
Oxan // any pronouns // ask-box open // no commissions but requests can be made
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Oxan1006 - Wisdom From All Three Of My Therapists
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More Posts from Oxan1006

They GOSSIP
Dr. Glass and @em0tionalentropy âs Dr. Wisteria
Close-ups:


no one can stop me

Writing Realistic Characters - part 2
- Journal from their perspective. It can be hard to write compelling, realistic motivation for characters if you donât understand them yourself. By journalling from their perspective, even if the content of the journal isnât included in your story, youâll essentially be thinking as the character. This should help you understand who they are and how they make choices and react to things, like a real person would.
- Answer âcharacter questionsâ, but be careful when using lists found online. The internet is full of lists of questions for writers to answer when building characters, but not all of them are actually that important or useful. The fact is, it really doesnât matter what a characterâs favourite colour, animal or day of the week is (unless itâs relevant to your story⌠but it usually isnât). When looking for question lists online, or making your own, focus on questions that have to do with your characterâs personality, such as how theyâd react to a situation or which values matter more to them.
- Make character charts! I canât stress this enough â character charts are incredibly useful tools for writers and I donât know what Iâd do without them. Theyâre a great way to keep track of important information about your characters in an organized way thatâs easy to access when you need to quickly check a detail. Iâd also strongly recommend making your own charts, not using templates online (I find it a lot easier to stay organized when Iâm using my own organizational system). If you need a place to start, though, I normally create charts with 4 categories: role (protagonist, antagonist, etc.), name, identities (gender, ethnicity, sexual orientation, etc.), and description (just a brief few sentences about them). You can also make personality charts with things like their greatest flaw, greatest strength, story goals, etc.
- Come up with a few detailed memories/anecdotes from their past. Think of them as mini-stories you can drop into your main story to build a more realistic life around the character. These donât have to be crucial to the plot, and should be brought up in a natural way, such as in conversation with another character or in the main characterâs thoughts. For example, your MCâs best friend might compliment her necklace, and she tells them how her sister gave it to her as a birthday present before moving away. You can also use these anecdotes to drop in important information in a non-obvious way. Continuing the example above, the MC could mention that her sister has the same design necklace, but in green. Later, this becomes a clue, when she finds the green necklace outside the villainâs lair.
- Keep a record of their backstory. This one doesnât really need much explaining⌠Just keep notes of your characterâs backstory as you come up with it so you donât risk inconsistencies, which tend to break down realism.Â
- Remember that the reader canât see whatâs in your head. Your characters may be fully developed, realistic people in your head, but that makes it easy to forget that your readers donât automatically understand them the way you do â they only know whatâs on the page. Asking other people to read your work can help you understand how your characters come through to an audience, but if you donât want to do that, just re-reading it yourself is also helpful. If you do the latter, though, go through an entire chapter at a time, the way a reader would, not small sections.
What made me ship maxwil. Sorry this is really just a jumbled mess JKNKJN but hope u enjoy reading it anyway. Under a cut because its too fucking long
Wilson and Maxwell are donât starveâs main characters. They show up in the original gameâs intro movie together.Â
Maxwell speaks to Wilson on the radio, offers him a deal, and Wilson takes it.Â
Now, think about that- Wilson, with no hesitation, takes a strangerâs dubious offer from a radio that is NOT supposed to be two-ways. He ruins his life without even thinking about it.Â
This shows us how DESPERATE Wilson is for human contact.Â
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