This Is Perfect

This is perfect

👶

😭👍

𝐑𝐄𝐀𝐒𝐒𝐔𝐑𝐀𝐍𝐂𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

idk what this is my dudes, i got angsty, then spot.ify gave me a soft song, and i decided to resolve the angst briefly by writing up these! i hope y’all enjoy!

DIALOGUE PROMPTS.

“ hey, look at me… you can do this. okay? you can. “

“ it’s gonna work out, alright? i promise.

“ you’re not alone, okay? not anymore. i’m right here with you. “

“ you good? “

“ here. hold my hand. you get scared again, squeeze tight, and i’ll help you. got it? “

“ shh… it’s okay… breathe with me, okay? in… and out… good job. “

“ we’re gonna figure all this out together, i promise. “

“ that’s it… there we go, good job… let it all out. “

“ of course i came. you called me. what’s wrong? “

“ hey, why don’t we get out of here? would that be better? “

“ you wanna get out of here? i know a great coffee shop a few blocks away. “

“ do you wanna talk about this, or be distracted, or left alone? “

“ you don’t have to be so strong all the time. it’s okay. cry. i’ll be strong for both of us. “

“ hey, i got you some water. drink it all, you’ll feel better. “

“ it’s been a long day. why don’t you stay here tonight? i can take the sofa. “

“ c’mon, you gotta eat something. and i can’t cook, so take-out it is. eat up. “

“ let’s go for a walk. staying here is the worst thing we can do, right? “

“ don’t you pay any heed to those morons. they don’t know you. not like i do. “

“ it’s okay. i got you… “

“ we don’t need to talk unless you want to. i’m happy to just sit with you for a while. “

“ it’s alright. you take your time… i’m gonna be right here whenever you want to talk, okay? “

ACTION PROMPTS.

[ KNEE ]:          sender gently rests a hand on the receiver’s knee to stop them from shaking it.

[ MOUTH ]:          sender notices the receiver’s distress from across a crowded room, and silently mouths “are you okay?” to them.

[ SIT ]:          sender guides the receiver into a seat after noticing them becoming upset.

[ BESIDE ]:          sender sits next to the troubled receiver at a social event so that they don’t have to feel alone.

[ BACK ]:          sender rests a gentle hand against the receiver’s back, silently checking in on them.

[ HAND ]:          sender takes a gentle hold of the receiver’s hand, as a form of emotional support and reassurance.

[ JOIN ]:          sender follows the emotionally unsettled receiver out of a crowded party and into a secluded space to check on their well-being.

[ BREATHE ]:          sender begins to take slow, deliberately even breaths, encouraging the receiver to copy their motions until their own breathing is back to normal.

[ SPOON ]:          sender lies beside the receiver and becomes the big spoon to comfort them.

[ GLANCE ]:          sender glances at the receiver while in a public setting to assure them they aren’t alone, and ground them in doing so.

[ BLOCK ]:          sender deliberately stands in front of the receiver to prevent them from seeing something that may upset them further.

[ SHIELD ]:          sender deliberately stands in front of the receiver to protect them from a targeted attack (verbal or physical).

[ DISTRACT ]:          sender, noticing receiver’s distress, provides a distraction for them (by conversation, a mobile game, a detour, etc.).

[ ARRIVE ]:          sender shows up at the receiver’s door after receiving a troubled phone call from the receiver.

[ CIRCLE ]:          sender rubs slow circles on the receiver’s back while hugging them in an effort to calm them down.

[ FOREHEAD ]:          sender lowers their head to press their forehead against the receiver’s, trying to comfort them in the process.

[ ANCHOR ]:          sender places a hand on the back of the receiver’s neck and pulls them close in an effort to physically and emotionally ground them.

[ HOLD ]:          sender holds out their hands to the receiver, either to hold hands or to hold them.

[ AROUND ]:          while sitting together, the sender quietly wraps an arm around the receiver’s shoulders as a support.

[ SHOULDER ]:          sender reaches out and places a hand on the receiver’s shoulder, both to catch their attention and silently ask if they’re okay.

[ JACKET ]:          sender notices the receiver beginning to shake after an immensely distressing incident, and removes their own jacket to wrap it around the receiver’s shoulders.

[ CATCH ]:          sender, noticing the receiver’s legs beginning to give out beneath them, rushes over to them and catches them before they collapse to the ground.

Guys... I have a confession Hi-Fi Rush has stolen my heart in its first track and I don't think I'm getting to back.

To be honest, I do write whatever comes to mind. BUT! After I'm done writing I look back at it to see if it's okay or not.

Editing is a very important to the writing process and it can make or break a story.

Writing rule 27 baffles me for how utterly CONCEITED it is. She honestly believes that EVERY writer does things by the seat of their pants and doesn’t plan things out?! (Oh, and it is genuinely bad advice. Some stories do need to be planned out to create a comprehensive plot.)

I can think of quite a few properties out there that where planned in advanced. Even I try to make a planning board to give myself a general idea of where I want the story to go and how I want to get there.

A friend of mine has been carefully detailing her story out so that when it comes time to write it, she can just weave the points toghether.

This writing tip is ether about kid tv shows that go on for a long time like MLP, or she wrote it to encourage people who are just getting into writing, but even then, the wording of it is so bad that it makes it seem like she thinks nobody is planning anything.

Void with Boyfriend be like:

i love shadow dub

Ben looks so cool with Rex's jacket!

A something updated jacket trade between Ben and Rex is complete! By drawing Omniverse Ben I kept his AF/UA hairstyle ‘cause the OV is harder to draw. And Rex wears the Omniverse Ben’s jacket!