old-papercuts - why are you stil here?
why are you stil here?

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THEY DID IT! THEY DID IT! THEY DID IT!Excuse While I Cheer. The Team D I D I T.

THEY DID IT! THEY DID IT! THEY DID IT! Excuse while I cheer. The team d i d i t.

THEY DID IT! THEY DID IT! THEY DID IT!Excuse While I Cheer. The Team D I D I T.
  • macbcth
    macbcth liked this · 8 years ago

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8 years ago

All Was Well (Before “Cursed Child”)

Honestly, the most basic problem with Cursed Child, even as a concept, is that it takes a shit on pretty much everything that we learn in the epilogue.

In the epilogue, Albus and Rose are clearly very close; Albus is anxious to even go to Hogwarts without her. In Cursed Child, Rose is a stuck-up little snot who won’t talk to him for years just because they got sorted into different Houses and he won’t shun a boy whom she doesn’t like. 

In the epilogue, Albus and Harry have a good relationship, as seen by the quiet father-son moment that they have before Albus boards the train. In Cursed Child, we find out that that moment was apparently a fluke, because their relationship is actually strained and dysfunctional. (Also, for some reason Albus hates his parents’ nickname for him.)

In the epilogue, Albus really, really doesn’t want to be put in Slytherin, and yes, I get that this is the same Slytherin-bashing that we’ve gotten the whole series, but the point is, Harry assures Albus both that the Hat will take his wishes into account and that it doesn’t really matter anyway. In Cursed Child, it turns out that no, the Hat doesn’t care a jot what Albus wants, and being in Slytherin exacerbates all sorts of problems that Albus has both with Hogwarts and his father.

I know that stories need conflict, and I’m not saying that Harry and Albus can’t ever fight or that everything has to be totally perfect. And I know a lot of people find the epilogue shmaltzy, but I actually really liked it because, after all that darkness, it gave the series a happy ending. But in Cursed Child, we need to retcon every bit of happiness away to justify a stupid story that rehashes all of that old darkness. You can argue that, hey, all of these problems get sorted out by the end of the play…but if that’s the case, why did we need the play to begin with? These problems were already sorted out nine years ago when the epilogue first came out!

Harry Potter and the Cursed Child fucks up a lot of canon facts, but it’s just as bad with the ending’s tone. The epilogue literally ends with “All was well,” only for this play to come along and say, “Well, except everything, apparently.” 

8 years ago
The Olympians: Zeus, Poseidon, Hades
The Olympians: Zeus, Poseidon, Hades
The Olympians: Zeus, Poseidon, Hades

the olympians: zeus, poseidon, hades

8 years ago

red.

it is february 1980 when they meet at a funeral

they are two red-haired women, one pureblood and one muggleborn, but neither of them care because blood does not matter

(except that it does. except that this whole stupid war is about blood)

they are two red-haired women with the future of the wizarding world growing in their bellies

and this is how it goes

gideon and fabian prewett go into the ground that day

molly, the last remaining prewett, feels like she’s drowning

(and although she is now a weasley, she will always be a prewett)

arthur’s hand in hers reminds her that she is not alone (far from it, in fact), but it does not ease the pain, the grief of losing all that was left of her family in one fell swoop

there is a stream of endless platitudes and consolations, so repetitive and meaningless that they blend into one another

(and she feels awful for the ones she has offered in the past)

(sometimes words mean so little)

she tries to tune it all out. sometimes she mutters, ‘thank you,’ towards her feet, but mostly she is silent

‘when are you due?’

it is the only question that cuts through because it is so thoroughly unexpected, especially at a funeral

looking up, she meets a pair of brilliant green eyes, softened with sympathy in this moment

(but she knows just by looking at her that this woman can be hard, so hard and strong when she wants to be)

(and behind the woman stands a tall, bespectacled man with black hair, wilder and messier than hair really has a right to be, and she knows immediately that they are lily and james potter, who gideon and fabian talked about because of how bright and brave and in love they are)

when she does not answer, lily tries again, ‘you are pregnant, right? this isn’t some awful, social faux pas where i’ve asked a woman if she’s pregnant when she’s not, right?’

james sniggers and lily elbows him in the stomach

(and she wonders about these two, clearly so young, too young, for war and for a baby and for merlin knows what else might be coming)

(but she sees the way he holds her hand reverently, and the way she looks up at him reproachfully, her eyes betraying her amusement and embarrassment, and how he smiles and she smiles back and molly may as well not be there because they are so in love and damn the war)

‘march,’ she eventually answers and the anxiety in lily’s face melts away

then molly casts her eyes downwards and smiles

‘and you?’

‘august,’ she answers, glowing like only a woman who is creating life can

lily’s hand skims across her stomach, the instinctual action of a woman whose belly is full of baby

(and molly would know, she has patted her own belly too many times to count)

‘well, i guess our children will be going to hogwarts together, then,’ molly muses aloud

‘maybe they’ll be best friends,’ lily smirks

and, for a moment, molly feels lighter because it is so reassuring to talk about the future in this way, to think about her children growing up in a world where they’re safe and happy and blood doesn’t matter and they can be whatever they choose to be

‘potter and weasley,’ james is staring dreamily at the sky before dropping his gaze back down and grinning widely

‘hogwarts won’t know what hit it.’

she never sees them again

her hands shake when she reads about them in the daily prophet

and she cries when she thinks about how they were bright and brave and so young

(too young and so in love)

(and now gone too soon)

she never forgets, but the memory does fade, the memory of meeting a vivacious couple on one of the worst days of her life and how they gave her hope for a future when the word future felt like taboo

and it doesn’t happen the way any of them had predicted, but it happens

because ron writes home in september 1991, talking about how he made friends with harry potter and how he stuffed himself silly on the hogwarts express because harry was generous and cool and being friends with him was easy and natural

so she thinks of lily and how she rubbed her belly, green eyes alight with hope

and she thinks of james and his cheeky grin and what he said that day

‘potter and weasley. hogwarts won’t know what hit it.’

and she smiles

8 years ago
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love
Do You Think I Chose To Be Like This? Do You Have Any Idea How Lonely It Is, How Dangerous? I Would Love

Do you think I chose to be like this? Do you have any idea how lonely it is, how dangerous? I would love to be upstairs watching TV or gossiping about boys or, God, even studying! But I have to save the world, a g a i n.