This Incredible 95-year-old Transwoman Flight Instructor Found Love Late In Life Only To Be Denied Social

This incredible 95-year-old transwoman flight instructor found love late in life– only to be denied social security benefits by the government because she’s not cisgender

A beautiful interview with a woman who transitioned in 1976 shows how life for transgender people has changed over the years, although some terrible consequences remain the same.

Once we had a country and we thought it fair, Look in the atlas and you’ll find it there: We cannot go there now, my dear, we cannot go there now. In the village churchyard there grows an old yew, Every spring it blossoms anew; Old passports can’t do that, my dear, old passports can’t do that. The consul banged the table and said: ‘If you’ve got no passport, you’re officially dead’; But we are still alive, my dear, but we are still alive. Went to a committee; they offered me a chair; Asked me politely to return next year: But where shall we go today, my dear, but where shall we go today? Came to a public meeting; the speaker got up and said: ‘If we let them in, they will steal our daily bread’; He was talking of you and me, my dear, he was talking of you and me.

W.H. Auden, Refugee Blues (via handful-ofdust)

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There were also other pioneering [East and Southeast] Asian American actors like Benson Fong, Victor Sen Yung, Lotus Long, Suzanna Kim, Barbara Jean Wong, Fely Franquelli, Chester Gan, Honorable Wu, Kam Tong, Layne Tom Jr., Maurice Liu, Teru Shimada, Willie Fung and Wing Foo; all began their film careers in the 1930s and ‘40s.

With the relatively small percentage of actors that support themselves by acting, it was only logical that they should try to limit the available talent pool as much as possible. One way of doing this was by placing restrictions on minority actors, which, in the case of Asian actors, meant that they could usually only get roles as houseboys, cooks, laundrymen, and crazed war enemies, with the rare “white hero’s loyal sidekick” roles going to the big name actors. When the script called for a larger Asian role, it was almost inevitably given to a white actor. (A Brief History of Hollywood Yellowface)