say much, eh, that brother of yours?”

He is walking alongside Queen Lucy the Valiant, who is all of nine years old, wearing a grin and a dagger. They are following the tall one, whose steps are sure and make no sound.

“Well, of course not. He has to be careful what he says.”

“Don’t we all?”

He is chuckling, but she isn’t. Her face is young and pale and flecked with sunlight that shifts like a glamour.  There are moments when her teeth look too big for her mouth, when her eyes sit strangely, as though she has stolen them from another. Sometimes she is difficult to look at.

“Not like Peter does. When he speaks…”

Smiling, she spreads her arms wide, embracing the still trees and sleeping waters, the sky above them and the earth below.

“Narnia listens.”

They trudge on, and Trumpkin watches King Peter watching the clouds. He has never been so far as Narnia’s northern border, where the sky lies heavy and indomitable on the bleak, open land. He does not know what it would mean to be crowned for the blue mountains and distant thunder of the cold, still North; the terrible immensity of it. The carvings on the walls of Aslan’s How are flat and dead, fading under the dust of uncountable years. They do not show these things, and they do not show the High King’s lion-gold hair or his clear, calm predator’s eyes, or how at dusk in enemy lands it was once whispered that behind closed lips, his teeth were fangs and his breath smelled of iron.

The little girl skips ahead to catch her brother’s hand. The trees shiver around them, remembering the rhythm of her steps on the earth, the way she’d danced, mad and barefoot, her shrieking laughter in the night. The echo of it has hung in their leaves for a thousand years. Trumpkin sees them stirring, shakes his head, cannot help wondering if her voice, too, is threaded with this deep magic. It’s here in the very presence of these four living ghosts, in their fingertips and their footprints and the corners of their eyes. And though Trumpkin has never been a believer until now, he has heard enough to know that magic is not always sweet.

Behind him, the older girl is humming a tune that Trumpkin doesn’t quite recognise, though it catches in his ears like something familiar. There are no histories written of Queen Susan and the sly sirens, of how she would step from the sea like a drowned woman with her clinging hair, her deep-hued lips, to sing the music she had learned. The histories that remain crown her to the rich south, where the crops grow and the flowers open their delicate hearts for the indifferent eyes of the sun. As Trumpkin turns to look, pulled by that hypnotic song, she snaps a bloom from a bush of wild roses to slide into her hair.

She has not seen him glancing back, but the other one, the younger boy, has. Under his dark eyes, Trumpkin feels as pinned as if he were at the point of a dagger. Though they are far from the wild woods of the west, this is still King Edmund’s realm: the forest with all its shadows and its green secrets, laid bare when winter’s frozen hands come to strip them away. But now it is high summer and the leaves are thick, cloaking the woods in their mystery, and Trumpkin cannot see what is behind the boy-king’s sharp smile.

~

Time is long and wearing, and this is the story the Old Narnians have forgotten.

That Susan’s soft fingers had stung under the tautness of her bowstring, the first time she’d pulled it back to kill. That Peter had wept beside the corpse of the wolf. That Aslan’s maw had been red and sticky, dripping thick ropes of blood, and that the Witch had been beautiful, in her cold way.

~

“I have been told – I have learned about the Golden Age,” Caspian tells them later, shaky and fervent. “The legend. Of what Narnia was when you ruled it. It must seem like a sparse, savage place, compared with the one you knew.”

They watch him silently. Peter, whose eyes are bright and blank as a clear sky, and Susan with her full, unsmiling lips are already their own statues. After a moment, Edmund’s harsh laughter fills the darkness, and Lucy pinches him with fingers as sharp as any faery’s.

That night, Caspian puts the Horn where he cannot see it before he tries to sleep.  

It’s his birthday everyone give him a kiss

peter, susan, and edmund: it’s ridiculous to say that i have a favorite sibling. i love all lucy’s and non-lucy’s equally

Miss Pevensie, they say, can you identify these bodies for us? And you try, gentlest sibling, you try your best. But the tears are thick in your throat and the grief is bitter on your tongue, and when you shut your eyes you see fire and steel, twisting together and crushing the breath from their bodies.

You look at your father, and mother, and cousin, still and silent on their backs, bruised and bloodied and unsmiling, and their faces are anything but familiar. Were their eyes open you would be looking into the face of a stranger. You press your hand over your mouth, and you do not cry, and you tell them what they want to know. These are my parents, you hear yourself say. This is my cousin. They nod, they thank you, they direct you forward. More, more, more corpses to identify. More losses to count.

You look at your eldest brother, golden blond hair spread across his forehead, thick like the mane of a lion. There is gravel in his skin and soot on his cheeks and his face is pale, hands folded over his chest and blood threaded into his yellow sweater. Red against gold. For a moment the combination brushes your brain, touches a distant memory of battle and clashing swords, but you blink and it is gone. This is my brother Peter, you say, in a voice choked with grief. The sky looks black outside the window, and your brother’s arm still feels warm when you touch it a final time.

You look to your younger brother, dark hair tousled, blood leaking between his lips. His skin is frost pale, like snow, so white he appears to be made of stone. Shrapnel cuts into his cheeks and sends crimson trails across his face. His hands are clenched, cap askew on hair smeared with blood. They tell you he died with his sister in his arms, body curled around her in a vain attempt to keep her safe. You stare at him with a lump in your throat, and for a moment you seem to see him, silver crown upon his head, smiling with quiet gentleness. It fades, and you whisper, This is my brother Edmund. The tree outside the window seems to wilt a little as you speak. Your brother’s cheek is like ice beneath your fingertips.

You look last at your sister. She is peaceful, lips lifted in a smile, hair tangled beneath her head and shoulders. She grips something in one hand— a tiny wooden carving. A lion. Your throat clenches to see it, but you do not know why. Her skin is warm, like sunlight, but there is such coldness in her face. Such emptiness. Blood smears her sky blue dress, and you weep to see it. Blood does not belong on your baby sister. For a moment the red makes you remember her, dancing wild by a fire with berry juice smeared on her hands and mouth, but surely not. Surely such a thing never happened. This is my sister Lucy, you murmur, and are able to say no more. For a moment it seems as if a mist touches the window, and your sister’s skin is hot against your palms.

You turn away, raven-dark hair falling over your cheek, and stare out the window with tears burning your throat. There is no sun, and you think that perhaps there will never be sun again. It has been taken away forever.

(For a moment you seem to hear a voice, deep, gentle, loving. To the radiant southern sun. For a moment you feel the weight of a crown in your hair. Perhaps you are losing your sanity, bit by bit. Perhaps it was shattered the moment you heard the news).

They asked you to identify the bodies, and you did, because they are your family. They were your family. You loved each and every one of them. You loved your mother's soft fingers in your hair and your father's deep chuckle. You loved your older brother's fierce kindness and your little brother's quiet demeanor and your baby sister's merriment. You loved them all. And now you stare through the window at a sky that is heavy with rain and think of flames and twisted metal and the blood on your siblings' skin.

You close your eyes. For a brief moment you think you smell lilies, and salt, and Lucy is laughing and Edmund is smiling and Peter's arms are slung around their shoulders, and then they are looking at you and beckoning and there is a lion with golden eyes and the sun is rising into a damp new sky.

Your eyes open slowly, glazed over with tears that spill down your cheeks like rain.

And for a moment, just for a moment, you remember.

"and they were roommates" but this is an s-rank nukenin who heads a terrorist organization that tries to end the world and his childhood not-a-friend in whose arms he died and their little shared dimension