I Was Thinking On La Couchette And Realized That Kath And Les Bickering About Jorg Sleeping In One Of

I was thinking on La Couchette and realized that Kath and Les bickering about Jorg sleeping in one of the top bunks was foreshadowing the twist, so THEN I rewatched the part where Jorg first enters Cabin 9 -- he's looking at his ticket, looks to the left and up, looks at the ticket again, then right and up, then sighs and sleeps in the top bunk since both middle bunks are taken

Another detail I like is that, with both what was meant to be his bunk and the bunks he tries to sleep in, he's next to Maxwell. Nice touch, really

Yeah! It's probably the biggest hint we get towards the twist.

Like I often say, every no.9 deserves at least 2 viewings.

Hopping back online to share a Charlie and Mammon headcanon.

Now, I know the out of universe reason why the Loo Loo Land jingle contains “I have a dream/I’m here to tell” was a case of VA shenanigans that Viv decided to put in the show, but I had a neat idea for the in-universe reason why.

Basically, my idea is that the verse originated from when Charlie was pretty young and first getting into music. Naturally, her entire family were very supportive of this interest and eager to share their musical tastes and knowledge with her, with them eventually setting up a sort of rotation wherein Lucifer, Lilith and the Sins took turns giving her music lessons. One fateful lesson with Mammon on how to properly rock out led to him helping her brainstorm her own lyrics and melodies for the first time. After a lot of trial and error between Charlie’s inexperience and Mammon’s tendency to just riff on the works of others, the two came up with the iconic line and melody… without writing any other lyrics or harmonies to go with it. Mammon would eventually figure out a use for it, and while he will swear up and down that its just to promote his crappy amusement park, it’s really a way to keep that memory alive and going while sharing it with others… for a price, naturally.

Continuing from the above, Mammon has rather mixed feelings regarding Inside of Every Demon is a Rainbow. On the one hand, he’s overjoyed that his niece has taken something he helped her to create and used it to voice her dreams and convictions with every ounce of passion in her body. On the other hand, he (and likely the other Sins as well) isn’t that enthused about her ideas for rehabilitation given how it could affect the propagation of the sin he embodies. On the other, other hand, he can’t help but listen to and him along with the opening of the song as it warms his withered, old heart. On the other, other, other hand, Mammon can’t help but feel a little upset that Charlie didn’t come to him to help produce the song (and monetize it).

Sorry for for the wall of text, I’ve had this idea rattling around in my head for a while and I’ve been too busy to share it.

There is absolutely no need to apologies for something like! This, without hyperbole, captures exactly what I love about Mammon.

The lyric being used because of both his connection to Charlie and his sin-centric mindset, like the other sins.

Mammon, at least to me, values the feeling of a job well done as much as he values money and this captures it perfectly.

The way Lu Lu World is a passion project for Lucifer, Loo Loo Land at least plays host to a passion project of Mammon's.

The thought of little Charlie messing around with uncle Mammon in his music room/ recording booth is so wholesome, I adore it! Their dynamic has so much potential and exploring it is always fun. Any more discussion of it is more than welcome here!

A Golden Goose idea I had:

When courting Stella, Mammon made it a point not to take her to Ozzie’s. This isn’t out of spite for Asmodeus either, rather, Mammon naturally recognizes the club for what it is: a place for people to have meaningless hook ups in the name of lust and lust alone. Since Mammon well and truly loves Stella, he wants to make sure she knows that in every little thing he does, and he is certain taking her to Ozzie’s, no matter how high end and classy it may be, would send the wrong message.

Unrelated to the above, but I like the idea of Mammon and Stella, pretty far into their relationship, having a date at some sort of fast food dive, for little reason other then the dichotomy of Mammon being himself and having a ball there, while Stella is sitting across from him eating fast food with all the grace and poise her upbringing has instilled within her (and maybe enjoying the date more than she lets on).

Just some random thoughts I thought I’d share.

Guy, I swear, if I ever meet you in person, we're getting pizza, my treat. I LOVE THESE!

Mam going the extra mile to show Stella just how much she means to him in really subtly sappy ways actually works really well with my idea of Mammon actually being smarter and more attentive than people (in and out of universe) give him credit for.

Also, YES! I ADORE hcs about Stella broadening her comfort zone and exploring interests she couldn't/wouldn't before due to Goetic culture.

Great showing all around

SM 6 TRAILER

I KNOW I KNOW I KNOW I KNOW

DUDE DUDE PELO POSTED THIS

It's only PART of the poster according to him, but holy shitttt

Extrapolating from what we see just a bit, I think this is the new demon dropping all pretenses and bursting out of Patty like an undersize shirt.

Gregor's expression is great and the general presentation is tops.

@crossover-enthusiast actually shared this art of yours with me a few days ago, still lovely to see my little goobers, though. Well done.